▄▄ ▄▄ █▄
▓▀▀▀▀█▄▄▄▄ ▀▀█▄▄▀█ ▓▄
▀▀▀█▄█▄██████▀██▄▄█▄
▄▄ ▄██▀▀▀▀▓▄▄▄▄▄▄▄▓▀▀█▄ ▄█
▀▀▓▀▀███▀ ▒▓▄███▀▀▀▀▀▀▀▒█▄▄▀██▀
▄█▀ ▄▄██▀▀░░ ░░▒▒▀█▄▀█▄
▄▄▄█▀ ██▀ ▄███████▄ ▄▄▒▓▀█▄▀█▄█▄
▄█▀▀▀██▀ ██ █▀░▀▓█▀▓███ █████▄▀█▄██▒
▓▀ █▀ ▄█▀ ░ ▄█▀ █▀▀▓███▀███▓▒
▄▄ ▓█ ▄█▀ ░░ ▒ ▄█▄ ▀▓▒▒ ▀█▓█▓██
▄▄█▀▀▓█▄▄█▀ ░▒ ▄██▄▀▀▀██▀▒▒▓▒▓████▀█
▓ ▄██▀▀█ ░▒ ▄██▀▀ ░░░▄▒▒█▒███▄ █
██ █▓ ░░▒ █▓ ▄▄▄ ░▒▀▀▄▒▒██▀█▄
█▀ ▀█ ▒░ █▄▄█████▀▀█▄░▒▓█▒▓█▀ ▓█
██▓ █▄ ░ ▄██ ▀▀██████░█▄▒██▄ ▒▓ ▄▄
▀███ ██ ░ ██ ▓▀█▀▒▓█▄█ ▒ ▄▄▓█▀▒
██ ██▄ ░ █ ▄█▀▓▄███▓ ▄▄███▓▀▀ ▒
▄█▒ ▀██▄░ ▀█ ▄▄█▀▀▒▓▄███▓ ▄▄████▀▀ ▒
█▀░ ▀██▄ ▀▀▀ ▓▄▄████▓ ▄██████▀▄▄ ▄████▀▀ ▒
▓█░ ▀█▓▄▄▄▄▄███████▀▓ ▀▀███▀ ▄▀▄███▀▀ ▀
░▓░ ▒▒█▓██▀▀▀▀▀▀▓ ▓▄▄██▄███▓██████▄▄▄
░ ░░█░ ▒▓██▄▓ ▄▄▄ ██▀▓▄▄███▓███ ▄▄█▀ ▄█████▓▄▄▄▄▄▄▄
░▀▄▄▄ ░░▀ ▒▒▓▄██▀ ▄█▀▀▀██▄▓███████▀▀▄ ▄ ▄ ▄ ▄ ▄ █▀▄▀▄▀▄█▄ ▄ ▄
░░▀▀▀█▄ ▒▒▄██▀ ▄█ ▄█▀███▀▀ ▄██▀▀▀▀▀██▄▄▄██▄
░░▒▓▀██▄▄ ▄██▄▄██▀▀▀ ▄▄▄████▀▀ ▀███ ▄▄▄▄▄█████████▄
░▒▒▓▀▀█▄ ██▀▀ ▄▄████████▄▄▄▄▄████▄██▀▀▀▓▒▒ ▄███▄▄▄▄▄▄▄
░ ░░░▒▒▒▓█ ▓ ▄▄▓█████▀▀▓▀▀▀▀▀▀▀█▀ ░▀▀▓▒▒▀ ░ ░ ░▀▀▀▀ ▀
▄░ ░░▒▄▒█▄ ▄▄██▓██▀▀▓▓▒░▓▒▓░▒░▓▒▒▓▒░▀▒▒ ▓▄▄▄▄▄▄▄▄▄▄▄░
██ ▄▒ ▒ ▄░▄░▀██ ▄▄████▀▀ ▄▄▓▓▒▒▓▒▀░▒▓▄▄▄▄▄▄▄▄░▓▄███▀▀▀▀██▀▀▀▀▀██ ░
▀█▄░ █▄ ▀█ ░██░▓█▄████▀▀ ▀██▄▄▓▄▄▄███▀▀▀▀▀▀▀▀▀██▀ ░▄▓▀█▄ ▀▀▀▀▀▀ ▀▀
▀██▄ █ █ ░▓█▄█▀▀▀ ▀▀▀▀▀ ░░▒▓▒▄ ░▒▒▄▄▓▓█
██ █ ▓█░▄█▀█▀ ░░▒█▒▒▓█▓ ▒▓▀█▄███
▄ ▀█▄██ ██░███▀ ▒ ░░▒▀▒█▓▄██ ░░░▒▓▀▀██▄
█ ▄█▀▄█ █▀▄█▀▓▄ ▄▓▒ ░░░▒██▓██▀ ░▄▒▓▓███
█ ▀█▀▀█▄██▀▀▀ ▒█▄█▀▒▒ ░ ░░▀▒██▓▄█▀ ▓ ░░▒█▓██
█▄░░ ▀▀ ▓██▓▒ ░ ░░░▒▒█▓▓██▀▓█ ░░░▄▒▒▄██
██▓▒░░ ▒██▓▒ ░ ░░▒░▒▓▒▒▓▄█▀▄█▓ ░▒▒█▓███▄
▀█▓▒▒░░ ▒▓██ ░▒▒▒███▀▓██ ░░▒▓▓███▄
██▓▒▒░░ ▒▓█ ░░▒▒ ▒█▓▓██ ██▓ ░░█▒▓███▄
██▓▒▒░░ ▓ ░▀ █▒▓███ █▓ ░▄░▒▓█████
███▄▒▒▒░░ █ ░ ▒▒█▒▓▓▄█▀█ ▀█▓ ░░█▓▓██▓▓██
▓█▓██▄▒▒░░ ▄▄██▀██▄▄ ░ ░ ░▒▒▀▒▒▓▄██▀ ▓██ ██▓ ░░░█▒▓██▒▒█▓█ ▄█
██▓▓▒▒░░ ▀ █▀▄ ░ ░░▒▒▒▓█▀▀▀▀ ▓██ ██▓ ░░▒ ▓▒▄▒▓██▄█▀▀
██▓▒▒░░ ▓▄▄▄▄ ░ ░▒▓▒ ▓██▀█▄ ░▒▓▒▄ ░▒▓▄██▓
██▓▒▒░ ▀█████▄ ░▒░ ▓██ ██ ░▒░ ▓▄██▀ ▒
█▓▒▒░ ▓███████ ░ ▓▄██ ██ ░░▓▄█▀
██▓▒▒░ ▓█████████▓ ▄▄▄▄▄▄▄▄▓████▄▄▄▀██ ▓██
██▓▒▒░ ▓█▓███████▓█ ▄███▓██▀▀▀▀▀▀▀▀█▀▀ ██ ▀
▀█▓▒▒░ ▄███▓█▀███▓███ ▀▀█▓████ ▓██ ██▄█████▀█▄
██▓▒▒░ ▄█████▓ █▓█████ ▓████ ▓██ ▄██████▀ ▀ ▒
█▓▒░ ▓█████▀ ███████▓ ▓███▓ ▄▄▄▄███▄ ▄▄ ▄████▀ ▀█▄ ▒▒ ▒▒▄▄
█▒░ ▄█▓███ ▄▄▄▄▄█████▓█▄▄████▓████▀▀▀█▀▀▀▀ ▀████▓▄ ▀██▄▓▒ ▒▓▄▀
▒░ ▄███▓██████▀▀▀▀███▓███ ▀██▓██▀ ▄ ███▓███ ▀█▄▓▒ ▒▓█▀
░ ▄█▓████▀▓▀ ▀█▓█████ █▓███ ▄▓▄█▓████▓ ▀██▄▄▄██▀▀
▀▀██▓██▀▀ Zz ███████▓███ ▄▄█▓█▀▓████▓██ ▓███▄▄▄
▄▀██▓▀ gonz ▀████▓███ ▄▄███▀ ▀██▓███▄ ▀▀██████▄
