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: : release no ( 2688-int ) ( Internal Release ) \ rating |
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: : artist (Omni Trio ) | .---. |
: : title (Even Angels Cast Shadows ) | 0 |%%%| |
: : record label (Moving Shadow - ASHADOW26CD ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2001/08/30) | 7 |%%%| |
: : street date (2001/07/23) | 6 |%%%| |
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: : media type vinyl ( ) tape ( ) cd (x) radio ( ) | 4 |%%%| |
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: : :.: (10 tracks) (74:15 min) ( 88.3 mb) | `---' |
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nr times track titles
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| 01 7:25 Omni Trio - Breakbeat Etiquette (London Steppers Remix) |
| 02 6:00 Omni Trio - Diffusion Loops |
| 03 7:11 Omni Trio - Higher Ground |
| 04 6:55 Omni Trio - First Contact |
| 05 2:26 Omni Trio - A Little Rain Must Fall |
| 06 6:40 Omni Trio - Nu Birth (Re-Lick) |
| 07 7:06 Omni Trio - Artificial Life (Harp Tune) |
| 08 6:41 Omni Trio - Lucid |
| 09 5:59 Omni Trio - Kashmir |
| 10 7:52 Omni Trio - Kinetic |
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| | | |
| | Oh mi gosh, Rob Haigh does it again. After | |
| | releasing 'Breakbeat Etiquette' about a year | |
| | ago his fifth ablum gets released. | |
| | | |
| | For more information check out the Moving | |
| | Shadow website. Especially the online | |
| | discography is very well done. | |
| | | |
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: :
[ taken from: http://www.dotmusic.com ]
Omni Trio (aka Rob Haigh) doesn't like using live instruments within his music,
believing staunchly that electronic music should be solely computer generated.
This approach has led him to create some of the most emotive and idiosyncratic
drum & bass on the planet. 'Even Angels Cast Shadows' is his fifth album an
achievement for any dance music producer, let alone a drum & bass dude - and
once again highlights his inimitable sound. Ultimately, it's a typical Trio
journey through shifting textures and cascading shards of breakbeat beauty.
Beginning with the aching soul of his 1999 classic 'Breakbeat Etiquette', the
album glides effortlessly from one heartfelt moment to another. From the
soaring, string laden beauty of 'Higher Ground' and the digital bliss of 'First
Contact', through the moody downtempo joint that is 'A Little Rain Must Fall'
right up to the old skool feel and lower bpm of tracks such as 'Lucid' and
'Artificial Life', this is a considered and sophisticated listen.
By taking us through his wonderful, wired up world and breaking down ever
further the barriers between man and machine, Omni Trio shows us once again
that hard drives and circuit boards can breath warmth too - you just have to
know how to communicate with them.
[ taken from: http://www.godbrain.ch ]
Omni Trio has been described as 'one of the most influential dance producers on
the planet' (DJ magazine), and his influence on the drum'n'bass scene over the
last decade cannot be overstated. From the scenes earliest beginnings Omni Trio's
tracks have - more often than not - been the benchmark by which other artists are
judged. Think back to the now classic 'Renegade Snares', or 'Living For The
Future', or 'Tripping On Broken Beats', and you begin to realise how far back
Omni Trio's break-beat pedigree stretches.
'Even Angels Cast Shadows' is Omni Trio's fifth album release, and highlights the
sheer mastery of the inspiring, thoughtful and moving drum'n'bass he has helped
develop over the last eight years. To record and successfully release five albums
in the ever-volatile drum'n'bass market is impressive enough, but to retain a
consistency and immediately recognisable artistry throughout the series is a Rob
Haigh's most outstanding achievement.
Though the synth fusion occasionally borders on the twee and fans of the
mechanical beats which still dominate the countries floors are certain to give
this a miss - there is enough quality, and variety with a scattering of downtempo
cuts on the CD, here to keep even the most cynical listener chilled through the
summer months.
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| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum & bass, jungle & oldskool rips |
| to the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically |
| in many remote countries where traditional distributors can not afford |
| to target. Also, the availability of drum & bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum & bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues |
| can only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, |
| many artists will find that SOUR releases IMPROVE their real world |
| sales; especially for items only on vinyl. This is the basis upon |
| which SOUR operates. |
| |
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[ sour productions(c) 2001 ]
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