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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Gov't Mule
Album : Sco-Mule
Label : Evil Teen Records
Genre : Rock
Street Date : 2015-01-27
Quality : 266 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 307.47MB
Time : 153:46min
Url : http://www.amazon.com/Sco-Mule-Govt-Mule/dp/B00QKMCQNG/
[Tracks]
Disc 1/2
1. Hottentot 11:06
2. Tom Thumb 11:06
3. Doing It To Death 12:08
4. Birth Of The Ule 15:34
5. Sco-Mule 9:16
6. Kind Of Bird 18:13
Disc 2/2
1. Pass The Peas 10:20
2. Devil Likes It Slow 13:02
3. Hottentot (Alternate Version) 11:40
4. Kind Of Bird (Alternate Version) 18:18
5. Afro Blue 23:03
[Notes]
Of the many shows that Gov't Mule's faithful fans have clamored to have
officially released, this is among the most deeply desired. These tapes on
double disc were culled from a pair of December 1999 gigs in Georgia where
the trio -- guitarist Warren Haynes, bassist Allen Woody, and drummer Matt
Abts -- invited ace jazz guitarist John Scofield and keyboardist Dr. Dan
Matrazzo to sit in. They were originally intended for release as a live
album, but due to Woody's premature death a couple of months later, they
were shelved. These shows mark the very first on-stage meetings between
Scofield and Haynes, who've played together many times since. Scofield's
"Hottentot" opens it all on a groove-laden tip. Abts lays down that taut
snare and hi-hat with cracking breaks as the two guitarists state the theme
in unison. It unfolds in relaxed fashion and the frontmen really talk to
each other over and through the vamp. And though it gets things cooking, it
doesn't prepare the listener for the first of two versions of Wayne
Shorter's "Tom Thumb," set into motion with a breezy Latin groove. It's a
tad faster and looser than the composer's, but far from sloppy. Despite the
stellar melodic interplay by the guitarists, this piece is a stunning
showcase for Woody's bass playing. His sense of time, elastic swing, and
feel was singular among rock musicians who came after Jack Bruce. Sco's solo
is full of striking arpeggios while Haynes' is bluesier, edgier. Both set up
wonderful chord voicings for one another throughout. Jam fans will flip for
the covers of James Brown's "Doing It to Death" (which begins with a short
free-form intro) on the first disc and "Pass the Peas," which opens the
second. They both bring the funk hot and heavy. Roiling and ratcheting the
intensity, the rhythm section really shines on both tunes and Matrazzo's
organ and piano solos on the former are his best here. Haynes' title track
is a vehicle for the band to dig into its love for greasy yet progressive
soul-jazz. Another Woody highlight (though the guitarists are mind-melting
together and separately) is the Haynes-Dickey Betts tune "Kind of Bird," a
knotty showcase for the inspiration of hard bop in the development of both
men and Sco. The latter swings like mad, but Haynes is easily as fluid. Both
swagger and strut, adding healthy doses of blues to the syncopated rhythms.
The closer is a staggering 23-minute reading of Mongo Santamaria's "Afro
Blue" that weaves elements of Betts' "In Memory of Elizabeth Reed" and
searing psychedelia into its labyrinthine mix. (Mike Barnes guests as a
third guitarist on the track.) Sco-Mule is high-flying musical collaboration
at its very best. Inspired, in the cut, wildly creative, and sprawling, this
is the evidence that these cats brought everything to the stage in these
shows.