Howard_Shore-The_Lord_of_the_Rings_The_Return_of_the_King-OST-CD-FLAC-2003-FORSAKEN
NFO
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▓█▀▄▄ Artist : Howard Shore ▄▄▀█▓
▐▓▌▐█▌ Album : The Lord of the Rings: The Return of the King ▐█▌▓▌
▐▀▄██ Label : Warner Bros. ██▄▀▌
▄███▌ Genre : Soundtrack ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2003-11-25 ██▀▄▌
▐▓▌▐█▌ Quality : 666 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.2.1 ▀▀▄█▓
▓███ Size : 357.80 MB ███▓
▀ ▀█▌ Time : 71:58 min ▐█▀ ▀
▓▄███ Url : http://en.wikipedia.org/wiki/The_Lord_of_the_Ring ███▄▓
▐▓████▌ s:_The_Return_of_the_King_(soundtrack) ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. A Storm is Coming 2:52 ▐██
██▌ 2. Hope and Memory 1:45 ▐██
██▌ 3. Minas Tirith (feat. Ben del Maestro) 3:37 ▐██
██▌ 4. The White Tree 3:25 ▐██
██▌ 5. The Steward of Gondor (feat. Billy Boyd) 3:53 ▐██
██▌ 6. Minas Morgul 1:58 ▐██
██▌ 7. The Ride of the Rohirrim 2:08 ▐██
██▌ 8. Twilight and Shadow (feat. Renee Fleming) 3:30 ▐██
██▌ 9. Cirith Ungol 1:44 ▐██
██▌ 10. Anduril 2:35 ▐██
██▌ 11. Shelob's Lair 4:07 ▐██
██▌ 12. Ash and Smoke 3:25 ▐██
██▌ 13. The Fields of the Pelennor 3:26 ▐██
██▌ 14. Hope Fails 2:20 ▐██
██▌ 15. The Black Gate Opens (feat. Sir James Galway) 4:01 ▐██
██▌ 16. The End of All Things (feat. Renee Fleming) 5:12 ▐██
██▌ 17. The Return of the King (feat. Sir James Galway & Viggo 10:14 ▐██
██▌ Mortensen & Renee Fleming) ▐██
██▌ 18. The Grey Havens (feat. Sir James Galway) 5:59 ▐██
██▌ 19. Into the West (feat. Annie Lennox) 5:47 ▐██
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▄███▌ ▐███▄
████ The monumental task of scoring -- in rapid succession -- three of ████
████ history's most anticipated films has done little to temper the ████
████ fire that fuels composer Howard Shore's vision and enthusiasm. ████
████ With each installment of New Line Cinema's Lord of the Rings ████
████ trilogy, his seemingly bottomless cauldron of memorable motifs ████
████ and affecting character themes washes over Peter Jackson's Middle ████
████ Earth like a coat of varnish, bending each frame to its will. If ████
████ The Fellowship of the Ring was its heart and The Two Towers its ████
████ body, then The Return of the King is the series' soul. Opening ████
████ with a Brahms-like veil of strings that deftly segues into a solo ████
████ violin variation on the main melody, Shore begins by ████
████ re-revisiting themes from the previous films. By the time he ████
████ reaches the devastating "Steward of Gondor" -- featuring a ████
████ heartbreaking tune sung by Hobbit (Billy Boyd) -- the mood has ████
████ shifted from nostalgia to urgency, channeling the protagonists' ████
████ desperation to complete their harrowing journey. "Twilight and ████
████ Shadow" uses the gorgeous voice of soloist Renee Fleming to add ████
████ weight to Arwen's (Liv Tyler) decision on whether or not to ████
████ choose love over immortality, and "Shelob's Lair," with its ████
████ dissonant bursts of percussive brass, cements Shore as this ████
████ generation's Bernard Herrmann. The real magic begins with "The ████
████ Black Gate Opens," a nervous breath and the calm before the ████
████ storm, anchored by James Galway's tin whistle. That breath is ████
████ needed, as what follows is the culmination of nearly five years ████
████ of work. "The End of All Things" explodes with a variation on the ████
████ choral arrangement that normally accompanies the Ringwraiths, and ████
████ inter-cuts it with the voice of the ring -- a boy soprano -- ████
████ before launching into the ten-minute "Return of the King." Like a ████
████ Wagner opera, Shore methodically places familiar themes within ████
████ the context of emotional turmoil, avoiding the forgettable ████
████ nonstop dissonance that others apply to battle scenes with ████
████ sweeping, often nightmarish melodies that linger for days. It's ████
████ this dedication to memorable composition that makes "The Grey ████
████ Havens" -- the film's epilogue -- so compelling. With its soft, ████
████ bittersweet strings, it packs an emotional impact that would have ████
████ resonated only on the surface had he taken a by the book approach ████
████ to scoring the action sequences. Shore and Jackson are ████
████ visionaries for whom this was a labor of love, and these films ████
████ are a testament to their nearly inhuman resolve and tenacity. ████
████ Despite the inclusion of a lovely yet unnecessary song by Annie ████
████ Lennox, The Return of the King marks the end of an extraordinary ████
████ collaboration that's destined to be celebrated and studied for ████
████ generations to come. ████
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Files
| Path | Size |
|---|---|
| 00-howard_shore-the_lord_of_the_rings_the_return_of_the_king-ost-cd-fl | 325,97 KB |
| 00-howard_shore-the_lord_of_the_rings_the_return_of_the_king-ost-cd-fl | 944 B |
| 00-howard_shore-the_lord_of_the_rings_the_return_of_the_king-ost-cd-fl | 12,72 KB |
| 00-howard_shore-the_lord_of_the_rings_the_return_of_the_king-ost-cd-fl | 1,11 KB |
| 01-howard_shore-a_storm_is_coming.flac | 13,15 MB |
| 02-howard_shore-hope_and_memory.flac | 7,58 MB |
| 03-howard_shore-minas_tirith_(feat._ben_del_maestro).flac | 18,76 MB |
| 04-howard_shore-the_white_tree.flac | 17,98 MB |
| 05-howard_shore-the_steward_of_gondor_(feat._billy_boyd).flac | 17,09 MB |
| 06-howard_shore-minas_morgul.flac | 10,81 MB |
| 07-howard_shore-the_ride_of_the_rohirrim.flac | 10,42 MB |
| 08-howard_shore-twilight_and_shadow_(feat._renee_fleming).flac | 15,27 MB |
| 09-howard_shore-cirith_ungol.flac | 7,24 MB |
| 10-howard_shore-anduril.flac | 12,42 MB |
| 11-howard_shore-shelobs_lair.flac | 22,59 MB |
| 12-howard_shore-ash_and_smoke.flac | 18,77 MB |
| 13-howard_shore-the_fields_of_the_pelennor.flac | 17,16 MB |
| 14-howard_shore-hope_fails.flac | 10,31 MB |
| 15-howard_shore-the_black_gate_opens_(feat._sir_james_galway).flac | 19,40 MB |
| 16-howard_shore-the_end_of_all_things_(feat._renee_fleming).flac | 26,62 MB |
| 17-howard_shore-the_return_of_the_king_(feat._sir_james_galway_and_vig | 44,81 MB |
| 18-howard_shore-the_grey_havens_(feat._sir_james_galway).flac | 24,98 MB |
| 19-howard_shore-into_the_west_(feat._annie_lennox).flac | 25,87 MB |