La.Donna.Giusta.aka.Miss.Right.1982.DVDRip.x264-FLAiR

Section
Movies/SD
Group
FLAiR
Size
839,96 MB
Files
61
Date
2014-06-08

NFO

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                                ░▀■ ▀         ■▀        ■▀    asphyx

                -+ FLAiR RISES FROM THE GUTTER TO BRING YOU +-


   La.Donna.Giusta.aka.Miss.Right.1982.PROOF.FIX.READNFO.DVDRip.x264-FLAiR


             ▄▄▄▄▄▓▀▀░                                  ░▀▀▓▄▄▄▄▄
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  ▓█ ░                               INFO                               ░ █▓
  ▓█ ░                                                                  ░ █▓
  ██ ░── Release ───────────────────────────────────────────────────────░ ██
  ██ ░                                                                  ░ ██
  ██ ░    · Title ····[ La Donna Giusta aka Miss Right                  ░ ██
  ██ ░                                                                  ░ ██
  ██ ░    · Release ··[ 2014-06-09      · Source ····[ Retail DVD       ░ ██
  ██ ░    · Retail ···[ 2005-03-01      · iMDB ······[ 4.0/10 (30)      ░ ██
  ██ ░    · Runtime ··[ 87 mins         · Size ······[ 839MB / 59x15MB  ░ ██
  ██ ░    · Genre ····[ Comedy                                          ░ ██
  ██ ░                                                                  ░ ██
  ██ ░               http://www.imdb.com/title/tt0095645/               ░ ██
  ██ ░                                                                  ░ ██
  ██ ░── Encoding ──────────────────────────────────────────────────────░ ██
  ██ ░                                                                  ░ ██
  ██ ░    · Audio ····[ 86kb/s AAC Mono -q 0.46                         ░ ██
  ██ ░    · Video ····[ 624 x 468 @ 1235kb/s 23.976fps CRF 19           ░ ██
  ██ ░                                                                  ░ ██
  ▀▓▌                                                                    ▐▓▀
    ▀■       ▄▄▄▄▄▓▀▀░                                  ░▀▀▓▄▄▄▄▄       ■▀
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  ▓█ ░                               PLOT                               ░ █▓
  ▓█ ░                                                                  ░ █▓
  ██ ░                                                                  ░ ██
  ██ ░          Set in Rome, expatriate journalist Terry Bartell        ░ ██
  ██ ░        is a man with a small problem - he has plenty of          ░ ██
  ██ ░        girlfriends, but none of them are his "Miss Right".       ░ ██
  ██ ░        Determined to find true love, he dumps all of his         ░ ██
  ██ ░        girlfriends and goes on a quest to find his "Miss         ░ ██
  ██ ░        Right". Terry meets up with Juliet (Margot Kidder),       ░ ██
  ██ ░        but is she really the "right" one?                        ░ ██
  ██ ░                                                                  ░ ██
  ▀▓▌                                                                    ▐▓▀
    ▀■       ▄▄▄▄▄▓▀▀░                                  ░▀▀▓▄▄▄▄▄       ■▀
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  ▓█ ░                            RIP NOTES                             ░ █▓
  ▓█ ░                                                                  ░ █▓
  ██ ░                                                                  ░ ██
  ██ ░    Nukers/Friends,                                               ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      We are providing the proof for the Miss Right DVD           ░ ██
  ██ ░    because in its case the missing proof files were an           ░ ██
  ██ ░    oversight. We have no expectation that any of our recent      ░ ██
  ██ ░    proof.missing nukes will be overturned. We'd just like        ░ ██
  ██ ░    to take this opportunity, however, to make it known we        ░ ██
  ██ ░    are not fans of the proof rules and a cursory review of       ░ ██
