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\/ RELEASE.iNFORMATiON \/
| |
| Artist: Emma Tricca |
| Album: Relic-017EGGS-CD |
| Style: Indie |
| Release Date: 2014-07-26 |
| Street Date: 2014-00-00 |
| Label: Finders Keepers Records |
| Format: CD (LP) |
| Size: 52.89 |
| |
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\/ TRACKLiST \/
| |
| 1 Golden Chimes (Intro) 3:00 |
| 2 Sunday Reverie 3:36 |
| 3 Coffee Time 3:54 |
| 4 November At My Door 4:07 |
| 5 All The Pretty Flowers 3:00 |
| 6 The Painter 4:48 |
| 7 Distant Screen 2:48 |
| 8 Take Me Away 2:25 |
| 9 Drunken Conclusions 1:56 |
| 10 Golden Chimes (Relic) 4:41 |
| -------------------------------------------------------------------|
| 34:15 |
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\/ RELEASE.NOTES \/
| |
| Raised into a unique pop-cultural landscape surrounded by Giallo |
| Comic books, whistling Morricone film scores, vibrant religious |
| imagery and expensive furniture design, Italian born Emma |
| TriccaÆs childhood playground formed a very different backdrop to |
| that of the many whispery femme-folk revivalists that have popped |
| up and pooped-out over the last hum-strummed decade. |
| |
| Emma Tricca didnÆt fall into a comfy kaftan via her parents |
| bottle fed record collection during her pre-paid college |
| off-years nor was she torn out of a style mag via a few guitar |
| lessons to decorate the post-club chill-out festivals. Emma |
| Tricca is the real deal, unaffected by whimsical press-penchants |
| and influenced by long European road-trips, heavy guitar cases |
| and tough love relationships. In danger of spitting paganistic |
| fluff, Emma is simply an ergonomic reaction to her environments |
| and their stories û folk music personified. While splitting her |
| time between Rome and London she awkwardly melts a stiff |
| upper-lip into the hot-blooded passion which has fuelled her |
| finger-picked momentum through all of her adult life. |
| |
| As folk slips from the newspaper colour supplements and becomes a |
| four letter word once again, Emma Tricca basques in its exorcism |
| and stands hand in hand with her peers, counting the likes of |
| John Renbourne, Bonnie Dobson and Judy Collins as friends and |
| stage mates, while eerily drawing comparisons with the lost music |
| of English-Italian 70s acidic folk mystery Mark Fry. |
| |
| Tricca was first recognised by her long black hair, battered |
| guitar case and sturdy Italian heeled boots by Jane Weaver and |
| Andy Votel on stage in 2006. It was ultimately her unique and |
| infectious vocals talents that inspired the Northern non-label |
| bosses to release her unanimously five-star rated debut LP Minor |
| White via the Bird Records imprint, a family of which Emma has |
| been a faithful friend and ambassador ever since. |
| |
| Taking trips across central Europe to the West coast of America |
| and stopping off at too many English, Irish and Welsh Festivals |
| to count in between (Jarvis CockerÆs Meltdown, Festival Number 6, |
| Green Man) the emergence of EmmaÆs new set of songs-of-experience |
| come from a creative soul that has travelled far, practiced long |
| and shared a heart, through intimate songwriting, with |
| unfaltering abundance. |
| |
| Previously honing her craft with minimum means fuelled by maximum |
| motivation her ability to spontaneously exude yearning melodic |
| handcrafted folk songs to dewy-eyed audiences still renders |
| todays hi-tech back-lines and expensive studios surplus to |
| requirement. 2014 will see Emma undertake more live commitments, |
| as well as her first musical appearance in a film starring Sir |
| Patrick Stuart as she winks back to Cinecittα. |
| |
| On her new LP, Emma, for the first time, embraces the minimal use |
| of mechanical percussion and home-made orchestrations |
| collaborating with Italian and English musicians such as members |
| of Welsh proggists Colorama, Edwyn Collins producer Carwyn Ellis |
| and Sam Mcloughlin (N.Racker) who brings some Northern rural |
| radiophonics to this ROMANtic relic. |
| |
| To subtitle a John Fahey songà behold the Giallo princess. |
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\/ GROUP.iNFORMATiON \/
| Respect to the people who keep the scene drama free. Keep doin |
| what you're doin. |
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\_\/ \_\/ \_\/ oldschool __ _| |_ __ asc.X.BbH \/_/ \/_/ \/_/
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