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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓▄██ ██▄▓
▓█▀▄▄ Artist : VA ▄▄▀█▓
▐▓▌▐█▌ Album : Singles ▐█▌▓▌
▐▀▄██ Label : Epic ██▄▀▌
▄███▌ Genre : Soundtrack ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 1992-06-30 ██▀▄▌
▐▓▌▐█▌ Quality : 898 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.2.1 ▀▀▄█▓
▓███ Size : 439.54 MB ███▓
▀ ▀█▌ Time : 65:19 min ▐█▀ ▀
▓▄███ Url : http://en.wikipedia.org/wiki/Singles_(soundtrack) ███▄▓
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██▌ 1. Alice in Chains - Would? 3:29 ▐██
██▌ 2. Pearl Jam - Breath 5:27 ▐██
██▌ 3. Chris Cornell - Seasons 5:47 ▐██
██▌ 4. Paul Westerberg - Dyslexic Heart 4:32 ▐██
██▌ 5. The Lovemongers - Battle of Evermore 5:44 ▐██
██▌ 6. Mother Love Bone - Chloe Dancer / Crown Of Thorns 8:19 ▐██
██▌ 7. Soundgarden - Birth Ritual 6:07 ▐██
██▌ 8. Pearl Jam - State of Love and Trust 3:48 ▐██
██▌ 9. Mudhoney - Overblown 3:02 ▐██
██▌ 10. Paul Westerberg - Waiting for Somebody 3:28 ▐██
██▌ 11. Jimi Hendrix - May This Be Love 3:11 ▐██
██▌ 12. Screaming Trees - Nearly Lost You 4:09 ▐██
██▌ 13. The Smashing Pumpkins - Drown 8:16 ▐██
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████ The romantic comedy Singles, in part a homage to director Cameron ████
████ Crowe's hometown of Seattle, was released at exactly the right ████
████ time (summer 1992). Nirvana's Nevermind had symbolically knocked ████
████ Michael Jackson off the top of the album charts at the beginning ████
████ of the year, and the underground buzz about Seattle bands like ████
████ Alice in Chains, Soundgarden, and Pearl Jam was beginning to find ████
████ its way past circles of indie aficionados and open-minded hard ████
████ rock fans and into the mainstream. Singles helped crystallize the ████
████ idea of the "Seattle scene" in the mainstream public's mind, and ████
████ it was also one of the first big-selling '90s movie soundtracks ████
████ (it went platinum and reached the Top Ten) to feature largely new ████
████ work from contemporary artists. The soundtrack's strength was the ████
████ way it was so firmly rooted in place -- where future soundtrack ████
████ extravaganzas simply contrived to gather as many big-name acts as ████
████ possible, Singles focused specifically on Seattle-area music ████
████ (quite logically, given the film's plot and setting), which gave ████
████ the album the feel of a cohesive document. It didn't hurt that ████
████ nearly all the bands involved contributed high-quality material ████
████ -- although Nirvana is absent, scene stalwarts Soundgarden, their ████
████ lead singer Chris Cornell (the haunting acoustic ballad ████
████ "Seasons"), Alice in Chains ("Would?," which showed up on their ████
████ subsequent album, Dirt), Mudhoney, Pearl Jam (two tracks), and ████
████ Screaming Trees all weigh in with strong new cuts, as well as ████
████ stylistic compatriots Smashing Pumpkins (Chicago) and Minneapolis ████
████ alt-rock god Paul Westerberg (his first two charmingly playful ████
████ solo songs). The vaults are mined for chestnuts by Mother Love ████
████ Bone (the epic "Chloe Dancer/Crown of Thorns," perhaps their ████
████ strongest moment) and Seattle native Jimi Hendrix (the shimmering ████
████ "May This Be Love," which fits the mood of the album perfectly), ████
████ and Seattle sisters Ann and Nancy Wilson, leaders of Heart, ████
████ appear as the Lovemongers on a stellar acoustic cover of Led ████
████ Zeppelin's "The Battle of Evermore." Despite Mudhoney's gripe ████
████ that the whole early-'90s Seattle scene was "Overblown," Singles ████
████ illustrates through its marvelous consistency the richness and ████
████ wealth of the city's musical talent, as well as the alternative ████
████ scene in general; meanwhile, the Lovemongers and Hendrix cuts ████
████ demonstrate the city's past musical heritage, and along with the ████
████ Westerberg numbers, provide a handy template of several major ████
████ (albeit more mainstream) grunge-scene influences -- Hendrix's ████
████ guitar-heavy psychedelia, Led Zeppelin's epic hard rock, the ████
████ Replacements' post-hardcore power pop -- that sit very well next ████
████ to their followers. So Singles isn't just an entertaining sampler ████
████ of Seattle grunge in its prime; it's a milestone in the ████
████ breakthrough of alternative rock into mainstream popular culture, ████
████ neatly and effectively packaging the Seattle phenomenon for the ████
████ wider national consciousness. ████
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