  ██ ░    well known groups missing as SD x264 signatories is           ░ ██
  ██ ░    evidence that we weren't the only ones with this opinion.     ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      For this DVD we've provided a VOB cut as allowed by the     ░ ██
  ██ ░    the rule 14.7b. This DVD retailed well before the rules       ░ ██
  ██ ░    were signed and released. Here is the rule for reference:     ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      ---------------------------------------------------------   ░ ██
  ██ ░      14.7) As a transitional measure, VOB source proof instead   ░ ██
  ██ ░            of picture proof will be allowed for  tiles that      ░ ██
  ██ ░            match ALL of the following conditions:                ░ ██
  ██ ░                                                                  ░ ██
  ██ ░            a) Come from a DVD source.                            ░ ██
  ██ ░                                                                  ░ ██
  ██ ░            b) Retail date of the DVD is before the date this     ░ ██
  ██ ░               document is pred.                                  ░ ██
  ██ ░                                                                  ░ ██
  ██ ░            c) ...                                                ░ ██
  ██ ░      ---------------------------------------------------------   ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      With that cleared up we'd like to explain why we have       ░ ██
  ██ ░    not provided proof for our recent analog sources (LD/VHS),    ░ ██
  ██ ░    and have no plans to do so in the future.                     ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      To start, if you examine the rules, as we did, you will     ░ ██
  ██ ░    notice that rule 15.4 lists Laserdisc along with other        ░ ██
  ██ ░    sources that are exempt from the proof rules. Again the       ░ ██
  ██ ░    rule itself for reference:                                    ░ ██
  ██ ░                                                                  ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      ---------------------------------------------------------   ░ ██
  ██ ░      15.4) The use of sources like CAM, TS, TC, Workprint,       ░ ██
  ██ ░            SCREENER, Laserdisc, etc. MUST be tagged with the     ░ ██
  ██ ░            the source in the dirname and must adhere to ALL      ░ ██
  ██ ░            the rules of this document, except for the proof      ░ ██
  ██ ░            rules. Such releases are not considered retail        ░ ██ 
  ██ ░            however, so retail DVD or BD rips pred after are      ░ ██ 
  ██ ░            not to be considered dupes.                           ░ ██ 
  ██ ░      ---------------------------------------------------------   ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░    Reduced down to its most basic form the take away is:         ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░    (1)  "Sources like... Laserdisc... must adhere to ALL the     ░ ██ 
  ██ ░          rules... except for the proof rules".                   ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░    (2)  "DVD or BD rips pred after are... not dupes".            ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░      For the first point (1) the basic rule is still rooted      ░ ██ 
  ██ ░    in the old XviD rules, which is only significant in that      ░ ██ 
  ██ ░    by listing these more exotic tags, namely sources that        ░ ██ 
  ██ ░    may not resemble DVD, for which the rules were geared         ░ ██ 
  ██ ░    towards, the sources were at least still acknowledged and     ░ ██ 
  ██ ░    therefore allowed.                                            ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░      For a moment lets ignore the proof exemption angle of (1)   ░ ██ 
  ██ ░    and look at point (2). This point is new to the SD x264       ░ ██ 
