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p r o u d l y p r e s e n t s ..::
░ Artist | John Coltrane
Title | A Love Supreme (1965)
Genre | Jazz
Source | CDDA
Format | Album (Remastered)
Label | MCA Records
Catalog | DMCL 1648
Released | 1987
Ripped | 2014
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Quality | 246 kbps avg at 44.1 kHz ▄▄███▀▀
Encoder | Lame 3.98.4 V0 ▄▄██▀▀ ░
Size | 60.62 MB ▄▄█████▀ ░░░
Playtime | 33min 07s ▄███▄▄▄▄▄ ▄█▀ ▓█▄ ░░
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eh about this release ░░░░░░░ ▀██████ ░░ ░ ██▀ ░▓███
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░ R E L E A S E I N F O R M A T I O N
Despite a relatively brief career (he first came to notice as a
sideman at age 29 in 1955, formally launched a solo career at 33 in
1960, and was dead at 40 in 1967), saxophonist John Coltrane was
among the most important, and most controversial, figures in jazz.
It seems amazing that his period of greatest activity was so short,
not only because he recorded prolifically, but also because, taking
advantage of his fame, the record companies that recorded him as a
sideman in the 1950s frequently reissued those recordings under his
name and there has been a wealth of posthumously released material
as well. Since Coltrane was a protean player who changed his style
radically over the course of his career, this has made for much
confusion in his discography and in appreciations of his playing.
There remains a critical divide between the adherents of his
earlier, more conventional (if still highly imaginative) work and
his later, more experimental work. No one, however, questions
Coltrane's almost religious commitment to jazz or doubts his
significance in the history of the music...
Easily one of the most important records ever made, John Coltrane's
"A Love Supreme" was his pinnacle studio outing that at once
compiled all of his innovations from his past, spoke of his current
deep spirituality, and also gave a glimpse into the next two and a
half years (sadly, those would be his last). Recorded at the end of
1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy
Garrison stepped into the studio and created one of the most
thought-provoking, concise, and technically pleasing albums of their
bountiful relationship (not to mention his best-selling to date).
From the undulatory (and classic) bassline at the intro to the last
breathy notes, Trane is at the peak of his logical yet emotionally
varied soloing while the rest of the group is remarkably in tune
with Coltrane's spiritual vibe.
Composed of four parts, each has a thematic progression leading to
an understanding of spirituality through meditation. From the
beginning, "Acknowledgement" is the awakening of sorts that trails
off to the famous chanting of the theme at the end, which yields to
the second act, "Resolution," an amazingly beautiful piece about the
fury of dedication to a new path of understanding. "Persuance" is a
search for that understanding, and "Psalm" is the enlightenment.
Although he is at times aggressive and atonal, this isn't Trane at
his most adventurous (pretty much everything recorded from here on
out progressively becomes much more free, and live recordings from
this period are extremely spirited), but it certainly is his best
attempt at the realization of concept - as the spiritual journey is
made amazingly clear.
"A Love Supreme" clocks in at just over 30 minutes, but if it had
been any longer it could have turned into a laborious listen. As it
stands, just enough is conveyed. It is almost impossible to imagine
a world without "A Love Supreme" having been made, and it is equally
impossible to imagine any jazz collection without it. Enjoy!
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01. Part I: Acknowledgement 7:48
02. Part II: Resolution 7:26
03. Part III: Pursuance / Part IV: Psalm 17:53
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33:07
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