Ron_Carter-Blues_Farm_(1973)-Remastered_Import-2004-JCE

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50,23 MB

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2004-09-20

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  ███▄░                                                                  ▄███
  ███▄░          Proudly Presents ::                                    ▄███
 ▄ ▀███▄         Ron Carter - Blues Farm (1973)                       ░▄▓██▀ ▄
 ▓ ▄ ▀▓█▌                                                             ▐██▀ ▄ ▓
 ▓ ▄  ▀▓█▌       RIPPER........: BiGBLiND                            ▐██▀  ▄ ▓
 █▄▄▄ ▐███       LABEL.........: n/a                                 ███▌░▄▄▄█
 ▄ ▀ ▄▓██▌       ENCODER.......: Lame 3.90.3                         ▐███▄ ▀ ▄
 ▀ ▄▓████▌       BITRATE.......: 192kbps                             ▐▓████▄ ▀
  ▓▓████▀        MODE..........: Full Stereo                          ▀▓████▓
 ▐▓███▀░         DATE.RiPPED...: Sep-19-2004                            ▀████▌
 ▓███▌▄█▄        DATE.RELEASED.: 000-00-0000                          ▄█▄▐███▓
 ▓███░▀▐█▌       RELEASE.SiZE..: 50,2 MB                             ▐█▌▀ ████
 ▐▓██▌▄█▀        TRACKS........: 06                                   ▀█▄▐███▌
 ░▀██▓▀          SOURCE........: CDDA                                  ▀██▓▀░
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    ▓                                                                     ▓
    ▓                                                                     ▓
    █ NR  TRACKNAME                                                  TiME █
    ▓                                                                     ▓
    █ 01  Blues Farm                                                08:05 █
    █ 02  A Small Ballad                                            05:41 █
    █ 03  Django                                                    05:32 █
    █ 04  A Hymn for Him                                            08:15 █
    █ 05  Two Beat Johnson                                          02:52 █
    █ 06  R2 M1                                                     06:07 █
    █                                                                     █
    ▓                                                     TOTAL 36:32 min ▓
    ▓                                                                     ▓
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░▄▓██▄                                                                 ▄██▓▄░
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 ▐████▄ ▄▄▓█████████▀▀  ▀█▌ ▐█  █▌   NOTES   ▐█  █▌ ▐█▀  ▀▀▓███████▓█▄▄ ▄████▌
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   ░█▀▓█▀▀                                                           ▀▀▓█▀█░
    ▓                                                                     ▓
    ▓        Audio CD (January 26, 2004)                                  ▓
    ▓        Label: Sony                                                  ▓
    ▓        ASIN: B0000AK0D2                                             ▓
    ▓                                                                     ▓
    ▓        http://www.amazon.com/exec/obidos/tg/detail/-/B0000AK        ▓
    ▓        0D2/qid=1095600354/sr=1-1/ref=sr_1_1/102-4535446-0900        ▓
    ▓        959?v=glance&s=music                                         ▓
    ▓                                                                     ▓
    ▓                                                                     ▓
    ▓        In 1968, having completed a five-year stint with             ▓
    ▓        Miles Davis, Ron Carter's career was wide open.              ▓
    ▓        Finding himself in typically high demand, the bassist        ▓
    ▓        decided not to make any long-term commitments (though        ▓
    ▓        he continued to join individual recording dates),            ▓
    ▓        opting instead to develop his solo career. In 1971,          ▓
    ▓        he released Uptown Conversation (Atlantic). Shortly          ▓
    ▓        after, he signed to the CTI label, releasing Blues           ▓
    ▓        Farm in 1973. The bass is rarely found in such a             ▓
    ▓        prominent role, its melodic qualities typically being        ▓
    ▓        subordinate to rhythmic ones. The presence of a              ▓
    ▓        pianist, guitarist, and two percussionists on Blues          ▓
    ▓        Farm frees Carter to explore both realms. Working            ▓
    ▓        with Davis was obviously a valuable experience. On           ▓
    ▓        numbers like "Footprints" (from Miles Smiles, 1965),         ▓
    ▓        Carter was required to extend and compress time, a           ▓
    ▓        technique that is second nature to him on Blues Farm.        ▓
    ▓        Dense, dexterous runs are broken up by long, bending         ▓
    ▓        lines and shades of blues phrasing, all executed with        ▓
    ▓        absolute grace. His playing becomes slightly imposing        ▓
    ▓        on "Django." While it's great to hear him lead the           ▓
    ▓        group on a tour through the song's shifting rhythms,         ▓
    ▓        the accompanists aren't allowed much space. Carter's         ▓
    ▓        playing is best when more deeply integrated. On the          ▓
    ▓        title track, he engages in a wonderful exchange with         ▓
    ▓        flutist Hubert Laws, with the two swapping solos back        ▓
    ▓        and forth. On "Hymn for Him," his probing lines              ▓
    ▓        enrich the song, pushing its narrative forward. The          ▓
    ▓        best comes last as the group rides "R2, M1" to the           ▓
    ▓        album's conclusion. The song subsists largely on the         ▓
    ▓        group's energy (the most they display outwardly on           ▓
    ▓        the album) and Carter's deep, repetitious groove.            ▓
    ▓        Unfortunately, great musicianship does not always            ▓
    ▓        make for compelling results. Blues Farm's excursions         ▓
    ▓        are enjoyable, but somewhat reserved. Both the               ▓
    ▓        compositions and performances avoid strong emotions          ▓
    ▓        in favor of pleasing palettes of color and texture.          ▓
    ▓        The early-'70s production values only enhance this by        ▓
    ▓        softening the bed of musical tones. The resulting            ▓
    ▓        polish tranquilizes the sound and ultimately dates           ▓
    ▓        the album.                                                   ▓
    ▓                                                                     ▓
    ▓                                                                     ▓
    ▓                                                                     ▓
    ▓        "still diggin"                                               ▓
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  ▀▓▓█▀                                                                 ▀▓█▓▀
    █ ▄                                                                 ▄ █░
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  ▓██▄                                                                   ▄██▓
 ▄ ▀███▄                                                              ░▄███▀ ▄
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 █▄▄▄ ▐██                                                             ▓█▌ ▄▄▄█
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 ▐████▀                                                                 ▀▓███▌
 ▓███▌▄█▄                                                             ▄█▄▐███▓
 ████ ▀▐█▌                                                           ▐█▌▀ ████
 ▐███▌▄█▀                                                             ▀█▄▐███▌
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 ░▄▓██▄                                                                 ▄▓██▄
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  ▄▓▄ ░                                                                   ▄▓▄
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 ▓▌ ░▀███                                                             ███▀ ░▐▓
 ▐█▄   ▀   To all the Funkatiers & Hip Hop Junkies.                   ░▀   ▄█▌
  ▓██▄                                                                   ▄██▓░
 ▄ ▀███▄                                                               ▄▓██▀ ▄
 █ ▄ ▀▓█▌                                                             ▐██▀ ▄ █
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 ▄ ▀ ▄███▌                                                           ▐███▄ ▀ ▄
 ▀ ▄▓████▌                                                           ▐▓████▄ ▀
  ▓█████▀                                                             ▀▓█████░
 ▐████▀      ▄                                                    ▄     ▀▓███▌
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