  ██ ░    and may not have been necessary, considering it appears to    ░ ██ 
  ██ ░    have created more confusion when its pretty obvious given     ░ ██ 
  ██ ░    the list of alternative sources that DVD/BRs would always     ░ ██ 
  ██ ░    be allowed after.                                             ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░      What starts to cause contradictions and confusion here      ░ ██ 
  ██ ░    is that the SD x264 rules tries to justify the fact that      ░ ██ 
  ██ ░    DVD/BR can always come after only BECAUSE they are retail     ░ ██ 
  ██ ░    sources, and these other tags are not. Now obviously          ░ ██ 
  ██ ░    Laserdisc meets the definition of having been a retail        ░ ██ 
  ██ ░    product. So case closed right? Not really. This               ░ ██ 
  ██ ░    contradiction creates a couple problems, either LDs           ░ ██ 
  ██ ░    require proof and shouldn't be exempt because the list        ░ ██ 
  ██ ░    is mostly made up of non-retail source types or if you        ░ ██ 
  ██ ░    put it in the "retail camp" it could conceivably (although    ░ ██ 
  ██ ░    unlikely) be argued that if an LD beat a DVD/BR to being      ░ ██ 
  ██ ░    pred, then those sources would indeed be dupes if pred        ░ ██ 
  ██ ░    later. Which sounds absurd of course. Hopefully its           ░ ██ 
  ██ ░    becoming clear that this rule's makeover for SD x264          ░ ██ 
  ██ ░    was not helpful and has complicated a long standing           ░ ██ 
  ██ ░    but simple rule.                                              ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░      Now that we've established the latest evolution of this     ░ ██ 
  ██ ░    rule that attempts to pigeon hole the list into serving as    ░ ██ 
  ██ ░    examples of non-retail rips lets examine the choice in the    ░ ██ 
  ██ ░    SD x264 rules to also mention that this group of sources      ░ ██ 
  ██ ░    is exempt from requiring photo proof.                         ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░      After all, why ARE these sources left off? Why do we not    ░ ██ 
  ██ ░    not need proof of a Workprint but somehow think we            ░ ██ 
  ██ ░    actually need proof of a Laserdisc?                           ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░      The answer should be pretty obvious, any type of photo      ░ ██ 
  ██ ░    proof of a Workprint or a Telecine might be incriminating     ░ ██ 
  ██ ░    and is therefor too high of a security risk to be an          ░ ██ 
  ██ ░    acceptable practice.                                          ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░      Yea that's right, you folks in the retail groups, the       ░ ██ 
  ██ ░    rules consider you so untrustworthy that they apparently      ░ ██ 
  ██ ░    are more interested in keeping you in line than keeping       ░ ██ 
  ██ ░    you safe.                                                     ░ ██ 
  ██ ░                                                                  ░ ██ 
  ██ ░      Now lets examine why security is in fact the #1 reason      ░ ██ 
  ██ ░    little ol' FLAiR is against providing proof for analog        ░ ██ 
  ██ ░    sources, and why we have no plans to include proof in any     ░ ██
  ██ ░    future analog releases.                                       ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      Consider that in the case of our analog sources, which      ░ ██
  ██ ░    have been around for 20+ years and have moved from house      ░ ██
  ██ ░    to house, yard sale to yard sale and sometimes auction        ░ ██
  ██ ░    to auction, (all the while picking up identifying marks       ░ ██
  ██ ░    like scratches, scuffs, dings, etc) essentially have          ░ ██
  ██ ░    their own fingerprints that can serve as identifiers for      ░ ██