▄▓███▀ zZ ▀▓█████▄▄▄▓███▀▀ ▓█████▓ ▄█▄██▀
▄███▓▀ ███████▓▀▀ ▀████▓█ ▀███▄
▀▀▀▀ ▄▄█▀▀▀█ ▀▀▀▀ ▄▄▄ ▀██▓██▄ ▄█▄█
▄█▀▀ ▓ ▄▄▄▄██████▀▀███▓ ▀▓█████▓▄████▀░
▄▄▄ ▄██▄ █▄▄▄▄█▀▀▀▀▀ ▄██▓ ████▓███▀▄▄
▄███▀ ▄▓█▀ ▀▀ ██ ▀▄ ▄████▀ ▀▀█████▄
▄████▀ ▄▀ "The branch of philosophy █▀ ▀█ ▄▄▄█████▀▀▄▄███ ▀███▄
████▀ ▀ concerning the appreciation █▀ ▀▀▀▀▀██▄▄██▓▀▀ ▀████▄
▄█▀██▀ and expression of beauty ▓ ▄▄▄▄▄▓████▀▀▀▀▀ ░███▄█
█▓██▓ or good taste." ▓█▄▄█████▀▀▀ ▀██▓█
▀█▄██▄▄ ▀▀▀ ▄▄███▄█▀
░▀█████ Artist──: Joey Calderazzo █████▀▀░
▄█▀██▀ Title───: Haiku ▀███▀█▄
█▓██▓ Label───: Marsalis Music ▀██▓█
▀█▄██▄▄ Genre─: Jazz ▄███▄█▀
░▀▀████ Source: CDDA ███▀▀░
▄███▀ Encoder: Lame + EAC ▀███
██▀ Quality-─: VBR kbps 44,1 / 92,10 MB / 10 tracks ███
██▓ Str.date-: __-__-2003 ▓█▀
▀█ Rip.date-: 26-09-2004 ██▀
▄▄▄▄▄ ▄▄█▓
▄▄████▀▀ ▄▄▀▄▄▄ ▄▓▄ ▄ ▄ ▄▄█▄ ▄ ▄▄ ▄▄ ▄█▀ ▄▄▄ ▄ ▀▀███▄▄
█▀█▓██▄ ▀▀▀░▓█ ▀▀ █▀█ ▓█ █ ▓█ ▄█ ▀█▀ ▓█ ▄█▄ ▀█▓▄▄▄ ▀ ▄▄█▓█▀█▄
░▄██▄███▓ ░█▓ ▄█▓██▓█▄ ██▀▄█▓ ▓█▓ ▄█ ▀██ ▀██▓ ▄▀▀ ▀█ ▀██▄███ ░
▀ ▀████▄ ░▀█ ░▄░ ░▀▀█░ ░█ ▀██▓░█▀ ░▀█▓░ ░▀ ░▀█▄▄▀▀░ ▄████▀▀
▓██▀▀ ░░ ░ ░ ░ ░ ░ ░░ ░ ░░ ▀▀███▓
██ ██▀
█▀ ▀█
▓▒ Track Title Time ▒▓
▓▒ ▒▓
▓▒ 01. Bri's Dance 04:32 ▒▓
▓▒ 02. Haiku 10:39 ▒▓
▓▒ 03. The Legend Of Dan 07:17 ▒▓
▓▒ 04. Chopin 10:03 ▒▓
▓▒ 05. Just One Of Those Things 05:56 ▒▓
▓▒ 06. Dienda 08:44 ▒▓
▓▒ 07. A Thousand Autumns 07:29 ▒▓
▓▒ 08. Dancin' For Singles 04:16 ▒▓
▓▒ 09. My One And Only Love 06:51 ▒▓
▓▒ 10. Bri's Dance - Revisited 02:26 ▒▓
█▄ ▄█
██ ██▄
██▄▄ ▄▄███
▄▄▄████▀ ▀ ▄ ▄ ▄▄ ░ ▀████▄▄
▀██▀███ ▄█▓ ▓█▄ ▄█ ▄██▀▀▀ ▀▓ ░▄▄▄▀▄▄ ▄███▀██
███▓█▀▀ ░▀█▄░ ██ █▄█▓ ▄███▓█ ░ ██▀ ▓▄ ▀▀▀█▓██▀
░▀▀█▄█▄▄▄ ░▀█▓ █▀ ██▀░ ▓█▀ ░ ▓▀██ ▄█▓░ ▄▄██▄▀▀░
░▀██▀▀ ░ ▀ ░ ▀░ ░ ▀░ ▀▀██▀░
█▓ Marsalis Music (USA) presents: ▓█
█▓ Joey Calderazzo - Haiku ▓█
█▓ ▓█
█▓ ▓█
█▓ MUSICIANS: ▓█
█▓ Joey Calderazzo - piano ▓█
█▓ ▓█
█▓ ▓█
█▓ BIO/REVIEW: ▓█
█▓ Everybody knows Joey Calderazzo, the phenomenal band ▓█
█▓ pianist. From the time of his emergence with Michael ▓█
█▓ Brecker in 1986 through his recent work in the ▓█
█▓ Branford Marsalis Quartet, and on five previous ▓█
█▓ albums under his own name, Calderazzo has proved to ▓█
█▓ be among the most intense and engaged of contemporary ▓█
█▓ soloists and accompanists. His energy, technique and ▓█
█▓ rapid fire imagination have marked him as one of the ▓█
