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█ PRESENTS: ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▄
█ █
█ ARTiST : Brahm █
█ ALBUM : Built To Be Brought Down █
█ LABEL : Lujo Records █
▄ ▄
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▄ ENCODER : Lame 3.90.3 / APS ▄
█ STREET : Oct-00-2004 █
█ RELEASE : Aug-27-2004 █
█ GENRE : Electronic █
█ QUALiTY : VBRkbps / 44.1kHz / Joint-Stereo █
█ SOURCE : CDDA █
█ TYPE : Album █
▄ ▄
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▄ + TRACK LiSTiNG + ▄
█ [#] [Track Name] [time] █
█ █
█ 01. out of the ashes of destruction 04:40 █
█ 02. the skull 04:16 █
█ 03. next time, fists will fly 04:11 █
█ 04. wings like razors 04:45 █
█ 05. the stars in your hair 05:06 █
█ 06. velvet 04:18 █
█ 07. start laughing now 04:18 █
█ 08. nights hollow stare 04:15 █
█ 09. catacombs 05:08 █
█ 10. fenn 05:45 █
█ 11. a chandelier of a man 04:39 █
█ 12. dad 03:01 █
▄ ▄
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▄ + RELEASE iNFORMATiON + ▄
█ █
█ On his new record "Built To Be Brought Down," DC based Brahm █
█ brings an entirely unexpected and unpredictable element to █
█ modern electronic music. Barber has managed to create some █
█ of the most innovative and profound electronic and hip-hop █
█ based music. Mixing elements of jazz, hip-hop and indie █
█ rock, Brahm is quite possibly one of the most influential █
█ electronic artists to come from Washington D.C. Nathan Burke █
█ (ex-Frodus, The Out_Circuit) lends his voice to a few tracks █
█ to create an atmospheric and droningly beautiful landscape █
█ of dark melodies. Along side Nathan, Rachel Burke's (Beauty █
█ Pill (Dischord Records)) vocals are the backbone of the █
█ beauty and elegance of this record. This album is sure to █
█ spark both old and new fans of IDM and electronic music. █
█ █
█ The hip-hop phenomena caught the attention of many in the █
█ 80s, as it grew in audience and in ground. One of those █
█ captured was the young Chaz Barber, at the time an █
█ elementary school student who took a liking to the rhythm █
█ and soul emanating from these new sounds. By no means though █
█ was this attraction a passing fad. The attraction soon grew █
█ to an addiction, resulting in the collection of hundreds █
█ upon hundreds of records, and ultimately, the purchase of an █
█ ASR sampling keyboard at the tail end of 1994. █
█ █
█ With his musical taste broadening and the urge to sample and █
█ create new sounds burning within, Barber followed with the █
█ next addiction...the purchase of any record that seemed █
█ interesting at all. This parasite grew to take up all living █
█ space while putting a world of sound at his fingertips, thus █
█ ushering in a new era for the artist to create any sort of █
█ sampled music. Everything from cinematic soundscapes, █
█ hip-hop, trip-hop, dance, and experimental music bellowed █
█ from Barber's basement studio. █
█ █
█ Like a mad scientist, sounds were created and compositions █
█ constructed and deconstructed. Within no time, Barber was █
█ producing many different artists from the DC area, █
█ collaborating with a variety as traditional as jazz, and as █
█ extreme as hip-hop and post-punk. A hefty discography of █
█ tracks grew as did his own compositions. The time finally █
█ came when these compositions began to breathe on their own. █
█ Their emotional element becoming evident in the rigid ones █
█ and zeros of a prominent digital art form. Which brings us █
█ to now, the very moment of reckoning where personal, █
█ heartfelt songs and soundscapes yearn for a glimpse of the █
█ outside light - and said artist makes ultimate dreams █
█ realities. █
█ █
▄ ▄
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+[ There's nothing more fun than ignoring the rest of the world ]+