  ██ ░    comparison.                                                   ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      Now consider that the markets for finding these sources     ░ ██
  ██ ░    are relatively limited and that pictures of these exact       ░ ██
  ██ ░    objects are frequently online and could easily be traced      ░ ██
  ██ ░    back to a photo of the same object provided as proof in       ░ ██
  ██ ░    in a release like ours. Kind of an obvious and unacceptable   ░ ██
  ██ ░    security issue wouldn't you say? Sure we can blur things      ░ ██
  ██ ░    and try to keep ourselves safe but for what gain to           ░ ██
  ██ ░    the scene? Our credibility on our sources has never been      ░ ██
  ██ ░    in question.                                                  ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      Do we sound paranoid? Sure. Do we think anyone is really    ░ ██
  ██ ░    all that interested in us? Certainly not. Is it worth         ░ ██
  ██ ░    the risk when your average 4chan kid could pull this          ░ ██
  ██ ░    level of snooping off? Absolutely not.                        ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      We know you think you're safe stripping EXIF data from      ░ ██
  ██ ░    the photos most of you are likely taking from your phones,    ░ ██
  ██ ░    and we're pretty sure those who never really spoke out        ░ ██
  ██ ░    on these rules must believe there is otherwise a lack of      ░ ██
  ██ ░    any clues in a basic photo of a DVD case or disc and a        ░ ██
  ██ ░    printed or *gasp* hand written group tag. But if thats        ░ ██
  ██ ░    how you think you're just not using your imagination all      ░ ██
  ██ ░    that well. All these recent Snowden revelations should        ░ ██
  ██ ░    remind us that the sophistication of modern day intell-       ░ ██
  ██ ░    gathering techniques are no longer simply rumours or          ░ ██
  ██ ░    speculation and if there's one thing in the scene that        ░ ██
  ██ ░    should trump quality concerns its security concerns.          ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      We understand how many groups in the scene have proven      ░ ██
  ██ ░    they can't be trusted, but we are simply not one of them.     ░ ██
  ██ ░    Not only are we probably the most forthcoming about any       ░ ██     
  ██ ░    source peculiarities, the really funny thing is, the reason   ░ ██     
  ██ ░    some might find us to be sporatically active is at least      ░ ██     
  ██ ░    partially due to our own far more demanding rules and         ░ ██     
  ██ ░    standards. Rules we've defined for our  process and output.   ░ ██     
  ██ ░    Rules we're forever debating internally, trying to decide     ░ ██     
  ██ ░    whether new ones should be made or whether old ones should    ░ ██     
  ██ ░    be tweaked or removed. We expect rules to provide a benefit   ░ ██     
  ██ ░    and any percieved benefit to proof rules, as we do not        ░ ██     
  ██ ░    actually see one for analog sources, is certainly             ░ ██     
  ██ ░    overshadowed by the security concerns it raises.              ░ ██     
  ██ ░                                                                  ░ ██
  ██ ░      So as people who value the importance of rules, let us      ░ ██
  ██ ░    say we know pretty well when they make sense to follow        ░ ██
  ██ ░    and when they don't. Furthermore, we believe in the case      ░ ██
  ██ ░    of analog sources that image based proof rules are a          ░ ██
  ██ ░    strong detriment to our ability to do what we love, with      ░ ██
  ██ ░    no real gain. So regardless of future tweaks to 15.4,         ░ ██
  ██ ░    perhaps even seeing the removal of the word Laserdisc from    ░ ██
  ██ ░    the list, we'd like it to be clear that we will still         ░ ██
  ██ ░    not provide photos of our analog sources as a form of proof,  ░ ██
