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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Stone Temple Pilots ▄▄▀█▓
▐▓▌▐█▌ Album : Shangri-La Dee Da ▐█▌▓▌
▐▀▄██ Label : Atlantic ██▄▀▌
▄███▌ Genre : Hard Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2001-06-19 ██▀▄▌
▐▓▌▐█▌ Quality : 990 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.2.1 ▀▀▄█▓
▓███ Size : 348.12 MB ███▓
▀ ▀█▌ Time : 47:13 min ▐█▀ ▀
▓▄███ Url : http://www.stonetemplepilots.com ███▄▓
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▄██▀ ▀██▄
██▌ 1. Dumb Love 2:51 ▐██
██▌ 2. Days of the Week 2:35 ▐██
██▌ 3. Coma 3:41 ▐██
██▌ 4. Hollywood Bitch 2:43 ▐██
██▌ 5. Wonderful 3:47 ▐██
██▌ 6. Black Again 3:26 ▐██
██▌ 7. Hello it's Late 4:22 ▐██
██▌ 8. Too Cool Queenie 2:47 ▐██
██▌ 9. Regeneration 3:55 ▐██
██▌ 10. Bi-Polar Bear 5:04 ▐██
██▌ 11. Transmissions from a Lonely Room 3:15 ▐██
██▌ 12. A Song for Sleeping 4:15 ▐██
██▌ 13. Long Way Home 4:32 ▐██
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████ No. 4 gave Stone Temple Pilots the comeback they were looking ████
████ for, albeit a little later and a little differently than ████
████ expected. Nearly a year after its release, "Sour Girl" gave the ████
████ band its biggest hit in years, and it set up their fifth album, ████
████ Shangri-La Dee Da, perfectly. They seized this opportunity by ████
████ turning out the same record as the time before, splitting the ████
████ difference between heavy rockers and sugar-sweet psych-pop tunes. ████
████ That's not a bad thing, nor is it unexpected, since they've ████
████ basically been staking this same territory since Tiny Music, yet ████
████ at this point, it feels as if the Pilots are comfortably within a ████
████ musical groove, no matter how much turmoil they have privately. ████
████ And, while this doesn't result in a particularly surprising ████
████ record, it's not an album that's bad, either. Here, as on 4, ████
████ they're not just better on the pop tunes, they're phenomenal on ████
████ the pop tunes. Regardless of their critical reputation, no rock ████
████ band of their time turned out such a consistently dazzling streak ████
████ of pop tunes. Sometimes, the rockers do catch hold -- "Dumb Love" ████
████ provides a gripping opening, "Hollywood Bitch" has a real sense ████
████ of propulsion, the dreamy "Hello It's Late" has a gentle rush of ████
████ its own -- but, by this point, they don't seem as interesting as ████
████ the excursions into psych-pop that gives Shangri-La Dee Da its ████
████ real core. That's nothing new, but that's not a bad thing at all. ████
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