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▓█▀▄▄ Artist : Eddie Vedder ▄▄▀█▓
▐▓▌▐█▌ Album : Into The Wild ▐█▌▓▌
▐▀▄██ Label : J ██▄▀▌
▄███▌ Genre : Soundtrack ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2007-09-18 ██▀▄▌
▐▓▌▐█▌ Quality : 755 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.2.1 ▀▀▄█▓
▓███ Size : 182.58 MB ███▓
▀ ▀█▌ Time : 33:04 min ▐█▀ ▀
▓▄███ Url : http://en.wikipedia.org/wiki/Into_the_Wild_(sound ███▄▓
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▄██▀ ▀██▄
██▌ 1. Setting Forth 1:37 ▐██
██▌ 2. No Ceiling 1:34 ▐██
██▌ 3. Far Behind 2:15 ▐██
██▌ 4. Rise 2:36 ▐██
██▌ 5. Long Nights 2:31 ▐██
██▌ 6. Tuolumne 1:00 ▐██
██▌ 7. Hard Sun 5:22 ▐██
██▌ 8. Society 3:56 ▐██
██▌ 9. The Wolf 1:32 ▐██
██▌ 10. End of the Road 3:19 ▐██
██▌ 11. Guaranteed 7:22 ▐██
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████ ████
████ Eddie Vedder's Into the Wild is a collection of nine original ████
████ songs and two covers for Sean Penn's film of the same name, based ████
████ on Jon Krakauer's novel. The novel and film are concerned with ████
████ the short life of Christopher J. McCandless, an honor student and ████
████ athlete who literally walked away from his life, donated his ████
████ 24,000 dollars in savings to Oxfam, and left what he perceived to ████
████ be a sick society behind. He stepped into the hinterlands of ████
████ Alaska and never returned. He eventually died of starvation. Penn ████
████ handpicked Vedder to score the project. Vedder in turn came up ████
████ with this collection of folksy, rootsy tunes where rock & roll ████
████ makes fleeting appearances (most notably on the opener, "Setting ████
████ Forth," and the first single, "Hard Sun"). It's a true solo ████
████ project in that he played virtually everything on the set, and ████
████ had help in only two places, backing vocals by Corin Tucker on ████
████ "Hard Sun" (written by Gordon Peterson), and a little extra ████
████ acoustic guitar assistance and backing vocals from Jerry Hannan ████
████ on "Society," a tune Hannan authored. That said, these songs ████
████ stretch Vedder to the breaking point as a writer. There are no ████
████ enormous emotive vocal explosions like there are on Pearl Jam ████
████ records save for one restrained attempt near the end of the ████
████ album. As the cycle begins on "Setting Forth" ("Be it of no ████
████ concern/Point of no return/Go forward in reverse/This I will ████
████ recall/Every time I fall..."), the notion of walking away is one ████
████ of "for good." The rest of the record deals with existential ████
████ questions of losing everything in order simply to lose it and ████
████ find something undetermined instead, rather than in terms of ████
████ absolute "freedom." Vedder does a fine job of letting the ████
████ listener know the cost in "No Ceiling" and "Far Behind." On "Long ████
████ Nights," one gets the picture that the singer is whistling past ████
████ the graveyard: "Have no fear/For when I'm alone/I'll be better ████
████ off/Than I was before/I've got this life/I'll be around to ████
████ grow/Who I was before/I cannot recall/Long nights allow/Me to ████
████ feel I'm falling/I am falling...." These songs all feel like a ████
████ score, and that's not necessarily a good thing. They all seem to ████
████ be of a piece, but musically there isn't enough imagination to ████
████ distinguish them, to set the tension of dynamic in motion. ████
████ There's something telling in the fact that "Hard Sun" is the ████
████ single, because it's the only song that moves above the fray in ████
████ terms of color, texture, and emotion. Most of the rest -- with ████
████ the exception of an all too brief organ and voice tune called ████
████ "The Wolf," which is where the well of Vedder's power as a singer ████
████ gets touched but never dug -- is an extended meditation on this ████
████ existential notion of freedom, and the words begin to repeat, ████
████ even as the recording draws to a close. There is a poet at work ████
████ here, but in some ways, outside the context of the images, the ████
████ notion of a man freezing and starving to death even as he ████
████ embraces beauty is a tough sell with a solid wall of calm ████
████ enveloping the listener -- meaning that simple is fine but ████
████ difficult is another, and Into the Wild contains not enough of ████
████ either to really reach out and grab the listener, let alone ████
████ convince. ████
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