Dean_Roberts-And_The_Black_Moths_Play_The_Grand_Cinema-CD-2004-1REAL

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MP3/FLAC
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1REAL
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61,15 MB
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2
Date
2004-10-27

NFO

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     ░  Dean Roberts - And The Black Moths Play The Grand C

        RIPPER...: Team 1REAL     GRABBER..: EAC
        RIP DATE.: 24.10.2004     QUALITY..: VBRkbps/44.1kHz
        ENCODER..: 3.90.3         GENRE....: Ambient
        SOURCE...: Satellite      YEAR.....: 2004
        TRACKS...: 01             LABEL....: n/a
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        Dean Roberts - And The Black Moths Play The
        Grand Cinema

        Slow, pensive, immaterial: those are the words
        coming to mind when listening to And the Black
        Moths Play the Grand Cinema. First released by
        Ritornell in 2000 and reissued by Staubgold
        four years later, this album consists of a
        single anti-epic 40-minute piece. Dean Roberts'
        guitar provides the backbone of the piece, but
        all around it instruments come in and out, move
        about, disappear on the threshold of
        audibility, and then trade places with one
        another. Percussion (mostly hi-hats, a favorite
        apparatus in Roberts' set-up), piano, viola,
        organ, harmonium, cello, bass and various forms
        of analog and digital processing shape the
        delicate textures and evanescent grooves of the
        album. Whenever singing is involved (three or
        four times over the course of the set,
        sometimes in very short bursts), Roberts
        delivers his lyrics in a murmur, as if he was
        aiming for the ghost of a song format.
        Supporting Roberts are Tim Barnes, Charles
        Curtis and Matt Valentine. Curtis' cello is the
        easiest contribution to pinpoint, his creative
        textural playing providing highlights at
        various points throughout the piece. The
        artwork lists seven titles, but these are
        barely indications, as the piece itself is
        presented in a continuous flow, without even
        movements being detectable. The trading of
        hi-hats between Barnes and Roberts and the very
        discreet role of Barnes' drumming keep the
        piece in a state of quiet indecision and
        stasis, while the other instruments clearly
        indicate a strong level of planning and
        songwriting. But this songwriting has the piece
        slowly revolving around the listener without
        taking him or her someplace else. It exists and
        it lingers, ever-refining its textures but
        never expanding on its initial proposal - "The
        Fake and Detached," after which everything has
        been said and done. This opener is also the
        closest we get to a bona fide song. And the
        Black Moths Play the Grand Cinema offers a
        mesmerizing listen and establishes a very
        singular atmosphere, but it is as if the music
        comes from another plane of existence and is
        refusing to materialize (or is prevented from
        materializing) into our plane - which will be
        frustrating to some listeners.



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      01. And The Black Moths Play The Grand      40:44
          Cinema
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                                      TOTAL TIME  40:44 min                                     TOTAL SIZE  61,1 MB
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    ░  1REAL   /1-REE-ILL/
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Files

PathSize
01-dean_roberts-and_the_black_moths_play_the_grand_cinema-1real.cue690 B
01-dean_roberts-and_the_black_moths_play_the_grand_cinema-1real.mp361,15 MB