Erykah_Badu-New_Amerykah_Part_One_(4th_World_War)-2008-GCP_INT

Section
MP3/FLAC
Group
GCP_INT
Size
0 B
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0
Date
2014-08-14

NFO

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       .            ▀▀                              :..
            p r o u d l y   p r e s e n t s ..::


  ░         Artist   | Erykah Badu
            Title    | New Amerykah: Part One (4th World War)

            Genre    | R&B
            Source   | CDDA
            Format   | Album
            Label    | Universal Motown
            Catalog  | 602517621879
            Released | 2008
            Ripped   | 2014
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            Quality  | 237 kbps avg at 44.1 kHz                    ▄▄███▀▀
            Encoder  | Lame 3.98.4 V0                             ▄▄██▀▀   ░
            Size     | 105.12 MB                                ▄▄█████▀ ░░░
            Playtime | 58min 54s                ▄███▄▄▄▄▄    ▄█▀    ▓█▄ ░░
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  ░         R E L E A S E   I N F O R M A T I O N

            She grew up listening to 70s soul and 80s hip-hop, but Erykah Badu
            drew more comparisons to Billie Holiday upon her breakout in 1997,
            after the release of her first album, "Baduizm". The grooves and
            production on the album are bass-heavy R&B, but Badu's languorous,
            occasionally tortured vocals and delicate phrasing immediately
            removed her from the legion of cookie-cutter female R&B singers. A
            singer/songwriter responsible for all but one of the songs on
            Baduizm, she found a number 12 hit with her first single, "On & On",
            which pushed the album to number two on the charts..

            Downplayed and practically disregarded as it was, 2003's "Worldwide
            Underground" was an excellent and brave follow-up to 2000's "Mama's
            Gun". Erykah Badu concedes she had nothing to say at the time - the
            loose 50-minute 'EP' was more about sounds than statements - but she
            evidently holds herself to a high standard. Perhaps that streak was
            a factor in her protracted silence from its release to "New
            Amerykah, Part One: 4th World War"; she even thought she might be
            through with making music. Her creative energy returned at some
            point, and then some, with this set apparently just the first in a
            series of releases. Varied and layered, "New Amerykah Part One" has
            Badu collaborating principally with the members of Sa-Ra (who are
            present in almost half of the tracks), Madlib, 9th Wonder, and
            "Baduizm/Mama's Gun" vets Karriem Riggins, James Poyser, and Ahmir
            Thompson. If you're familiar with what these people have made in the
            past, you'll know to expect plenty of fearless weirdness and a
            couple relaxed soul-jazz backdrops that do not fail to stimulate.
            The album is easily the most hip-hop and most out-there release from
            Badu thus far, with beats bumping, knocking, and booming in roughly
            equal measure, sometimes switching tacks or vanishing midstream,
            dropping down dark corridors, gradually levitating into direct
            sunlight.

