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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓▄██ ██▄▓
▓█▀▄▄ Artist : Chrissie Hynde ▄▄▀█▓
▐▓▌▐█▌ Album : Stockholm ▐█▌▓▌
▐▀▄██ Label : Caroline ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2014-00-00 ██▀▄▌
▐▓▌▐█▌ Quality : 909 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.2.1 ▀▀▄█▓
▓███ Size : 259.74 MB ███▓
▀ ▀█▌ Time : 37:50 min ▐█▀ ▀
▓▄███ Url : http://www.chrissiehynde.com ███▄▓
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▄██▀ ▀██▄
██▌ 1. You or No One 3:40 ▐██
██▌ 2. Dark Sunglasses 3:05 ▐██
██▌ 3. Like in the Movies 3:16 ▐██
██▌ 4. Down the Wrong Way 3:37 ▐██
██▌ 5. You're the One 2:50 ▐██
██▌ 6. A Plan Too Far 3:13 ▐██
██▌ 7. In a Miracle 3:59 ▐██
██▌ 8. House of Cards 3:51 ▐██
██▌ 9. Tourniquet (Cynthia Ann) 2:41 ▐██
██▌ 10. Sweet Nuthin' 3:00 ▐██
██▌ 11. Adding the Blue 4:38 ▐██
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████ Some 35 years after the Pretenders' debut, Chrissie Hynde steps ████
████ out on her own with 2014's Stockholm. Its title is not a ████
████ reference to the infamous "Stockholm syndrome" but rather an ████
████ allusion to her chief collaborator on the project, Bj÷rn Yttling, ████
████ of the Swedish pop band Peter Bjorn and John. He's the most ████
████ prominent collaborator Hynde has had in a while -- she ████
████ collaborated with then-lover JP Jones on the 2010 album Fidelity! ████
████ and spent most of 2002's Loose Screw writing with long-term ████
████ latter-day Pretenders guitarist Adam Seymour -- but collaborators ████
████ tend to fade into the background with Hynde, just like how ████
████ distinctions between a band and solo performances blur with her, ████
████ too. Hynde is that powerful of a presence and she remains so on ████
████ Stockholm, although it is by many measures one of the lightest ████
████ records she's ever made. Some of this is certainly due to ████
████ Yttling, who encourages Hynde to indulge in pop inclinations ████
████ she's hinted at but never explored, but it's also true she's in a ████
████ fairly sunny state of mind, never dwelling on either mortality or ████
████ heartbreak. This suits the glistening production, which employs ████
████ several mildly modernistic techniques -- there are electronic ████
████ rhythms, suggested synthesizers, sly effects, and a general ████
████ bright openness that feels fresh -- and helps accentuate her ████
████ sprightlier melodies, whether it's the Spector-esque spangle of ████
████ "You or No One," the echoing nocturnal vistas of "A Plan Too ████
████ Far," or the heady rush of "Dark Sunglasses," the cut here that ████
████ comes closest to sounding like vintage Pretenders. Even if ████
████ Stockholm rarely suggests either the muscle or roar of the ████
████ Pretenders, it never once doesn't feel like the work of Chrissie ████
████ Hynde; sonically and aesthetically, it feels like the next ████
████ logical chapter after 2008's Break Up the Concrete and 2010's ████
████ Fidelity! And, as it is a Chrissie Hynde project, it is a little ████
████ inconsistent, sometimes sagging on ballads or dragging its feet ████
████ at mid-tempos, but there are several strong additions to her ████
████ canon and the overall feel is appealing and, thanks to her ████
████ unexpected collaborator, fresher than expected. ████
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