█▓ most exciting jazz pianists to emerge in the past two ▓█
█▓ decades. Calderazzo has documented this commanding ▓█
█▓ mastery of group interplay on five previous albums ▓█
█▓ that found him matching ideas and passions with such ▓█
█▓ imposing artists as Brecker, Marsalis, Jerry ▓█
█▓ Bergonzi, Jack DeJohnette, Dave Holland, John ▓█
█▓ Patitucci and Jeff "Tain" Watts. ▓█
█▓ ▓█
█▓ After nearly two decades in the spotlight, Calderazzo ▓█
█▓ has become a more complete and nuanced player, one ▓█
█▓ equally capable of touching souls with taste and ▓█
█▓ sensitivity. The complete range of Calderazzo's ▓█
█▓ skills, however, has never been more evident than on ▓█
█▓ Haiku, his debut disc on Marsalis Music. ▓█
█▓ ▓█
█▓ By his own admission, Calderazzo needed time to ▓█
█▓ confront the challenge of unaccompanied performance. ▓█
█▓ "The complete exposure of solo piano always scared me ▓█
█▓ in the past," he notes. "But the music I was writing, ▓█
█▓ and the direction my playing was going demanded that ▓█
█▓ I focus on solo piano to capture what was in my head. ▓█
█▓ As time passed, I slowly started doing more ▓█
█▓ unaccompanied pieces on my own gigs, and I finally ▓█
█▓ reached the point where there was nothing for me to ▓█
█▓ be afraid of. I was still unsure when I scheduled a ▓█
█▓ series of solo gigs in England, until one concert ▓█
█▓ that was supposed to be 70 minutes long ended up ▓█
█▓ running two hours with all of the encores. That was ▓█
█▓ the breakthrough." ▓█
█▓ ▓█
█▓ Calderazzo applied himself to the solo challenge with ▓█
█▓ intense listening and deep thinking about what the ▓█
█▓ format required. "I bought about fifteen solo piano ▓█
█▓ records, everything from Art Tatum, Keith Jarrett, ▓█
█▓ Chick Corea and Brad Mehldau to Jelly Roll Morton and ▓█
█▓ some classical stuff. But the real key was realizing ▓█
█▓ that I shouldn't follow influences, and that I ▓█
█▓ shouldn't think about missing the bass and drums. I ▓█
█▓ realized that, playing solo, I could really present ▓█
█▓ me, and I think that this is the first album that ▓█
█▓ really sounds like me." ▓█
█▓ ▓█
█▓ Confirmation of Calderazzo's point can be heard ▓█
█▓ immediately on "Bri's Dance," Haiku's opening track. ▓█
█▓ "The funny thing about the tune is that the bridge is ▓█
█▓ from one of Branford's songs, `Citizen Tain.' I ▓█
