Vitor_Joaquim_-_A_Rose_is_A_Rose-(dOc007)-2004-BCC

Section

MP3/FLAC

Group

BCC

Size

78,59 MB

Files

10

Date

2004-10-03

NFO

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   ░█ █░                                                               ░█ █░
   ░█ █+              Vitor Joaquim - A Rose is A Rose             ▄   +█ █░
   ░█ █▓                                                               ▓█ █░
   ░█ ▓█                                                             ▄▀▀ ▄█░
   ░█ +█               Title : A Rose is A Rose                    ▀▀▀▄▄ ▀█░
   ░█ ░█              Artist : Vitor Joaquim                         ▀ ▓█ █░
   ░█▄ █               Genre : Industrial                              ░█ █░
   ░██ █                Year : 2004                                    █ ▄█░
   ░██ █        BCC Rel Date : 10-03-2004                              █ ██░
   ░██ █       Audio Bitrate : 192 kbps / Joint-Stereo                 █ ██░
   ░█ ▄▀         Sample Rate : 44,1 kHz Stereo                         █ ▀█░
   ░█ █▓ ▀           Encoder : Lame                                    █░ █░
   ░█▄ ▀▀▄▄▄          Tracks : 08                                      █+ █░
   ░█▀ ▄▄▀             Label : dOc007                                  █▓ █░
   ░█ █▓           Ripped By : BCC Team                                ▓█ █░
   ░█ █+              Source : CDDA                                    +█ █░
   ░█ █░              Length : 56:53 min                               ░█ █░
   ░█ █+                Size : 78,2 MB                                 ▄█ █░
   ░█ █▓                                                             ▄█▄  █░
   ░█▄ █                                                               ▄▀ █░
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   ░█ █▄                                                               +█ █░
   ░█ █░                                                               ░█ █░
   ░█ █░       01.I                                     [05:43]        ░█ █░
   ░█ █░       02.II                                    [09:35]        ░█ █░
   ░█ █░       03.III                                   [06:21]        ░█ █░
   ░█ █░       04.IV                                    [03:42]        ░█ █░
   ░█ █░       05.V                                     [09:47]        ░█ █░
   ░█ █░       06.VI                                    [07:00]        ░█ █░
   ░█ █░       07.VII                                   [09:23]        ░█ █░
   ░█ █░       08.VIII                                  [05:22]        ░█ █░
   ░█ █░                                                -------        ░█ █░
   ░█ █░                                                 56:53 min     ░█ █░
   ░█ █+                                                           ▄   +█ █░
   ░█ █▓                                                               ▓█ █░
   ░█ ▓█                                                             ▄▀▀ ▄█░
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   ░█ ░█                                                             ▀ ▓█ █░
   ░█▄ █                                                               ░█ █░
   ░██ █      INFO:                                                    █  █░
   ░██ █                                                               █ ██░
   ░██ █       "A Rose Is a Rose" is a red herring: Vitor Joaquim      █ ██░
   ░██ █       tells us that the title of his new solo CD is           █ ██░
   ░██ █       arbitrary. Like a rose, however, this CD is a small     █ ██░
   ░██ █       self-contained (pink!) object that carries a world      █ ██░
   ░██ █       within itself, one which opens up on closer             █ ██░
   ░██ █       scrutiny. It is the 9th release on d0c (in spite of its █ ██░
   ░██ █       cat. nr. 7), the forward-looking label run by Pure,     █ ██░
   ░██ █       and offers eight separate but closely related tracks    █ ██░
   ░██ █       that seem to happen spontaneously, compositions         █ ██░
   ░██ █       which are snapshots of a scene already taking           █ ██░
   ░██ █       place by the time we get there. According to            █ ██░
   ░██ █       Joaquim, a key player on Portugal's                     █ ██░
   ░██ █       electroacoustic scene and director of the annual        █ ██░
   ░██ █       EME festival there, the music on this CD was            █ ██░
   ░██ █       mostly improvised and then assembled in the             █ ██░
   ░██ █       studio into an organic whole. One of its many           █ ██░
   ░██ █       charms is its overall intimate sound, as though the     █ ██░
   ░██ █       composer were allowing the listener a confidential      █ ██░
   ░██ █       glimpse into a personal incident or journey or          █ ██░
   ░██ █       memory. Generally quiet but not disquieting, dusky      █ ██░
   ░██ █       rather than dark, the music is like a lone walk in a    █ ██░
   ░██ █       vast abandoned industrial zone, by the railroad         █ ██░
   ░██ █       flats, or a grainy black-and-white film of that walk.   █ ██░
   ░██ █       Ités like sitting in twilight by a concrete jetty,      █ ██░
   ░██ █       marveling at the ultrasonic radio waves bouncing        █ ██░
   ░██ █       off the ionosphere overhead. Ités like enjoying the     █ ██░
   ░██ █       shimmering, lulling surface of the water while          █ ██░
   ░██ █       sounds pierce through the digital mist: the far-off     █ ██░
   ░██ █       rush of windy open spaces(track 3), scrambled           █ ██░
   ░██ █       radio transmissions (track 4), the throb of             █ ██░
   ░██ █       machinery in the distance while, deep in the mix, a     █ ██░
   ░██ █       low chorus of male voices confer with each other        █ ██░
   ░██ █       (track 6). The haunting beauty of track 5┤s             █ ██░
   ░██ █       harmonic background and placid, aquatic                 █ ██░
   ░██ █       foreground; the protracted epiphany of track 7,         █ ██░
   ░██ █       with the surging and dropping off of its digital        █ ██░
   ░██ █       pizzicato and moments of quiet suspense; the            █ ██░
   ░██ █       coda of track 8, summarizing the foregoing even         █ ██░
   ░██ █       as it looks to the beyond - all these are               █ ██░
   ░██ █       characterized by a deep glow that holds back,           █ ██░
   ░██ █       enchanting the listener as it does so. The artist       █ ██░
   ░██ █       himself will have none of this, of course:              █ ██░
   ░██ █       regardless of the highly evocative quality of the       █ ██░
   ░██ █       soundscapes here, he says that it is all "open to       █ ██░
   ░██ █       speculation, but in the end all we get are stories      █ ██░
   ░██ █       built on top of stories" and that one should            █ ██░
   ░██ █       concentrate only on the sound itself. So do that,       █ ██░
   ░██ █       and create your own stories to it.                      █ ██░
   ░█ █▓ ▀                                                             █░ █░
   ░█▄ ▀▀▄▄▄                                                           █+ █░
   ░█▀ ▄▄▀                                                             █▓ █░
   ░█ █▓                                                               ▓█ █░
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   ░█ ▓█                                                             ▄▀▀ ▄█░
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   ░█ ░█                                                             ▀ ▓█ █░
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   ░█ █▓                                                               ▓█ █░
   ░█ █+                                                               +█ █░
   ░█ █░                                                               ░█ █░
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   ░█ █▓                                                             ▄█▄  █░
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   ░██ █                                                               ▄▀ █░
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   ░█▀ █▓                                                             +█ ██░
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   ░█ ░█                                                            ▀▀▄▄ ▀█░
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   ░██ █                                                               ░█ █░
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