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street date: May 01, 2004 rip date: 08.10.2004
artist : VA-Sizzla
title : Blazing The Fire DVDA
year : 2004
genre : Reggae
label : John Shop Records
cat-nr : JSRDVD001
website : www.johnshoprecords
ripped by : TEAM YARD
quality : VBR 44.1 Joint-Stereo
tracks : 01
length : 111:2
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nr. song title length
01 Blazing The Fire 111:24
... . .
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█ █▐ John Shop Records was born at the dawn of the new millennium ▌█ █
█ █▐ in the Bronx, New York. The label holds everything on site ▌█ █
█ █▐ from a state-of-the-art all encompassing studio to an art ▌█ █
█ █▐ department with award winning designers. John Shop is ▌█ █
█ █▐ strictly new school collective - tight, music-loving family ▌█ █
█ █▐ of owners, producers, and artists who want to deal strictly ▌█ █
█ █▐ in quality, be it roots & culture, dancehall, dub or hip-hop. ▌█ █
█ █▐ Since their emergence they have released a bunch of 7" ▌█ █
█ █▐ singles, compilation albums featuring the likes of Sizzla, ▌█ █
█ █▐ Sean Paul, Wyclef Jean, Capleton, Buju Banton, Elephant Man ▌█ █
█ █▐ and many many more. Artists such as Yami Bolo, Dawn Penn, ▌█ █
█ █▐ Future Troubles, Tony Panic, Zumjay and Major Damage have ▌█ █
█ █▐ signed to the label, all of whom have releases due out on ▌█ █
█ █▐ John Records Shop. Cream of reggae have also voiced tracks ▌█ █
█ █▐ at John Shop Records including Bounty Killer, Sean Paul, ▌█ █
█ █▐ Capleton, Sizzla and Buju Banton, to name a few. At the ▌█ █
█ █▐ mixing board they've already welcomed some of the best ▌█ █
█ █▐ people in the business including D. Dubbie, Rooster, Vidal ▌█ █
█ █▐ Goring, Arden, Teethimus, Tony "CD"Kelly and Colin "Bulby" ▌█ █
█ █▐ York. ▌█ █
█ █▐ ▌█ █
█ █▐ ▌█ █
█ █▐ On Sunday, November 10th 2002, the ultimate reggae experience ▌█ █
█ █▐ took place... ▌█ █
█ █▐ ▌█ █
█ █▐ BLAZING THE FIRE a John Shop Records production, set musical ▌█ █
█ █▐ fire to the Palladium (NY). This spellbinding extravaganza ▌█ █
█ █▐ featured performances by some of reggae's most outstanding ▌█ █
█ █▐ luminaries. Among them: Sizzla, Anthony B, Yami Bolo, ▌█ █
█ █▐ Determine, Dawn Penn & Ras Shiloh. ▌█ █
█ █▐ ▌█ █
█ █▐ Now we bring the Blazing The Fire experience direct to your ▌█ █
█ █▐ living room with rare and never before seen footage, ▌█ █
█ █▐ backstage and offstage happenings and breaking performances. ▌█ █
█ █▐ John Shop Records proudly presents this revolutionary DVD ▌█ █
█ █▐ that will change the way you view reggae forever. Keep ▌█ █
█ █▐ Blazing The Fire! ▌█ █
█ █▐ ▌█ █
█ █▐ ▌█ █
█ █▐ ▌█ █
█ █▐ Tracklist: ▌█ █
█ █▐ --------- ▌█ █
█ █▐ Daddigon - Dighing Man Rise Again ▌█ █
█ █▐ Sammy Dread - She's In Love With Me ▌█ █
█ █▐ Determine - Shaka Zulu ▌█ █
█ █▐ Determine - Kette Drum ▌█ █
█ █▐ Determine - In A Court ▌█ █
█ █▐ Ras Shiloh - Unto Zion ▌█ █
█ █▐ Ras Shiloh - Love Is The Answer / Kingly Character ▌█ █
