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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Stereolab ▄▄▀█▓
▐▓▌▐█▌ Album : Chemical Chords ▐█▌▓▌
▐▀▄██ Label : 4AD ██▄▀▌
▄███▌ Genre : Indie ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2008-08-19 ██▀▄▌
▐▓▌▐█▌ Quality : 961 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.2.1 ▀▀▄█▓
▓███ Size : 347.39 MB ███▓
▀ ▀█▌ Time : 48:05 min ▐█▀ ▀
▓▄███ Url : http://www.stereolab.co.uk ███▄▓
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▄██▀ ▀██▄
██▌ 1. Neon Beanbag 3:49 ▐██
██▌ 2. Three Women 3:45 ▐██
██▌ 3. One Finger Symphony 2:05 ▐██
██▌ 4. Chemical Chords 5:12 ▐██
██▌ 5. The Ecstatic Static 4:43 ▐██
██▌ 6. Valley Hi! 2:14 ▐██
██▌ 7. Silver Sands 3:07 ▐██
██▌ 8. Pop Molecule 2:15 ▐██
██▌ 9. Self Portrait with Electric Brain 3:16 ▐██
██▌ 10. Nous Vous Demandons Pardons 4:51 ▐██
██▌ 11. Cellulose Sunshine 2:36 ▐██
██▌ 12. Fractal Dream of a Thing 3:37 ▐██
██▌ 13. Daisy Click Clack 3:28 ▐██
██▌ 14. Vortical Phonotheque 3:07 ▐██
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████ At times, Stereolab's music seems so unchanging that it feels ████
████ more like it was generated by a laser-guided, lounge ████
████ pop-meets-Krautrock machine than an actual "groop," but the small ████
████ tweaks they make to their master plan on each album end up making ████
████ a big impact. On Chemical Chords, Stereolab's 4AD debut, they ████
████ take a much more pop-focused approach than their immediately ████
████ previous work -- which is saying something, since neither Fab ████
████ Four Suture nor Margerine Eclipse were among their more ████
████ experimental moments in the first place. Actually, the shortness ████
████ and directness of these songs could be seen as a bigger ████
████ experiment for the band than their frequent lockgrooves and ████
████ hypnotic passages; with those trimmed, Chemical Chords presents a ████
████ version of Stereolab's sound that is just as vivid as their ████
████ earlier output, but fizzing with immediacy and urgency. "Neon ████
████ Beanbag" jumps in hooks first, opening the album with a ████
████ surprisingly swift rhythm and Laetitia Sadier's more familiar, ████
████ bopping backing vocals. "One Finger Symphony"'s animated brass, ████
████ guitars, and percussion suggest gears rotating and levers lifting ████
████ and falling in playful but somewhat sinister fashion; "Daisy ████
████ Click Clack" swishes in on brisk drums and a quaint melody that ████
████ could be borrowed from a piano rag. Despite its name, Chemical ████
████ Chords actually features some of Stereolab's most ████
████ organic-sounding music in some time, downplaying their arsenal of ████
████ analog synths in favor of live instrumentation -- the burbling ████
████ synths on "Self Portrait with Electric Brain" support the song's ████
████ snazzy brass and strings rather than dominating them. Likewise, ████
████ Stereolab's version of "going pop" means looking beyond what ████
████ "pop" means in the moment. A strong '60s feel permeates much of ████
████ the album, but the way the band reconfigures these sounds ████
████ prevents it from sounding archaic. "Three Women"'s rock-solid ████
████ bass and tambourine shout out to Motown's heyday, but its buzzing ████
████ organs and bongos feel like they were channeled from a long-lost ████
████ exotic novelty album. "Cellulose Sunshine"'s gorgeous lysergic ████
████ chamber pop could be a throwback, if it weren't so modishly ████
████ sleek, and "Pop Molecule"'s massive synths and big, backward ████
████ drums offer a futuristic take on acid rock. The band also ████
████ revisits its own pop heyday on "Valley Hi!" and "Nous Vous ████
████ Demandons Pardons," boasting the clever counterpoint and fuzzy ████
████ Moogs of the Mars Audiac Quintet era. Chemical Chords manages to ████
████ be even more concisely charming than that album, sacrificing ████
████ little of Stereolab's distinctive sound for its immediacy. ████
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