  ██ ░    period.                                                       ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      Now, like we have in the past and for those of you who      ░ ██
  ██ ░    may remember, we may still provide our own honset scans of    ░ ██
  ██ ░    the source covers as a means to share the wonderful           ░ ██
  ██ ░    artwork commonly found on them, and heck to satisfy nukers    ░ ██     
  ██ ░    we might even put them in a /proof directory, but we'd only   ░ ██     
  ██ ░    ever do this if and when we determine that scanning them      ░ ██     
  ██ ░    involves no threat to our security.                           ░ ██     
  ██ ░                                                                  ░ ██     
  ██ ░      If you've ever read our general rip notes, you know we      ░ ██     
  ██ ░    can practically wax on forever about these kinds of things,   ░ ██     
  ██ ░    so to close out this communique, we'd like to end with        ░ ██     
  ██ ░    these final thoughts:                                         ░ ██     
  ██ ░                                                                  ░ ██     
  ██ ░      We love rules, we love quality, and overall we're           ░ ██     
  ██ ░    delighted with the format upgrade and the new SD x264         ░ ██
  ██ ░    rules. We just consider our general security to be more       ░ ██
  ██ ░    important than providing proof for no clear benefit.          ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      If you want to nuke us for our future analog sources        ░ ██
  ██ ░    go ahead. We expect our old and loyal sites wont be           ░ ██
  ██ ░    batting an eye over it. To the nukers, thanks for at least    ░ ██
  ██ ░    noticing us, we've always just assumed you guys ignored us    ░ ██
  ██ ░    like that awkward kid in the school cafeteria that would      ░ ██
  ██ ░    sit down next to you. And to any of our "newer" sites who     ░ ██
  ██ ░    aren't aware that we got our rule book from groups like       ░ ██
  ██ ░    SiCK, get in contact with us, we don't support stupid         ░ ██
  ██ ░    rules, we'd prefer our sites don't either.                    ░ ██
  ██ ░                                                                  ░ ██
  ██ ░      Cheers.  -FLAiR                                             ░ ██
  ██ ░                                                                  ░ ██
  ▀▓▌                                                                    ▐▓▀
    ▀■       ▄▄▄▄▄▓▀▀░                                  ░▀▀▓▄▄▄▄▄       ■▀
   ░▄▄▄▄▄▄▓▓▀▀▀░    ▄▄▄▄██░  ▄▓  ▄▓▀█▄  ▄█▀▓▄  ▓▄  ░██▄▄▄▄    ░▀▀▀▓▓▄▄▄▄▄▄░
 ███▓▀▀▀    ░▄▄▄▄██▓▓▀▀█▓  ▄▀▀██▄ ▀ ▐▓▌▐▓▌ ▀ ▄██▀▀▄  ▓█▀▀▓▓██▄▄▄▄░    ▀▀▀▓███
  ▀▀██▄▄  ▀███▀▀      ██▌ ░▒▀ ▐██▌ ▒▀▀  ▀▀▒ ▐██▌ ▀▒░ ▐██      ▀▀███▀  ▄▄██▀▀
  ▒   ▀▀█▓▄▄▀▓█▄░    ▀▀▓█▄░  ▄█▓▀            ▀▓█▄  ░▄█▓▀▀    ░▄█▓▀▄▄▓█▀▀   ▒
  ▓▓ ░    ▀▀██▓▀▀         ▀▀▀▀                  ▀▀▀▀         ▀▀▓██▀▀    ░ ▓▓
  ▓█ ░                            WHO WE ARE                            ░ █▓
  ▓█ ░                                                                  ░ █▓
  ██ ░                                                                  ░ ██
  ██ ░        Since 2003, FLAiR has been dedicated to preserving        ░ ██
  ██ ░      the neglected titles of an entertainment era long gone.     ░ ██
  ██ ░      A time of classic kids flicks, painstaking hand-drawn       ░ ██
  ██ ░      animation and countless cheesy low-budget horrors. A        ░ ██
  ██ ░      time when pop had a King, and rock had a Queen. A time      ░ ██
  ██ ░      when special FX wizards ruled, and CGI was just one of      ░ ██
  ██ ░      their many tools.                                           ░ ██
  ██ ░                                                                  ░ ██
  ██ ░        Driven by nostalgia and memories of better days, we       ░ ██
  ██ ░      seek to relive those times, and share those memories.       ░ ██