█▓ needed a bridge, and somehow that just came out. The ▓█
█▓ entire piece was composed in a couple of minutes." ▓█
█▓ ▓█
█▓ The beautiful "Haiku," in contrast, began life as a ▓█
█▓ trio vehicle, and was heard on Calderazzo's self ▓█
█▓ titled Columbia CD. "I began to play `Haiku' as a ▓█
█▓ solo feature on my trio gigs and it began to evolve," ▓█
█▓ he says of the memorable melody that has found its ▓█
█▓ own spellbinding groove in this unaccompanied ▓█
█▓ setting. ▓█
█▓ ▓█
█▓ "The Legend of Dan" is another older piece that has ▓█
█▓ changed over time. "That one has a funny history," ▓█
█▓ Calderazzo says, "including lyrics that Tain wrote. ▓█
█▓ There is no Dan, he's an imaginary person, but the ▓█
█▓ song has become its own legend. It was originally ▓█
█▓ written for Michael Brecker, and I played it a few ▓█
█▓ times with him. There's a feeling of innocence in the ▓█
█▓ solo version that I really like." ▓█
█▓ ▓█
█▓ Calderazzo's other two originals are newer pieces. "I ▓█
█▓ used to listen to ten or twelve records when I ▓█
█▓ studied music, but now I study by listening to one ▓█
█▓ record over and over. At one point, my record of ▓█
█▓ choice was Chopin nocturnes, and it really changed ▓█
█▓ the way I play ballads. `Chopin' comes out of that ▓█
█▓ experience, and I think I really captured the vibe of ▓█
█▓ that piece." ▓█
█▓ ▓█
█▓ "Dancin' for Singles" is Calderazzo's first foray ▓█
█▓ into stride piano. "I have never heard many of my ▓█
█▓ personal favorites play stride," he explains, "but I ▓█
█▓ didn't want a one dimensional approach to solo ▓█
█▓ playing and was determined to get a whole range of ▓█
█▓ feelings into the album. Five years ago, I wouldn't ▓█
█▓ have tried something like this; but playing with ▓█
█▓ Branford has taught me that making music is a ▓█
█▓ process, and that the joy will come when you hear the ▓█
█▓ growth on the stride piece I include in my next solo ▓█
█▓ album. I just listened to Art Tatum and Jelly Roll ▓█
█▓ Morton, and got the humor from Jelly. The coolest ▓█
█▓ part for me is that it's my own song, that I wrote ▓█
█▓ something where a stride left hand fits." ▓█
█▓ ▓█
█▓ To complete Haiku, Calderazzo chose two of his ▓█
█▓ favorite standards, "Just One of Those Things" and ▓█
█▓ "My One and Only Love," plus compositions by two of ▓█
