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Artist : Jon Brion
Album : I Heart Huckabees OST
Tracks : 20
Time : 1:04 hours
Bitrate : 128kbps
Size : 59MB
Label : Milan
Str.date: 10/12/2004
Rip.date: 10/21/2004
Ripper : Team aAF
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Jon Brion has emerged as the most successful of a new
crop of film composers who have strayed from the
independent music flock. Brion boasts a pop aesthetic
honed by his songwriting with The Grays and Jellyfish,
as well as his production work with Aimee Mann and Fiona
Apple, and his buoyant soundscapes-- often bubbling with
enveloping orchestral strokes and theatrical
wall-of-sound presentation-- have, most notably,
contributed to the maudlin grandeur of film directors
P.T. Anderson and Michel Gondry.
A soundtrack is unavoidably linked to the film it
accompanies, and I Heart Huckabees-- a sprawling amalgam
of shambolic character studies and psychobabble centered
on a neurotic environmentalist's relationship with his
"existential detectives"-- is so frantic that most
scenes don't lend themselves to further elaboration.
This might explain why Brion's Huckabees score is more
understated and unobtrusive than most of his work; his
penchant for underscoring quiet intensity is at odds
with the film's series of shouting matches. Brion
unexpectedly falls back on his talents as a
singer/songwriter, composing five new "vocal pop rock"
songs that have little relation to the film itself,
aside from the obligatory closing credits OST tie-in.
Brion's pop songs may have comprised an interesting EP,
but they feel arbitrary and scattered alongside the
film's score. "Revolving Door" and "Get What It's About"
are indebted to Elliott Smith and Aimee Mann's wry,
self-deprecating ballads. The clear highlight is "Knock
Yourself", a brief but enjoyable jangle-pop excursion
accented with Brion's trademark orchestral flourishes.
Brion admits that most of this material was amassed from
pieces he composed years ago, pieces which seemed to
"click" when added to corresponding scenes. However,
much of the soundtrack's material is weaker than his
later work, and several tracks feel like embryonic
versions of future compositions. The film's main theme,
"Monday", derives its power from the same template that
forged Punch-Drunk Love's woozy, lilting waltz. The
piece is the score's strongest and most memorable
instrumental. It gracefully bookends the film and the
album despite intermittent missteps on both fronts, but
it still feels strangely anonymous in the context of
Brion's recent career peaks.
For the most part, Brion manages to subdue his typically
conspicuous arrangements to temper the film's frenzied
momentum. Its bumbling detectives are paired with a
breezy Mancini-esque theme that subtly emphasizes the
Pink Panther slapstick of the detective subplot.
Atmospheric pizzicato strings, liberally applied bell
chimes, and angelic piano glissandos allow tracks like
the ethereal "Cubes", molasses-thick "JB's Blues", and
lounge-y "True to Yourself" to elevate the film's
subjective hyperrealism without seeming overbearing.
Brion has expressed dissatisfaction with most
contemporary film soundtracks, and though his own work
is a veritable antidote to the calculated
emotion-extraction mechanisms of so many Hollywood film
scores, I Heart Huckabees marks the first perceivable
softening of Brion's characteristic audaciousness.
Though he hasn't made any concessions to the trappings
of a standard-issue Hollywood soundtrack-- and the
one-two punch of Punch-Drunk Love and Eternal Sunshine
of the Spotless Mind set a high mark to follow-- Brion's
Huckabees compositions are too often diversionary and
fall prey to stagnation, making this a frequently
inspired but ultimately uneven retread.
-David Moore, October 20th, 2004
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01 Monday 3:11
02 Knock Yourself Out 3:31
03 Strange Bath 1:28
04 Cubes 2:28
05 Didn't Think It Would Turn Out Bad 4:32
06 Coincidences 1:43
07 Over Our Heads 3:41
08 You Learn 3:13
09 Later Monday 3:16
10 Ska 1:49
11 Wouldn't Have It Any Other Way 2:08
12 Huckabees Jingle (50s version) 0:27
13 Revolving Door 6:59
14 JB's Blues 3:15
15 True to Yourself 3:57
16 Didn't Think It Would Turn Out Bad 2:43
17 Strangest Times 3:04
18 Omni 2:26
19 Get What It's About 8:41
20 Monday End Credits 2:27
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▐▓ GROUP iNFORMATION AND NEWS █▌
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aAF was created in Jan 2001 to fill a void left in the scene
by groups who would refuse to release anything but current
year music.paved the way for many groups to follow our lead and opened
up the music scene for all music lovers while took a ton of abuse in
the process.3 years later 13000 albums we proved our point!
check out our tv/svcd/dvdr/divx divisions new for 2004
It's not the Year that Matters it's the Music
aAF Forever
What We're looking for :
ppl who can get promos or pre street rls
ppl who have large cd collections
ppl with skill and experience who feel they can help us
ppl who can supply legal shells or bnc's
ppl who can supply hardware
siteop's who host 100mbit+ 500 gig+ mixed sites for affils
internal sites 10mbit+ 20gigs
Siteop's invite the force to pre 2k4 on your site
Come to the force with us
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░ ░░ ▀██████▓████▓▀ [STILL GOiNG STRONG] ▀███▀
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