Sophie_Milman-Sophie_Milman-2004-OSC

Section
MP3/FLAC
Group
OSC
Size
65,12 MB
Files
12
Date
2004-10-26

NFO

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                                Presents:
                     Sophie Milman - Sophie Milman
            RiPPER..: Team OSC            GENRE......: Jazz
            LABEL...: Linus/Warner        SCENE DATE.: 10/24/2004
            bITRATE.: VBR/44.1Hz          STORE DATE.: 10/12/2004
            ENCODER.: Lame 3.90.3 APS     TRACKS.....: 12
            SiZE....: 65,1 MB             SOURCE.....: CD
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         - TRACKLIST
         01      Agua De Beber                               03:56
         02      I Can't Give You Anything But Love, Baby    03:25
         03      Guilty                                      04:06
         04      My Baby Just Cares for Me                   03:35
         05      Back Home to Me                             03:35
         06      The Man I Love                              05:34
         07      Lonely in New York                          03:17
         08      I Feel Pretty                               04:52
         09      La Vie En Rose                              04:51
         10      My Heart Belongs to Daddy                   04:21
         11      Ochi Cheryne (Dark Eyes)                    02:18
         12      This Time of the Year                       05:01
                                             Total Playtime: 48:51
         - NOTES
         Sophie Milman was born twenty years ago in the Ural
         Mountains in the heart of Russia. Her family suffered
         through many personal hardships, lack of freedoms and
         repression. When the Berlin wall fell making it possible
         for them to leave, the family emigrated, were stripped of
         their Russian citizenship, and settled in Israel with a
         few dollars in their pockets, some Russian paintings,
         boxes of Russian books and some old jazz vinyl records.
         Although very young, memories of Russia, especially of her
         grandfather who was cantor at the their local synagogue,
         and Russian folk songs would have a profound influence on
         her.
         Sophie MilmanÆs formative years were spent growing up in
         Israel. Her first musical stage experience was
         participating in a very childrenÆs show called Festigal
         young singers were featured covering many of the pop
         tunes popular at the time. Thousands of kids were
         auditioned all over the country and ten were chosen. She
         was part of the ten and toured with the show all over
         Israel. Israel has affected me greatly. Life there gave
         me a totally different spin on the world. Once I managed
         to master the language and stopped feeling like an
         outsider, I made some wonderful friends. The endless
         security problem in that part of the world makes people
         very close, strong and intense. A big part of my
         personality, values and social sensibilities were formed
         there.
         Israel is where Sophie started listening to Jazz
         intensively. Mahelia Jackson, Ella Fitzgerald, Louis
         Armstrong, Oscar Peterson, Count Basie, the Platters,
         Stevie Wonder, George Gershwin, Duke Ellington, Ray
         Charles; American music and especially the voices and
         sounds of African American musicians were her favourites.
         The last few years of our stay there were amazing.
         Finally, I was content and felt that I have found my place
         in the world, so to speak. Then, at the age of 15, I found
         out that I had to be uprooted once again.
         The move to Canada was a huge culture shock once again. I
         had already gotten accustomed to Middle Eastern
         temperaments and the Canadian social dynamic was very hard
         to get used to. For the second time in my life I had to
         start over: learn the language (I started in English as a
         Second Language Class) and find a social niche. However,
         it was after my move here, in grade 10 that I could
         finally express my love and appreciation for jazz. Linda
         Kreiner, my music teacher, gave me a solo on the music
         night about a month after the move. From that point on,
         for the rest of high school, I had lived from one music
         night to the other. Music gave me a sense of achievement,
         comfort and turned Canada from a foreign place into home.
         I love Toronto. I love the fact that you can find every
         type of music in this city: Funk, blues, latin, klezmer,
         swing, avant-garde jazz, cabaret and classical music,
         which I also love very much. We have awesome jazz
         musicians, a killer symphonic orchestra and a lovely opera
         company. I love TorontoÆs openness to new styles and
         ideas. It creates such an eclectic and rich musical and
         cultural palette.
         Although Sophie always loved to sing, her professional
         career as a singer came about quite accidentally.
         Someone had told me that a man named Bill King was
         hosting a program called Real Divas at a local club, and
         that I should go in and sing a song. I went, sang a couple
         of songs, and got a great response from the crowd. Bill
         was very nice and asked me to come back the following
         week. A few days later, he called me and told me he wanted
         to book me for a gig. The week following my first gig,
         Bill took me to perform on City TVÆs Breakfast Television
         and got me to sing at the release of the real Diva CD that
         same night, which was fabulous. It snowballed from there.
         TVO did a piece on me. Two gigs later Geoff Kulawick from