  ██ ░      While our belief is that the 80s represent the very         ░ ██
  ██ ░      pinnacle of pop culture, we will not limit ourselves        ░ ██
  ██ ░      to one decade, or any single genre. We will not ignore      ░ ██
  ██ ░      the movies considered insignificant or even embarrassing    ░ ██
  ██ ░      by the studios. We will not disregard a timepiece just      ░ ██
  ██ ░      because it is dated.                                        ░ ██
  ██ ░                                                                  ░ ██
  ██ ░        Whereas most groups rely solely on digital sources,       ░ ██
  ██ ░      there are still thousands of rare and out of print          ░ ██
  ██ ░      titles, many of which have no planned digital release.      ░ ██
  ██ ░      We've made it our mission to dig these out, clean them      ░ ██
  ██ ░      up using the best hardware and techniques available to      ░ ██
  ██ ░      us, and share them with the world. Be it VHS, Laserdisc     ░ ██
  ██ ░      or more exotic formats, we're here to bring you the best    ░ ██
  ██ ░      (and worst!) of decades past. So sit back and enjoy as      ░ ██
  ██ ░      we uncover and pay tribute to an age of cinema we will      ░ ██
  ██ ░      never get back.                                             ░ ██
  ██ ░                                                                  ░ ██
  ▀▓▌                                                                    ▐▓▀
    ▀■       ▄▄▄▄▄▓▀▀░                                  ░▀▀▓▄▄▄▄▄       ■▀
   ░▄▄▄▄▄▄▓▓▀▀▀░    ▄▄▄▄██░  ▄▓  ▄▓▀█▄  ▄█▀▓▄  ▓▄  ░██▄▄▄▄    ░▀▀▀▓▓▄▄▄▄▄▄░
 ███▓▀▀▀    ░▄▄▄▄██▓▓▀▀█▓  ▄▀▀██▄ ▀ ▐▓▌▐▓▌ ▀ ▄██▀▀▄  ▓█▀▀▓▓██▄▄▄▄░    ▀▀▀▓███
  ▀▀██▄▄  ▀███▀▀      ██▌ ░▒▀ ▐██▌ ▒▀▀  ▀▀▒ ▐██▌ ▀▒░ ▐██      ▀▀███▀  ▄▄██▀▀
  ▒   ▀▀█▓▄▄▀▓█▄░    ▀▀▓█▄░  ▄█▓▀            ▀▓█▄  ░▄█▓▀▀    ░▄█▓▀▄▄▓█▀▀   ▒
  ▓▓ ░    ▀▀██▓▀▀         ▀▀▀▀                  ▀▀▀▀         ▀▀▓██▀▀    ░ ▓▓
  ▓█ ░                              THANKS                              ░ █▓
  ▓█ ░                                                                  ░ █▓
  ██ ░                                                                  ░ ██
  ██ ░        To everyone that has supported us over the years and      ░ ██
  ██ ░      managed to keep this fun!                                   ░ ██
  ██ ░                                                                  ░ ██
  ██ ░                                                                  ░ ██
  ██ ░         AEN  AEROHOLiCS  SChiZO  FLS  SiCK  BLooDWeiSeR          ░ ██
  ██ ░                                                                  ░ ██
  ██ ░         FiCO  TheWretched  VH-PROD  HUMANiSM  BLooDLiTE          ░ ██
  ██ ░                                                                  ░ ██
  ██ ░         EPiSODE  VoMiT  ALLiANCE  FRAGMENT  SAPHiRE  xV          ░ ██
  ██ ░                                                                  ░ ██
  ██ ░                                                                  ░ ██
  ▀▓▌                                                                    ▐▓▀
    ▀■       ▄▄▄▄▄▓▀▀░                                  ░▀▀▓▄▄▄▄▄       ■▀
   ░▄▄▄▄▄▄▓▓▀▀▀░    ▄▄▄▄██░  ▄▓  ▄▓▀█▄  ▄█▀▓▄  ▓▄  ░██▄▄▄▄    ░▀▀▀▓▓▄▄▄▄▄▄░
  ██▓▀▀▀    ░▄▄▄▄██▓▓▀▀█▓  ▄▀▀██▄ ▀ ▐▓▌▐▓▌ ▀ ▄██▀▀▄  ▓█▀▀▓▓██▄▄▄▄░    ▀▀▀▓███
  ▀▀██▄▄  ▀███▀▀      ██▌ ░▒▀ ▐██▌ ▒▀▀  ▀▀▒ ▐██▌ ▀▒░ ▐██      ▀▀███▀  ▄▄██▀▀
  ░   ▀▀█▓▄▄▀▓█▄░    ▀▀▓█▄░  ▄█▓▀            ▀▓█▄  ░▄█▓▀▀    ░▄█▓▀▄▄▓█▀▀   ░
          ▀▀██▓▀▀         ▀▀▀▀   nFO: asphyx    ▀▀▀▀         ▀▀▓██▀▀




Files

PathSize
flair-missright.nfo18,24 KB
flair-missright.r0014,31 MB
flair-missright.r0114,31 MB
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flair-missright.r0314,31 MB
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flair-missright.r5014,31 MB
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flair-missright.r5614,31 MB
flair-missright.r5710,25 MB
flair-missright.rar14,31 MB
flair-missright.sfv1,73 KB