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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : The Wood Brothers ▄▄▀█▓
▐▓▌▐█▌ Album : Muse ▐█▌▓▌
▐▀▄██ Label : +180 Records ██▄▀▌
▄███▌ Genre : Folk ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2013-10-01 ██▀▄▌
▐▓▌▐█▌ Quality : 832 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.2.1 ▀▀▄█▓
▓███ Size : 270.60 MB ███▓
▀ ▀█▌ Time : 43:15 min ▐█▀ ▀
▓▄███ Url : http://www.amazon.com/The-Muse-Wood-Brothers/dp/B ███▄▓
▐▓████▌ 00EF1PLZO/ ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. Wastin' My Mind 2:59 ▐██
██▌ 2. Neon Tombstone 4:54 ▐██
██▌ 3. Sing About It 3:41 ▐██
██▌ 4. Honey Jar 3:58 ▐██
██▌ 5. The Muse 3:21 ▐██
██▌ 6. Keep Me Around 3:38 ▐██
██▌ 7. Sweet Maria 4:18 ▐██
██▌ 8. I Got Loaded 4:03 ▐██
██▌ 9. Who The Devil 4:08 ▐██
██▌ 10. Losin' Streak 4:12 ▐██
██▌ 11. Firewater 4:03 ▐██
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████ The Wood Brothers are hard to pin down -- they play a sort of ████
████ Americana version of jazz, or country with an edge, or folk with ████
████ some rhythmic bite, or maybe secular gospel with a touch of ████
████ swing. At their best, they create the best blend of vernacular ████
████ American roots music since the Band folded, and while there are a ████
████ lot of neo-Americana bands out there who critics keep claiming ████
████ sound like the Band, well, these guys actually do. The Buddy ████
████ Miller-produced The Muse is their fourth album, and while the ████
████ previous three releases were pretty darn great, this one is ████
████ arguably even better, a step forward into a fuller, rounder, and ████
████ more complete sound, anchored, as always, by Chris Wood's ████
████ wonderful acoustic basslines (his day job is playing bass for ████
████ Medeski, Martin & Wood) and Oliver Wood's backwoods vocal style ████
████ and sharp, literate songwriting skills. This album is a gem, ████
████ opening with the best song yet by the Band that wasn't written or ████
████ recorded by the Band, "Wastin' My Mind," and continuing the feel ████
████ with "Neon Tombstone," "Honey Jar," "Sweet Maria" (a bit of folk ████
████ cabaret, really), the barroom ballad shuffle "I Got Loaded," and ████
████ the set closer, "Firewater," which comes complete with a boozy ████
████ horn section that makes it sound like an outtake from the Band's ████
████ Rock of Ages. The Wood Brothers aren't the second coming of the ████
████ Band, of course (such a thing will most likely never happen), but ████
████ they draw on the same wellspring of blues, gospel, folk, country, ████
████ and R&B to arrive in a similar place, suggesting a rural America ████
████ where myths are born and made real with music, a place where ████
████ current fashion is useless, a place where a trip to the local ████
████ juke for some backwoods jazzy honky tonk gospel blues is nigh ████
████ near a trip to Heaven. ████
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