█ █▐ Ras Shiloh - Long Time Coming ▌█ █
█ █▐ Dawn Penn - Looking For A Lion ▌█ █
█ █▐ Dawn Penn - No, No, No ▌█ █
█ █▐ Yami Bolo - Put Down The Weapon ▌█ █
█ █▐ Yami Bolo - Reasons ▌█ █
█ █▐ Yami Bolo - Born Again ▌█ █
█ █▐ Yami Bolo - Please Be True ▌█ █
█ █▐ Anthony B - Fire Pon Rome ▌█ █
█ █▐ Anthony B - Good Life ▌█ █
█ █▐ Anthony B - The Damage ▌█ █
█ █▐ Anthony B - One Thing ▌█ █
█ █▐ Anthony B - Waan Back ▌█ █
█ █▐ Sizzla - Praise Ye Jah ▌█ █
█ █▐ Sizzla - Guide Over Us ▌█ █
█ █▐ Sizzla - Taking Over ▌█ █
█ █▐ Sizzla - Show Us The Way ▌█ █
█ █▐ Sizzla - Kings Of This Earth ▌█ █
█ █▐ Sizzla - Black Woman & Child ▌█ █
█ █▐ ▌█ █
█ █▐ ▌█ █
█ █▐ ▌█ █
█ █▐ .::ARTIST BIO::. ▌█ █
█ █▐ ▌█ █
█ █▐ Emerging during the latter half of the '90s, the enormously ▌█ █
█ █▐ prolific Sizzla was one of the leaders of the conscious ▌█ █
█ █▐ dancehall movement. Along with Buju Banton and Capleton, he ▌█ █
█ █▐ helped lead dancehall back to the musical and spiritual ▌█ █
█ █▐ influence of roots ... Emerging during the latter half of ▌█ █
█ █▐ the '90s, the enormously prolific Sizzla was one of the ▌█ █
█ █▐ leaders of the conscious dancehall movement. Along with ▌█ █
█ █▐ Buju Banton and Capleton, he helped lead dancehall back to ▌█ █
█ █▐ the musical and spiritual influence of roots reggae, ▌█ █
█ █▐ favoring organic productions and heavily Rastafarian subject ▌█ █
█ █▐ matter. A member of the militant Bobo Ashanti sect, he ▌█ █
█ █▐ sometimes courted controversy with his strict adherence to ▌█ █
█ █▐ their views, particularly his aggressive condemnations of ▌█ █
█ █▐ homosexuals and white Western oppressors. Yet overall, his ▌█ █
█ █▐ music was generally positive, advocating faith, compassion ▌█ █
█ █▐ for poor black youth, and respect for women. He remained ▌█ █
█ █▐ something of an enigma to the public at large, rarely ▌█ █
█ █▐ granting interviews and keeping his concert appearances to ▌█ █
█ █▐ a minimum. Nonetheless, he still ranked as arguably the ▌█ █
█ █▐ most popular conscious reggae artist of his time, thanks to ▌█ █
█ █▐ a normally high standard of quality control -- all the more ▌█ █
█ █▐ impressive given the frequency with which he recorded. A ▌█ █
█ █▐ versatile singjay-style vocalist with a gruff, gravelly ▌█ █
█ █▐ tone, he was capable of both rapid-fire chatting and ▌█ █
█ █▐ powerful, melodic singing, and his best backing riddims ▌█ █
█ █▐ were among the strongest in contemporary dancehall. ▌█ █
█ █▐ ▌█ █
█ █▐ Sizzla was born Miguel Collins on April 17, 1976, and was ▌█ █
█ █▐ raised in the August Town area of Kingston by devout ▌█ █
█ █▐ Rastafarian parents. After honing his vocal skills, he ▌█ █
█ █▐ landed a gig with the Caveman Hi-Fi sound system, where ▌█ █
█ █▐ he first made a name for himself as a performer. He cut ▌█ █
█ █▐ his first single for the small Zagalou label in 1995, and ▌█ █
█ █▐ soon moved on to Bobby "Digital" Dixon's Digital B imprint. ▌█ █
█ █▐ However, he didn't manage a breakout success until ▌█ █
