Artist.......: The Black Keys
Album........: Festival des EurockΘennes de Belfort
Label........: n/a
Genre........: Rock
Catnr........: n/a
Source.......: DVBS
Rip.date.....: 2014-10-11
Str.date.....: 2014-07-00
Quality......: 230kbps/48.0kHz/Joint Stereo
Url..........: http://www.theblackkeys.com/
track title time
1. Festival des EurockΘennes de Belfort 75:36
* Dead and Gone
* Next Girl
* Run Right Back
* Same Old Thing
* Gold On The Ceiling
* It's Up To You Now
* Strange Times
* Money Maker
* Ten Cent Pistol
* Turn Blue
* Howlin' For You
* Nova Baby
* Gotta Get Away
* She's Long Gone
* Tighten Up
* Fever
* Lonely Boy
* Little Black Submarines
Runtime 75:36
Size 124.45
Release Notes:
SUPPORT QUALITY !
SUPPORT LATEST LAME !
ItÆs too facile to call the Black Keys counterparts of the White Stripes: they
share several surface similarities -- their names are color-coded, they hail
from the Midwest, theyÆre guitar-and-drum blues-rock duos -- but the Black Keys
are their own distinct thing, a tougher, rougher rock band with a purist streak
that never surfaces in the Stripes. But thatÆs not to say that the Black Keys
are blues traditionalists: even on their 2002 debut, The Big Come Up, they
covered the BeatlesÆ psychedelic classic ôShe Said She Said,ö indicating a
fascination with sound and texture that would later take hold on such latter-day
albums as 2008Æs Attack & Release, where guitarist Dan Auerbach and drummer
Patrick Carney teamed up with sonic architect Danger Mouse. In between those two
records, the duo established the Black Keys as a rock & roll band with a brutal,
primal force, and songwriters of considerable depth, as evidenced on such fine
albums as 2003Æs Thickfreakness and 2004Æs Rubber Factory.
Natives of Akron, Ohio, the Black Keys released their debut, The Big Come Up, in
2002, receiving strong reviews and sales, and leading to a contract with Fat
Possum by the end of the year. That label released Thickfreakness, recorded in a
14-hour session, in the spring of 2003, and the Keys supported the album with an
opening tour for Sleater-Kinney. the Black Keys' momentum escalated considerably
with their 2004 album Rubber Factory, which not only received strong reviews but
some high-profile play, including a video for "10 A.M. Automatic" featuring
comedian David Cross. The band's highly touted live act was documented on a 2005
DVD, released the same year as Chulahoma -- an EP of blues covers -- appeared.
the Black Keys made the leap to the major labels with 2006's Magic Potion, a
moodier record that continued to build their fan base. The band capitalized on
that moodiness with 2008's Attack & Release, whose production by Danger Mouse
signaled that the Black Keys were hardly just blues-rock purists. Salvaged from
sessions intended as a duet album with Ike Turner, who died before the record
could be finished, the album was the Black Keys' biggest to date, debuting in
the Billboard Top 15 and earning strong reviews. Following their second live
DVD, the Black Keys spent 2009 on side projects, with Auerbach releasing his
solo album Keep It Hid in the beginning of the year, and Carney forming the band
Drummer, in which he played bass. At the end of 2009, Blakroc, a rap-rock
collaboration between the band and producer Damon Dash, appeared.
Brothers, released in 2010, became their biggest album yet, generating the hit
singles "Tighten Up," "Howlin' for You," and "Next Girl." It also saw the Keys
returning to their tough blues roots with a new grandness, earning three Grammy
Awards, landing on year-end lists from NPR to Rolling Stone, and going gold. The
band offered a more straight-ahead rock & roll sound with 2011's El Camino. On
the strength of the hit single "Lonely Boy," El Camino debuted at number two on
Billboard's Top 200 and the Black Keys worked the album hard throughout the next
year, releasing "Gold on the Ceiling" as the record's second single and touring
heavily. In the fall of 2012, the Tour Rehearsal Tapes EP -- a brief collection
of live-in-the-studio run-throughs of 2012 material -- was released.
Once again tapping Danger Mouse to produce the follow-up, the band went back
into the studio in summer 2013 to record. Standing in contrast to the short,
spiky rock & roll of El Camino, Turn Blue had a psychedelic undercurrent that
could be heard on its preceding singles "Fever" and "Turn Blue." The album
appeared early in May 2014.