Logreybeam_-_Its_All_Just_Another_Aspect_of_Mannerism-(TYPE004)-2004-BCC

Section

MP3/FLAC

Group

BCC

Size

58,37 MB

Files

9

Date

2004-10-05

NFO

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   ░█ █░                                                               ░█ █░
   ░█ █+   Logreybeam - It's All Just Another Aspect of Mannerism  ▄   +█ █░
   ░█ █▓                                                               ▓█ █░
   ░█ ▓█                                                             ▄▀▀ ▄█░
   ░█ +█               Title : It's All Just Another Aspect of Mannerism ▀█░
   ░█ ░█              Artist : Logreybeam                            ▀ ▓█ █░
   ░█▄ █               Genre : Electronic                              ░█ █░
   ░██ █                Year : 2004                                    █ ▄█░
   ░██ █        BCC Rel Date : 10-04-2004                              █ ██░
   ░██ █       Audio Bitrate : VBR kbps / Joint-Stereo                 █ ██░
   ░█ ▄▀         Sample Rate : 44,1 kHz Stereo                         █ ▀█░
   ░█ █▓ ▀           Encoder : Lame                                    █░ █░
   ░█▄ ▀▀▄▄▄          Tracks : 09                                      █+ █░
   ░█▀ ▄▄▀             Label : TYPE004                                 █▓ █░
   ░█ █▓           Ripped By : BCC Team                                ▓█ █░
   ░█ █+              Source : CDDA                                    +█ █░
   ░█ █░              Length : 38:49 min                               ░█ █░
   ░█ █+                Size : 58,4 MB                                 ▄█ █░
   ░█ █▓                                                             ▄█▄  █░
   ░█▄ █                                                               ▄▀ █░
   ░██ █                                                              ▓█ ██░
   ░██ █+                                                             +█ ██░
   ░█▀ █▓        ▀██████████████████████████████████████████▀          █ ██░
   ░█ █▄           ▓▓▓▓▒▒▒░▓░░░░░ ░ tracks ░ ░░░░░▓░▒▒▒▓▓▓▓            █ ▄█░
   ░█  ▄█▄       ▀██████████████████████████████████████████▀          ▓█ █░
   ░█ █▄                                                               +█ █░
   ░█ █░                                                               ░█ █░
   ░█ █░       01.Premonition                           [03:10]        ░█ █░
   ░█ █░       02.Aspect of Mannerism                   [05:48]        ░█ █░
   ░█ █░       03.Opiate of the Masses                  [03:58]        ░█ █░
   ░█ █░       04.Post 'du Mortem                       [03:16]        ░█ █░
   ░█ █░       05.Muado                                 [03:14]        ░█ █░
   ░█ █░       06.Beetelguise                           [03:42]        ░█ █░
   ░█ █░       07.Preywithme                            [02:25]        ░█ █░
   ░█ █░       08.Somnus : Sleep                        [07:57]        ░█ █░
   ░█ █░       09.Untitled                              [05:19]        ░█ █░
   ░█ █░                                                -------        ░█ █░
   ░█ █░                                                 38:49 min     ░█ █░
   ░█ █+                                                           ▄   +█ █░
   ░█ █▓                                                               ▓█ █░
   ░█ ▓█                                                             ▄▀▀ ▄█░
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   ░█ ░█                                                             ▀ ▓█ █░
   ░█▄ █                                                               ░█ █░
   ░██ █      INFO:                                                    █  █░
   ░██ █                                                               █ ██░
   ░██ █       'It's All Just Another Aspect Of Mannerism' is the      █ ██░
   ░██ █       debut album of Los Angeles based Logreybeam,            █ ██░
   ░██ █       aka Gabriel Morley. Having spent many years             █ ██░
   ░██ █       studying music at the prestigious Cal Arts              █ ██░
   ░██ █       Academy, Morley has taken his training and turned       █ ██░
   ░██ █       it on its head. Instead of merely sampling the          █ ██░
   ░██ █       instruments he has so painstakingly learned, he         █ ██░
   ░██ █       resynthesizes, filters and destroys them until few      █ ██░
   ░██ █       traces are left on the resulting sound recordings.      █ ██░
   ░██ █       Every track starts with a sound base and whether        █ ██░
   ░██ █       it be piano, strings or percussion only a hint of the   █ ██░
   ░██ █       original sound is left. All we hear are tones,          █ ██░
   ░██ █       trapped reverberations, the sounds that we are          █ ██░
   ░██ █       taught to ignore.                                       █ ██░
   ░██ █                                                               █ ██░
   ░██ █       Morley is better known as one half of electronica       █ ██░
   ░██ █       act 'Yasume'. His gritty percussive structures          █ ██░
   ░██ █       helped carry their album 'Where We're From The          █ ██░
   ░██ █       Birds Sing A Pretty Song' to great critical acclaim     █ ██░
   ░██ █       in 2003. It comes as quite a surprise then that in      █ ██░
   ░██ █       his debut solo record Morley dispenses with             █ ██░
   ░██ █       percussion almost entirely to make a record of          █ ██░
   ░██ █       drifting, crystalline beauty. He considers this as a    █ ██░
   ░██ █       far more personal work than Yasume, which was           █ ██░
   ░██ █       more of an outlet for his ADD induced beat              █ ██░
   ░██ █       creation skills. It is when working by himself he       █ ██░
   ░██ █       feels he can express his love of musique concrete       █ ██░
   ░██ █       and abstract sound design.                              █ ██░
   ░██ █                                                               █ ██░
   ░██ █       The album opens in typically classical style, with      █ ██░
   ░██ █       the sounds of a laptop orchestra tuning their           █ ██░
   ░██ █       samples on 'Premonition'. This sets the tone of         █ ██░
   ░██ █       the record perfectly as it drifts seamlessly from       █ ██░
   ░██ █       Xenakis-influenced electrical drones into the cold,     █ ██░
   ░██ █       precise digital manipulations explored previously       █ ██░
   ░██ █       by artists such as Carsten Nicolai. It stops for        █ ██░
   ░██ █       breath mid-way through with 'Beetelguise', a            █ ██░
   ░██ █       wonderful reinterpretation of Danny Elfman's            █ ██░
   ░██ █       influential theme, proving that there is room for a     █ ██░
   ░██ █       wry smile in the po-faced world of the avante           █ ██░
   ░██ █       garde.                                                  █ ██░
   ░██ █                                                               █ ██░
   ░██ █       As the album draws to a satisfying close with the       █ ██░
   ░██ █       mysterious 'Untitled' we are treated to a piece of      █ ██░
   ░██ █       field recording, delicately manipulated to brush the    █ ██░
   ░██ █       senses rather than barrage them with information.       █ ██░
   ░██ █       This kind of subtlety is rarely achieved, yet Gabriel   █ ██░
   ░██ █       Morley manages effortlessly. Such simple yet            █ ██░
   ░██ █       involving beauty comes around far too.                  █ ██░
   ░██ █       infrequently, which is what makes 'It's All Just        █ ██░
   ░██ █       Another Aspect Of Mannerism' such an essential          █ ██░
   ░██ █       work.                                                   █ ██░
   ░█ █▓ ▀                                                             █░ █░
   ░█▄ ▀▀▄▄▄                                                           █+ █░
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   ░█ █░                                                               ░█ █░
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   ░██ █                                                               ▄▀ █░
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