            Lyrically, there's much to digest: in the ghostly-mystical "The
            Healer", Badu proclaims hip-hop to be bigger than religion and
            government; both "That Hump" and "The Cell" are vivid depictions of
            drug dependency; "Soldier" gives a shout to the Nation of Islam,
            addresses Katrina and black-on-black crime, and sends out a warning
            ('Now to folks that think they livin' sweet/They gone fuck around
            and push delete'); "Twinkle" evokes a lot of thought with few words,
            alluding to the various failures of the US health, education, and
            prison systems, and the negative and cyclical effects they've had on
            Badu's people. Though this is another album where you can only
            wonder how different it would be with some input from the late J
            Dilla, the beloved producer gets an incredibly touching tribute with
            the eight-minute "Telephone", written the day after the ceremony of
            his death. Indeed, no listed song is light in sentiment, which must
            partially explain why the beaming single "Honey" is included as an
            unlisted track - it doesn't fit into the album's fabric, what with
            its drifting, deeply sweetened, synth-squish-and-string-drift
            groove. Immediately moving and yet rather bewildering, "New Amerykah
            Part One" is an album that sounds special from the first play, yet
            it will probably take years before it is known just how special it
            is.
     ░
                        ░
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 ░                    ▀▀  █ ░   ▄███▓░ ░░    ▀███▄▄▄   ░░   ▀▀▀▀▄▄▄   ░░    ░░
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 ░▒░   ░            ▄▄▄▄▄██████▀████▀███████████████████████▄▄░░░▒▒▓▓██▄ ▀█▒▓▓█
 █▓░░░     ▄▄▄▄▀▀▀▀▀░░  ░      ███████▄ ▀▀▀██████████████░░ ▄███████████▀▄▀▀▀▀▀
 █▀▀ ▄█▀██▀▒▒▒░░░░               ▀██▄ ▀████▄▄█▀████████▓░░ ░███████████▀░▓█▄▄▄
 █ ▄█░ ▀▀█▒▒░░░     ░              ▀██▄▄▄   ██████████▓░░ ░▄██████████▓▀▀▓▓▓▓██
   █▀█▄▄▄ ▀▀▄▄░░ ░      ▄ ▀              ▀▀▄▄▄ ▀███████░  ▄██▀██████████▒▒▒▒▓▓▀
 ▀ █▄█ ███▄▄░░▀▀▄▄░░  ░   ▀                 ░ ▀▀▄▄▀▀▀▀████████████▀███░░░▒▒▓▓██
  ▄██████████▄▄ ░░▀█▀▀▄░                        ░░▀▀█▄▄ ████▀▀▀▀▀ ░ ░░░░▄██▄▀▀
 ██░▓██▄▀████████▀ ▄░░ ▀▄▄▄                  ░   ░░▄▄█▀ █▀▀    ░░    ░░▄██▀
  ▀▀▄ ▀▓██▄▀▀███▓░ ▀█▄▄▄░░ ▀▀▄▄              ▄▄▄▀███▀      ░       ░░░███
     ▀▀▄▄▀███▄▄▀████░████▄▄█▄▄░▀▀▄▄       ▄▀▀░▄▄▀▀     ░      ░░  ░▄▄███
      ▄▄███▄█▀▓████▄ ███████████▄░░▀▀▄██▀▀░▄▀▀  ░         ▀ ░  ▄▄██████
  ▄████████████▄█▀███▄█▀██████████▄▄▄██▄▄▀▀░░      ▄▄▄▄  ▄  ▄▄██████▄▀   ░
  ▀▀██████████░ ▀▀▄█▀▓██▄▄▀▀██████▀ ▄██  ░░     ▄█████▓░▄▄███████▀
░░    ▀▀███████▄▄░░▀█▄▄█▀▓██▄▄ ▀██▄▄██▀ ░     ▄███████████████▀     ░░░
 ░░░     ▀▀████████▄█████▄▄▀▀█████████ ░     ▄▓████████████▀
   ░░░░░     ▀▀██████████████▄▄▀▀▓████▄▄▄▄▄▄████▄██████▀▀    ░░░░░
..    ░░░░░      ▀███████████████▄▄█▀▀██████████████▀▀    ░░░░░
 ::.      ░░░░      ▀▀██████████████████████▀██████▀    ░░░░
 ooh ye..       ░       ▀██████████████▄░▀███████▀
                           ▀▀████████████▄▄▄▄ ▀
 ::t r a c k  l i s t  :::     ▀██████▀▀
                         ::: .    ▀▀

 ------------------------------------------------------------------------------
  01. Amerykahn Promise (Prod. Roy Ayers)                                 4:16
  02. The Healer (Prod. Madlib)                                           3:59
  03. Me (Prod. Shafiq Husayn & Erykah Badu)                              5:36
  04. My People (Prod. Madlib)                                            3:25
  05. Soldier (Prod. Kariem Riggins & Erykah Badu)                        5:03
  06. The Cell (Prod. Shafiq Husayn & Erykah Badu)                        4:20
  07. Twinkle (Prod. Taz Arnold, Shafiq Husayn, Erykah Badu & Mike        6:56
      'Chav' Chavarria)
  08. Master Teacher (Prod. Shafiq Husayn)                                6:47
  09. That Hump (Prod. Erykah Badu, Om'Mas Keith & Shafiq Husayn)         5:24
  10. Telephone (Prod. Erykah Badu, James Poyser & Ahmir Thompson)        7:47
  11. Honey (Bonus Track) (Prod. 9th Wonder)                              5:21

                                                                         -----

                                                                         58:54

 ------------------------------------------------------------------------------

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