         Linus Entertainment came down to hear me sing, liked what
         he heard and offered me a recording contract.
         Plans for recording were started, with Bill King producing
         eight songs, and Danny Greenspoon four.
         We had just picked out the songs and I had a rehearsal
         with Bill King at his house a few days before the first
         recording session. When I walked into Inception Sound
         Studio, Bill was already there. So were Pat Labarbera, Rig
         Schwagger, Davide DiRenzo. All these fabulous players and
         I wasnÆt sure if I was going to measure up. But everyone
         really put me at ease. Bill's arrangements were beautiful,
         the guys played their hearts out. It was wonderful working
         with Bill. Not only is he a monster player and producer,
         but heÆs also extremely supportive and encouraging of
         young artists. Over the past few years, he has become my
         musical parent: he was the one who discovered me and gave
         me my first "break".....musically, he probably knows me
         better than anyone else, and it was an honour to have him
         produce this album.
         Danny Greenspoon was fabulous. We decided to take a
         different, funkier approach on the songs that he produced.
         It was on these sessions that I started realizing what it
         is I want as a singer. My voice control improved
         immensely, as well as my ability to use a variety of
         colours and textures in my singing. Danny came up with
         some beautiful arrangements, and also used amazing players
         , including John Sheard, Artie Roth, Guido Basso, Rob
         Pilch, Phil Dwyer, Marc Rogers , Alan Hetherington, and
         Steve McDade. At this point, I was no longer intimidated,
         but was eager to learn anything I could from these
         incredible musicians. Working with such fantastic
         producers and musicians was inspiring, and I feel I've
         grown both as an artist and as a person."
         The songs on the album include popular standards,
         undiscovered jazz gems, and original contemporary
         compositions that were selected by Sophie and the
         Executive Producer for the Linus label, Geoff Kulawick,
         along with the album producers.
         I recorded Agua De Beber because I love the sound and
         feel of the Brazilian samba. The simple sounds, the
         beautiful melodies and the rhythm totally appealed to me.
         Guilty, originally recorded by Billie Holiday, is a
         timeless song about unrequited love. You can hear the
         heartbreak and the hurt in the chord changes and the
         lyrics. La Vie en Rose is the quintessential love song.
         One really does see life through rose coloured spectacles
         when in love. I recorded this song out of respect for this
         innocent concept of love, out of my love for Edith Piaf
         and everything she represents and out of my lifelong
         passion for anything French. Back Home to Me is a new
         original song by two UK based songwriters that my
         Executive Producer presented to me. Danny arranged the
         song beautifully. I was always fascinated by how you can
         get a glimpse of the vulnerability and sensitivity of a
         relationship through a song. GershwinÆs The Man I Love is
         one of my favourite songs of all time. It represents the
         waiting, searching and yearning for that one relationship.
         CanÆt beat a Gershwin. In its original and standard
         interpretation I never liked I Feel Pretty, because it
         seemed to me very presumptuous. Then I heard Sarah Vaughan
         and the song made sense to me. For me, it represents the
         high of infatuation and my happiness at being able to
         sing. I recorded Ochi Chernye, as homage to my
         birthplace.
         Sophie has spent the past few months performing in
         Toronto, Ontario at the Beaches Jazz Festival, fundraisers
         for Covenant House, Hart House, and the National Ballet,
         and packing them in every second Tuesday Night at the Diva
         Series at the Potato Blues Supper Club, building a devout
         following. In her third year of studying Commerce at the
         University of Toronto, Sophie will be performing in clubs
         and festivals across Canada next summer. Her debut
         self-titled album will be released through Linus
         Entertainment thru Warner Music in Canada on Tuesday,
         October 12th.
         http://www.sophiemilman.com
         Another Quality Release from OSC!!
         Enjoy!!
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         -NEWS
         OSC is still holding it down after more than 2 years in
         tha scene. Our dedication to bringing you the best in
         ol skool classics is, and always will be, our driving
         force. Quality over quantity.
         "It's all about the music, fuck the other ish." - OSC
         Because of this motto we strive to continue bringing you
         releases in the highest possible quality, whether it be
         urban, house, latin or any other genre.
                     ASCII BY CACIQ^ACL #ascii.cl




Files

PathSize
01-sophie_milman-agua_de_beber-osc.mp35,96 MB
02-sophie_milman-i_cant_give_you_anything_but_love_baby-osc.mp34,68 MB
03-sophie_milman-guilty-osc.mp35,21 MB
04-sophie_milman-my_baby_just_cares_for_me-osc.mp34,87 MB
05-sophie_milman-back_home_to_me-osc.mp34,67 MB
06-sophie_milman-the_man_i_love-osc.mp37,03 MB
07-sophie_milman-lonely_in_new_york-osc.mp34,24 MB
08-sophie_milman-i_feel_pretty-osc.mp35,97 MB
09-sophie_milman-la_vie_en_rose-osc.mp36,05 MB
10-sophie_milman-my_heart_belongs_to_daddy-osc.mp36,96 MB
11-sophie_milman-ochi_cheryne_(dark_eyes)-osc.mp33,08 MB
12-sophie_milman-this_time_of_the_year-osc.mp36,40 MB