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██ Helena Ruegg, Michel Godard, Quique Sinesi - Dias De Felicidad ██
██ ██
██ ARTIST......: Helena Ruegg, Michel Godard, Quique Sinesi ██
██ TITLE.......: Dias De Felicidad ██
██ LABEL.......: ENJA ██
██ TYPE........: Album ██
██ GENRE.......: Jazz ██
██ SOURCE......: CDDA ██
██ TRACKS......: 12 ██
██ TIME........: 58:20 min ██
██ SIZE........: 87,4 MB ██
██ ██
██ BiTRATE/MODE: avg. 209kbps / VBR ██
██ Encoder.....: LAME V3.98.4 -V0 ██
██ ██
██ STREET DATE.: 000.00.2012 ██
██ URL.........: http://de.wikipedia.org/wiki/Helena_R%C3%BCegg ██
██ COVERS......: ALWAYS ▄▄▄▄ ██
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██ 01.A Trace Of Grace 04:35 ██
██ 02.Dφas De Felicidad 03:59 ██
██ 03.Entresue±os 06:49 ██
██ 04.Marφa Va 05:25 ██
██ 05.Oblivi≤n 04:38 ██
██ 06.Te Vas Milonga 02:39 ██
██ 07.8:24 Pm 06:15 ██
██ 08.El Choclo 05:04 ██
██ 09.Le Sonnet OubliΘ 06:33 ██
██ 10.Milonga De Mis Amores 04:11 ██
██ 11.Huellas De Melancolφa 04:54 ██
██ 12.Danzarφn 03:18 ██
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██ ██
██ ██
██ http://de.wikipedia.org/wiki/Michel_Godard ██
██ ██
██ http://de.wikipedia.org/wiki/Quique_Sinesi ██
██ ██
██ * ██
██ ██
██ "These are days of happiness!" - that's the way I feel when I ██
██ have the privilege to play with Quique Sinesi and Michel Godard. ██
██ I began playing with Quique Sinesi fifteen years ago. He ██
██ supported me much when I was starting to play the bandoneon. ██
██ Good-humored and relaxed, Quique Sinesi encouraged me to go on ██
██ learning and to explore new musical territories. I love the way ██
██ he plays the guitar and composes. He never puts his enormous ██
██ virtuosity into the foreground. Rather, with great modesty, he ██
██ puts his emphasis on listening carefully, with öbig earsö, and ██
██ on blending in harmoniously, supporting the other musicians of ██
██ an ensemble by playing exactly what is needed for the music. ██
██ My acquaintance with tuba- and serpent-virtuoso Michel Godard is ██
██ much more recent, but highly intense. From the first time I ██
██ heard him play, I was fascinated by the way Michel Godard draws ██
██ the most different timbres from his instruments, by his ██
██ beautiful melodies and entrancing improvisations. Michel also ██
██ never rests on his laurels and goes on improving his impressive ██
██ mastery. His enormous curiosity drives him on and on to discover ██
██ and to create new music. In this process, he has played with ██
██ famous experts of baroque, world music and jazz improvisation. ██
██ The three of us started playing together thanks to the Jazz Club ██
██ Eisenach. By doing so, we discovered the great musical potential ██
██ that our trio has. ██
██ Nowadays, the bandoneon is generally identified with Argentinian ██
██ Tango. It is widely unknown that this instrument (called ██
██ Bandonion in German) was invented in the middle of the 19th ██
██ century in Carlsfeld (Ore Mountains, Germany) by Carl Friedrich ██
██ Zimmermann with the purpose of replacing the organ during church ██
██ processions and to play miner songs and other folk music on it. ██
██ The so-called ôminer┤s pianoô soon became very popular when ██
██ Saxon mine workers spread it all over Germany. They played it ██
██ after their working hours in the mines to accompany dances. In ██
██ the 1920s and 1930s, the instrument was so popular that there ██
██ were more Bandonion-clubs than football clubs in Germany, and ██
██ even Kurt Weill made compositions for it. ██
██ I fell in love with the expressivity and the different timbres ██
██ of this little ôsqueezeboxö and its countless buttons on my ██
██ first trip to Buenos Aires û so much that I decided to quit my ██
██ old job and to study the bandoneon, without giving any thoughts ██
██ to the question of what kind of adventure I was embarquing on. ██
██ At the beginning, I only studied the repertoire of tango, but ██
██ slowly, I tried my hands at different musical styles and began ██
██ to write my own pieces. ██
██ The bandoneon is an instrument that still remains to be ██
██ discovered û beyond any particular musical style. It is my wish ██
██ to use it in unexpected musical contexts and to explore new ██
██ sound spaces û and this wish spurs me on. Last year, while I was ██
██ putting together the program for the bandoneon festival in ██
██ Eisenach, I had the idea of trying out a combination that had ██
██ never been seen before in classical tango: would it be possible ██
██ to have a bandoneon, a guitar and a tuba playing together? What ██
██ would the sound of such a trio be like? ██
██ Of course, I was also prompted to this experiment because I had ██
██ particular musicians in mind: I was hoping that the meeting of ██
██ such innovative improvisators as Michel Godard and Quique Sinesi ██
██ would create a new sound universe with a unique groove. ██
██ Our first concert showed us the tremendous artistic and human ██
██ potential of our trio and we decided to record a CD as soon as ██
██ possible. This enthusiasm was contagious. Thus, thanks to a ██
██ coproduction between the SWR and the record label Enja, we spent ██
██ five happy days recording the CD äDφas de felicidadô. Our ██
██ repertoire consists of classical tangos and milongas in new ██
██ arrangements and pieces of our own with much improvisation, in ██
██ which we realize our musical visions. ██
██ ██
██ Helena Rⁿegg ██
██ ██
██ ██
██ ██
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██ ▀▓▓▄ ▄▄▄▄▄▄ ▀▀▀▀▓▓▓▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ██
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██ ▀ ▀▓▓▀ ██
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██ WE ALWAYS ADDED SCANS/PHOTOS PROOFS FOR EACH RLZ ██
██ SINCE DAY 1 !!! ██
██ enjoy ██
██ ██
██ ██
██ ██
██ ▄▄█ ██
██ ▐▀▀ ▐ Support artists and Buy The Music, ██
██ ▄▐ ▄▐ Merchandise, Concerts ... ██
██ █▓█ █▓█ ██
██ ▀ ▀ We Rlz for Sc3ne ONLY! ██
██ ██
██ We rlz oNLY from physical sources we bought! ██
██ no radio livesets, DAB, SBD, CABLE, SAT, DVBS, WEB, etc ██
██ ██
██ ▄▄█ ██
██ U want to contact us : find us we re around ▐▀▀ ▐ ██
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