█▓ his favorite musicians. "I love Kenny Kirkland's ▓█
█▓ tunes, but had never recorded any of them, and ▓█
█▓ `Dienda' is one that I felt I could interpret solo. ▓█
█▓ It just worked with the rest of the music, almost ▓█
█▓ like something I would have written. And Branford ▓█
█▓ suggested that I try his piece `A Thousand Autumns.' ▓█
█▓ When we perform it as a quartet, there's a place ▓█
█▓ where the rest of the band drops out, and I've been ▓█
█▓ getting into some stuff that Branford thought we ▓█
█▓ should document." ▓█
█▓ ▓█
█▓ Calderazzo also credits Marsalis with the magnificent ▓█
█▓ sound of Haiku. "Branford takes mental notes of every ▓█
█▓ hall we play in, and he chose to record in George ▓█
█▓ Weston Recital Hall in Toronto. The setting where you ▓█
█▓ record really affects what you hear and how you play, ▓█
█▓ and a good hall, with natural acoustics and a couple ▓█
█▓ of mikes in the back, is the only way to go. I can't ▓█
█▓ imagine recording solo in a studio." ▓█
█▓ ▓█
█▓ What Calderazzo can imagine is more solo playing in ▓█
█▓ his future. While continuing to display his ▓█
█▓ interactive skills in the collective cauldron of ▓█
█▓ Marsalis' quartet, he is simultaneously finding new ▓█
█▓ levels of feeling, and new directions, in the ▓█
█▓ unaccompanied format. "I learned more from this album ▓█
█▓ than from any album I ever did," the pianist ▓█
█▓ emphasizes. "Playing solo just feels right. To do ▓█
█▓ more of that, then get back together with Branford ▓█
█▓ and Mike will just be the best." Now Joey ▓█
█▓ Calderazzo's fans can learn more about his expanding ▓█
█▓ talents on Haiku. ▓█
█▓ ▓█
█▓ ▓█
█▓ MUSIC: ▓█
█▓ 1. Bri's Dance (4:32) ▓█
█▓ Writer: Joey Calderazzo ▓█
█▓ Publisher: Caldo Music (ASCAP) ▓█
█▓ ▓█
█▓ 2. Haiku (10:38) ▓█
█▓ Writer: Joey Calderazzo ▓█
█▓ Publisher: Caldo Music (ASCAP) ▓█
█▓ ▓█
█▓ 3. The Legend of Dan (7:15) ▓█
█▓ Writer: Joey Calderazzo ▓█
█▓ Publisher: Caldo Music (ASCAP) ▓█
█▓ ▓█
█▓ 4. Chopin (10:02) ▓█
█▓ Writer: Joey Calderazzo ▓█
█▓ Publisher: Caldo Music (ASCAP) ▓█
█▓ ▓█
█▓ 5. Just One of Those Things (5:54) ▓█
█▓ Writer: Cole Porter ▓█
█▓ Publisher: Warner Bros. Inc. (ASCAP) ▓█
█▓ ▓█
█▓ 6. Dienda (8:42) ▓█
█▓ Writer: Kenny Kirkland ▓█
█▓ Publisher: Irving Muisc Inc./Kenny Kirkland Music ▓█
█▓ (BMI) ▓█
█▓ ▓█