█ █▐ saxophonist Dean Fraser recommended him to producer Philip ▌█ █
█ █▐ "Fatis" Burrell. Sizzla released a series of singles on ▌█ █
█ █▐ Burrell's Xterminator label, including "Judgement Morning," ▌█ █
█ █▐ "Life's Road," "Blaspheme," "We Uh Fear," "I'm Not Sure," ▌█ █
█ █▐ and the Shadowman duet "The Gun." His first LP, Burning Up, ▌█ █
█ █▐ appeared on Xterminator later in 1995, and he toured ▌█ █
█ █▐ extensively alongside Luciano and Mikey General. Unlike ▌█ █
█ █▐ kindred spirits Capleton and Buju Banton, Sizzla's early ▌█ █
█ █▐ material was culturally oriented right from the start. ▌█ █
█ █▐ ▌█ █
█ █▐ Creatively speaking, Sizzla really came into his own with ▌█ █
█ █▐ the release of his second album, the Burrell-produced ▌█ █
█ █▐ Praise Ye Jah, in 1997. Widely considered one of the top ▌█ █
█ █▐ conscious dancehall albums of its time, Praise Ye Jah was ▌█ █
█ █▐ quickly trumped by the release of the Dixon-produced Black ▌█ █
█ █▐ Woman & Child that same year. The title track was a smash ▌█ █
█ █▐ hit and became something of a cultural reggae anthem. ▌█ █
█ █▐ Sizzla scored several more hits during 1997, including ▌█ █
█ █▐ "Like Mountain," "Babylon Cowboy," "Kings of the Earth," ▌█ █
█ █▐ and the Luciano duet "Build a Better World." This hot ▌█ █
█ █▐ streak kicked off an enormously productive recording binge ▌█ █
█ █▐ that lasted over the next several years, with much of his ▌█ █
█ █▐ output still done for Burrell. ▌█ █
█ █▐ ▌█ █
█ █▐ 1998's Kalonji was issued in the U.S. under the title ▌█ █
█ █▐ Freedom Cry, and featured the successful singles "Love ▌█ █
█ █▐ Amongst My Brethren" and "Rain Shower." No less than three ▌█ █
█ █▐ albums -- Be I Strong, Good Ways, and Royal Son of Ethiopia ▌█ █
█ █▐ -- appeared in 1999, with Be I Strong achieving the highest ▌█ █
█ █▐ profile among them. 2000 brought three more albums: the ▌█ █
█ █▐ double-CD Liberate Yourself (which featured one disc of ▌█ █
█ █▐ Sizzla material and another of his protΘgΘs), Words of Truth ▌█ █
█ █▐ (which featured a bonus live disc), and Bobo Ashanti, a ▌█ █
█ █▐ well-received, highly spiritual set with a stronger hip-hop ▌█ █
█ █▐ flavor. Refusing to slow down, Sizzla issued four more ▌█ █
█ █▐ albums in 2001 -- Black History, Taking Over, Rastafari ▌█ █
█ █▐ Teach I Everything, and Blaze Up the Chalwa -- and often ▌█ █
█ █▐ displayed a harder edge and a willingness to embrace ▌█ █
█ █▐ digital production. That approach changed in 2002, when he ▌█ █
█ █▐ concentrated on softer, mellower, more romantic material, ▌█ █
█ █▐ which dominated that year's albums Ghetto Revolution and Da ▌█ █
█ █▐ Real Thing. Two more albums, Light of My World and Rise to ▌█ █
█ █▐ the Occasion, appeared in 2003. ▌█ █
█ █▐ ▌█ █
█ █▐ Sizzla continues to bring nuff albums an many many singles ▌█ █
█ █▐ featured on tuff riddim sets.. he is already well on the way ▌█ █
█ █▐ to have one of the greatest and productive careers of his era ▌█ █
█ █▐ BIG UP SIZZLA! ▌█ █
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