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`-----------------------:----' : design.by.ant1k
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: : _\ rippers /____.
: : release no ( 3350 ) \ rating |
: : \_____. |
: : artist (Peshay ) | .---. |
: : title (Futurama / Endless Thoughts ) | 0 | | |
: : record label (Basement - BRSS42 ) | 9 |%%%| |
: : genre (Jungle ) | 8 |%%%| |
: : release date (2001/12/10) | 7 |%%%| |
: : street date (????/??/??) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
:.. :..... ... | 1 |%%%| |
: : :.: ( 2 tracks) (18:56 min) ( 26.0 mb) | `---' |
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nr times track titles
.----^-------^----------------------------------------------------------------.
| A 10:03 Peshay - Futurama |
| AA 8:53 Peshay - Endless Thoughts |
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| | | |
| | Peshay releases two oldskool tunes, that very | |
| | very much lead into his tunes he released | |
| | afterward in the good times of the Metalheadz | |
| | during 95/96. | |
| | | |
| | Basement Records, run in association with the | |
| | Reading based record shop of the same name | |
| | (owned by Basement Phil), exploded onto the | |
| | hardcore scene with its own very distinct | |
| | style back in 1992. Using similar hardcore | |
| | breaks and catchy drop-outs as were popular | |
| | at the time, early Basement releases were | |
| | also well known for their more intelligent | |
| | edge than a lot of other stuff at the time. | |
| | It can be heard in early releases such as | |
| | Flying, and We Told You, where regular | |
| | hardcore production is mixed with more | |
| | melodic Detroit style sounds and percussion, | |
| | in a way that went down well with the more | |
| | underground DJs at the time, such as L.T.J. | |
| | Bukem. | |
| | In 1993 as the dark side erupted onto the | |
| | hardcore scene, the label really came into | |
| | its own. Jack Smooth, who engineered all 15 | |
| | initial releases on the label among others, | |
| | Wax Doctor, Alex Reece, Top Buzz, and Phil | |
| | himself, steadily began to craft the famous | |
| | jungle tekno sound during this era, for which | |
| | Basement is still most well known for of all | |
| | hardcore labels. More advanced and polished | |
| | than anything the earlier hardcore scene had | |
| | come up with, yet still relying on high speed | |
| | hip hop style breaks and 4-beat action, | |
| | Basement's sound was in a league of its very | |
| | own, and no one could touch it. | |
| | As hardcore eventually evolved and split, | |
| | Basement then progressed into producing some | |
| | of the best melodic intelligent drum 'n' bass | |
| | around. Everyone from Ratty to Easygroove to | |
| | Sy to Slipmatt seemed to find something | |
| | special in Basement's releases over the | |
| | years, and conveyed that through their DJ | |
| | sets. | |
| | Sub-labels Smooth, Basement Classics, and | |
| | Basement House Department also sprang up in | |
| | its wake. | |
| | | |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum & bass, jungle & oldskool rips |
| to the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically |
| in many remote countries where traditional distributors can not afford |
| to target. Also, the availability of drum & bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum & bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues |
| can only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, |
| many artists will find that SOUR releases IMPROVE their real world |
| sales; especially for items only on vinyl. This is the basis upon |
| which SOUR operates. |
| |
`---------------------------------------------------------/ |
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[ sour productions(c) 2001 ]