█▓ 7. A Thousand Autumns (7:26) ▓█
█▓ Writer: Branford Marsalis ▓█
█▓ Publisher: Steeplone Music (ASCAP) ▓█
█▓ ▓█
█▓ 8. Dancin' for Singles (4:13) ▓█
█▓ Writer: Joey Calderazzo ▓█
█▓ Publisher: Caldo Music (ASCAP) ▓█
█▓ ▓█
█▓ 9. My One and Only Love (6:49) ▓█
█▓ Writer: Guy Wood and Robert Mellin ▓█
█▓ Publisher: Colgems EMI Music, Inc (ASCAP)/ ▓█
█▓ Warock Corp. (ASCAP) ▓█
█▓ ▓█
█▓ 10. Bri's Dance Revisited (2:25) ▓█
█▓ Writer: Joey Calderazzo ▓█
█▓ Publisher: Caldo Music (ASCAP) ▓█
█▓ ▓█
█▓ ▓█
█▓ CREDITS: ▓█
█▓ Produced by Branford Marsalis ▓█
█▓ Recorded and mixed by Rob "Wacko!" Hunter ▓█
█▓ Mastered by Greg Calbi ▓█
█▓ Recorded at George Weston Recital Hall, Toronto, ▓█
█▓ Canada August 27-29, 2002 ▓█
█▓ Mixed at The Studio in the Country, Durham, NC ▓█
█▓ October 23-25, 2002 ▓█
█▓ Mastered at Sterling Sound, New York City ▓█
█▓ ▓█
█▓ ▓█
█▓ More Information: ▓█
█▓ http://www.marsalismusic.com ▓█
█▓ ▓█
█▓ Respect the artists. ▓█
█▓ If you like this CD, buy it. ▓█
▄█▀█▓ ▓█▀█▄
▄█▀██▓ -=-=-=-= GROUP INFORMATION =-=-=-=- ▓██▀█▄
▄▄███▀▀▀ A new name, but no newbies. AES is a group of ▀▀███▄▄
███▓█ ▄▄ experienced scene members who have joined together in ▄▄█▓██▄
░▄█████▀ an effort to create a release group with a family ▀█████▄
▀▀░▀█▀██▄ atmosphere. We will continue to do what we have been ▄█▀██▀░▀
██▀▀ doing for many years; to bring high quality mp3 ▀▀███
▓██▄▓▒ releases to the scene. ▒▓▄██▀
▀██▓█▒ ▒█▓██▄
▄████▓▒ + forever in loving memory of the good friend + ▒▓▀████▄
█▀██▀ ▒▀ + we have lost. we will never forget. + ▀▒ ▀█▀██
▄██▓█ ▀ ▀ ▓█▓██
▄█▀█▀ AES releases on a try-before-you-buy basis. Like it? Buy it! ▀█▀██
█▓██▄ And please keep these files out of public ftp/p2p/xdcc. ▄▄██▓██
▀█▄██▀█▄ We thank all of our friends in different groups such as: ████▄▀▀░
░▀███▓█ ZzZz DGN AMRC XXL gEm TR kW sb CMC DRUM JUST EMP BLA RNS █▄██▄
▄███▄▀▀ and any we might have forgotten for their love and support. ▀████
█▄██▄▄ ▄▄████▓
░▀▀████▄ AES is always looking for fresh blood and dedicated ██▀█▀▀ ░
█▄██▀ members who will help to bring the group to next level ▀███▄
███▀ and secure hardware suppliers and rippers from anywhere ▀███
███▓ in the world who can provide us with quality releases . ▓██
▄░█▓▄ If you think you've got what it takes to be a part of the ▄█▀░▄
▓ ██ ▀█▄ ▓
▄█ ▀█
▄▀ ▄