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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Brandon Boyd
Album : Sons Of The Sea
Label : AVOW! Records
Genre : Pop
Street Date : 2014-09-23
Quality : 261 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 76.83 MB
Time : 39:00 min
Url : http://www.brandonboyd.me/
[Tracks]
1. Jet Black Crow 4:17
2. Space And Time 4:17
3. Untethered 4:16
4. Plus Minus 3:52
5. Great Escape 3:48
6. Come Together 3:57
7. Where All The Songs Come From 4:10
8. Avalanche 3:14
9. Lady Black 3:35
10. Hey, That's No Way To Say Goodbye 3:34
[Notes]
Sons of the Sea is the quintessential Brandon Boyd recordùan introspective,
eclectic collection from the artist, author, activist, environmentalist and
surfer that will tantalize longtime fans while further spotlighting his
evolving interests. The acclaimed Incubus vocalist is stretching his
formidable creative muscles in a daring new foray into solo music.
The first taste of new material arrived June 25 in the form of four-song EP
Compass (released worldwide on Avow Records / INgrooves Fontana). From the
eerie, synth-driven obsession of ôLady Blackö to the upbeat, Beatles-esque
musing of ôSpace and Time,ö these songs propel Boyd into exciting,
untraveled terrain. Rounded out by the evocative ôCome Togetherö and ôWhere
All the Songs Come From,ö Compass is representative of his innate
restlessness. For an artist like Boyd, the thrill and confusion of the quest
to create will always trump the tangible, material rewards bestowed for his
efforts.
While BoydÆs inviting, empathetic voice is familiar to millions, Sons of the
Sea, infuses it in challenging new contexts. Produced by the renowned
Brendan OÆBrien (Incubus, Pearl Jam, Bruce Springsteen, Rage Against the
Machine), the album luxuriates in innovative sonic backdrops, allowing what
they coined as ôoddball popö to flourish. Leadoff track ôJet Black Crowö
flaunts what Boyd calls a ôstomping playfulnessö that befits his dreamlike
musing on infatuationÆs ups and downs. And he is just as compelling in the
recordÆs many departures, playing lothario in the seductive ôCome Together,ö
contemplating his unique creative process in the piano-driven ôAvalanche,ö
or paying tribute to Emily DickinsonÆs perspective on an artistÆs
responsibility via ôUntetheredöùôtell us the truth, but tell it to us
gently, lest we all go blind.ö
Boyd and OÆBrien joined forces when Incubus went on hiatus following 2011Æs
If Not Now, When? ôAfter much toiling and overthinking about how I was to go
about starting a new music project, I decided that the best way forward was
to let go completely!ö Boyd enthuses. ôStop thinking about where, when,
what, who and how, and simplyàGO!ö
That ability to overcome doubt and give voice to complex thoughts applies to
his visual art as well. BoydÆs third art book, So the Echo, will also
emerged in September, following up acclaimed predecessors White Fluffy
Clouds (2003) and From the Murks of the Sultry Abyss (2007). A compendium of
unobstructed watercolor, ink pieces and photographic spreads, So the Echo
ôoffers some of my most vulnerable observations yet, unedited and out on a
limb. After all, the echo towards a life of expressivity is only as loud as
the call!ö
ôThere is no end in creativity,ö Boyd concludes. ôHence, to strive towards
an end result is a foolÆs errand. Set goals, make music and paint pictures,
but know that the crux of your happiness balances delicately on the wings of
the act of creativity itself. Not at the finish line.ö