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▀██ ████ ░░░▒░█▀▀▀▀██ ■▄▄ █ ▐██▀▀ The new rH presents
▓███ ░ ░ ▀▄ ▓██ █ ▀█ █ ▀ +--+
█ ▓███▄▄ ▀ ███ ▓ ▄▀
█ ██████▓▓▓▄▄▄▄▄▄▓██ ▄█▀ Med Flory
█ ████████████████ █ ▄█▀ Sings the 40s
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▀█ ▀▀▀▀▀▀▀ █▀ ██
░ ▀▀▄▄▄▄ ▄▄▄▄█▀ ███ Genre : Jazz
████ Label : n/a
▄█████▄▄ ██▓██ Source : CDDA
▄████▓▓▓████▄ ░ ░ ███▓██ Quality : VBRkbps / 44.1kHz
████▓▓▓▓▓█▓████▄ ▄▄ ████▓██ Encoder : LAME
███▓▓▓███████▀▀██▄ █▀▀█ █▒█▓▓██ Ripper : ?
███▓▓▓█████▀ ██ ▀ ▓█ █▒██▓██ Street : 000-00-0000
██▓▓▓████▀ ██ ▓█ ███▓██ Release : Oct-06-2004
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▀██▄ :: COMMENTS :: ▀▀▀▀▀ ▀▀▀▀▀ ▀██ ██ ▓█
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█ "Med Flory has enjoyed both a profitable music █
█ career and successful stints as a television █
█ and film writer and actor. His alto sax and █
█ clarinet work are deeply influenced by the █
█ classic bebop sound, notably the playing of █
█ Charlie Parker. Though he doesn't directly █
█ emulate Charlie Parker, Flory's sound, phrasing █
█ and approach reflect his reverence for his █
█ music. He played clarinet and alto with Claude █
█ Thornhill in the '50s, and tenor with Woody █
█ Herman. Flory formed his own New York band in █
█ 1954, then moved to the West Coast two years █
█ later. He organized a big band that performed █
█ at the inaugural Monterey concert in 1958. █
█ Flory played with Terry Gibbs' nonet and █
█ orchestra in the late '50s and early '60s, █
█ recording with both units and also cutting █
█ sessions with Art Pepper and Woody Herman on █
█ baritone. Flory's acting career blossomed in █
█ the '60s, as he began appearing on many █
█ television shows and in films. He also wrote █
█ screenplays and trimmed his playing dates. █
█ During Flory's sessions with Art Pepper, the █
█ sax section played arrangements of Charlie █
█ Parker improvisations. Flory and Joe Maini █
█ began transcribing the solos, but after Joe █
█ Maini's death in 1964 Flory stopped the █
█ process. When Buddy Clark showed interest, █
█ Flory not only began transcribing again, he █
█ co-formed a band with Buddy Clark to play the █
█ material. Supersax began in 1972 and won a █
█ Grammy for its debut recording the next year. █
█ Flory became the sole leader when Buddy Clark █
█ departed in 1975, and maintained its operation █
█ into the '80s. He also continued to juggle █
█ writing and acting. Flory has recorded as a █
█ leader for Jubille and World Pacific as a █
█ session leader, and for Capitol, MPS and █
█ Columbia with Supersax. Supersax has sessions █
█ available on CD." █
█ ~ Ron Wynn, All Music Guide █
█ █
█ n/a █
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■ ▀███▓██▒▀▒ ▒ :: TRACKLiST :: ▒ ▒▀▒██▓███▀ ■
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▄│▀ ▀│▄
█ 01 In the Still of the Night 05:52 █
█ 02 You're Not the Kind 04:17 █
█ 03 Tangerine 03:46 █
█ 04 When Rimsky Met Korsakoff 05:34 █
█ 05 Skylark 04:23 █
█ 06 Bring Another Drink 04:12 █
█ 07 Hoosier Blues 03:42 █
█ 08 Old Man Rebop 07:24 █
█ 09 Dancing in the Dark 05:10 █
█ 10 Parisian Thoroughfare 07:04 █
█ 11 Bouncin' with Bud 03:19 █
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▄│▀ rH has been releasing stuff for about four years now. although we ▀│▄
█ committed ourselves to release only stuff roughly characterized by the █
█ terms punk and hardcore we've been playing a big role in the scene in our █
█ four years of existence. a main concept of rH has always been the idea of a █
█ a leaderless group. decisions are met on the base of discussion, rather than █
█ authority and hierarchy. this way of handling issues can be pretty annoying █
█ sometimes, as it can take ages to agree on certain issues and get stuff █
▓ done. however, the occasional lack of organisation is a sacrifice rH is ▓
▓ willing to make, to guarantee individual freedom and thus a relaxed ▓
▓ atmosphere. after all it's amazing that we've kept the machine running for ▓
▓ about four years this way. ▓
▓ ▓
▓ we know that our releases may contribute to the growing sale loss of record ▓
▒ companies. generally that's no big deal of course, the whining of the record ▒
▒ industry is pathetic and we encourage everyone to pirate their music. ▒
▒ unfortunately the style we release is very often put out by small, ▒
▒ independent labels which work on a very low-profit basis, actually dependent ▒
▒ on record sales. so significant loss of sales in this case doesn't mean some ▒
▓ rockstar is making a few million less on his latest nu-metal album than he ▓
▓ used to, but us loosing the opportunity to listen to good music. ▓
▓ ▓
▓ therefore we ask you not to distribute this release on public sites or ▓
▓ peer to peer networks! please do not consider this release as a substitute ▓
▓ to the original, but as a way to promote new bands and check out records ▓
█ before you buy them. █
█ █
█ so we urge you to support the bands, attend their shows, buy their vinyls, █
█ cds and tshirts. so far there's a fairly good network of underground labels █
█ providing us with outputs from awesome bands, your ongoing support is █
█ required to keep the scene alive! █
▀│▄ ▄│▀
▄▀▀▀▄ ▄▀▀▀▄
█▓▒ ▓█ :: GREETZ :: █ ░▒▓█
█▓▒░ █ █ ░ ▒▓█
▀▄▄▄▀ ▀▄▄▄▀
to our competitors and friends in...
iTS · HCU · UBE · ATR · JUST · JAH · gF
VGP · KSi · ABS · FNT · SOUR · PMS · NuHS
SDR · COR · ESC · TWEE · LGF
and everyone else who helped us
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███▓▓▓▓▓██▓▀ ASCii Art by ▀▓██▓▓▓▓▓███
■ ▀███▓██▒▀▒ ▒ SoniK_J!uNCREATiON ▒ ▒▀▒██▓███▀ ■
▄▀ █ ▀▀▀ ░ ▒ modified by rH ▒ ░ ▀▀▀ █ ▀▄
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