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▓▄██ ██▄▓
▓█▀▄▄ Artist : Gov't Mule ▄▄▀█▓
▐▓▌▐█▌ Album : Sco-Mule ▐█▌▓▌
▐▀▄██ Label : Evil Teen Records ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2015-01-27 ██▀▄▌
▐▓▌▐█▌ Quality : 970 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.2.1 ▀▀▄█▓
▓███ Size : 1117.89 MB ███▓
▀ ▀█▌ Time : 153:46min ▐█▀ ▀
▓▄███ Url : http://www.amazon.com/Sco-Mule-Govt-Mule/dp/B00QK ███▄▓
▐▓████▌ MCQNG/ ▐████▓▌
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▄██▀ ▀██▄
██▌ Disc 1/2 ▐██
██▌ ▐██
██▌ 1. Hottentot 11:06 ▐██
██▌ 2. Tom Thumb 11:06 ▐██
██▌ 3. Doing It To Death 12:08 ▐██
██▌ 4. Birth Of The Ule 15:34 ▐██
██▌ 5. Sco-Mule 9:16 ▐██
██▌ 6. Kind Of Bird 18:13 ▐██
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██▌ Disc 2/2 ▐██
██▌ ▐██
██▌ 1. Pass The Peas 10:20 ▐██
██▌ 2. Devil Likes It Slow 13:02 ▐██
██▌ 3. Hottentot (Alternate Version) 11:40 ▐██
██▌ 4. Kind Of Bird (Alternate Version) 18:18 ▐██
██▌ 5. Afro Blue 23:03 ▐██
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████ Of the many shows that Gov't Mule's faithful fans have clamored ████
████ to have officially released, this is among the most deeply ████
████ desired. These tapes on double disc were culled from a pair of ████
████ December 1999 gigs in Georgia where the trio -- guitarist Warren ████
████ Haynes, bassist Allen Woody, and drummer Matt Abts -- invited ace ████
████ jazz guitarist John Scofield and keyboardist Dr. Dan Matrazzo to ████
████ sit in. They were originally intended for release as a live ████
████ album, but due to Woody's premature death a couple of months ████
████ later, they were shelved. These shows mark the very first ████
████ on-stage meetings between Scofield and Haynes, who've played ████
████ together many times since. Scofield's "Hottentot" opens it all on ████
████ a groove-laden tip. Abts lays down that taut snare and hi-hat ████
████ with cracking breaks as the two guitarists state the theme in ████
████ unison. It unfolds in relaxed fashion and the frontmen really ████
████ talk to each other over and through the vamp. And though it gets ████
████ things cooking, it doesn't prepare the listener for the first of ████
████ two versions of Wayne Shorter's "Tom Thumb," set into motion with ████
████ a breezy Latin groove. It's a tad faster and looser than the ████
████ composer's, but far from sloppy. Despite the stellar melodic ████
████ interplay by the guitarists, this piece is a stunning showcase ████
████ for Woody's bass playing. His sense of time, elastic swing, and ████
████ feel was singular among rock musicians who came after Jack Bruce. ████
████ Sco's solo is full of striking arpeggios while Haynes' is ████
████ bluesier, edgier. Both set up wonderful chord voicings for one ████
████ another throughout. Jam fans will flip for the covers of James ████
████ Brown's "Doing It to Death" (which begins with a short free-form ████
████ intro) on the first disc and "Pass the Peas," which opens the ████
████ second. They both bring the funk hot and heavy. Roiling and ████
████ ratcheting the intensity, the rhythm section really shines on ████
████ both tunes and Matrazzo's organ and piano solos on the former are ████
████ his best here. Haynes' title track is a vehicle for the band to ████
████ dig into its love for greasy yet progressive soul-jazz. Another ████
████ Woody highlight (though the guitarists are mind-melting together ████
████ and separately) is the Haynes-Dickey Betts tune "Kind of Bird," a ████
████ knotty showcase for the inspiration of hard bop in the ████
████ development of both men and Sco. The latter swings like mad, but ████
████ Haynes is easily as fluid. Both swagger and strut, adding healthy ████
████ doses of blues to the syncopated rhythms. The closer is a ████
████ staggering 23-minute reading of Mongo Santamaria's "Afro Blue" ████
████ that weaves elements of Betts' "In Memory of Elizabeth Reed" and ████
████ searing psychedelia into its labyrinthine mix. (Mike Barnes ████
████ guests as a third guitarist on the track.) Sco-Mule is ████
████ high-flying musical collaboration at its very best. Inspired, in ████
████ the cut, wildly creative, and sprawling, this is the evidence ████
████ that these cats brought everything to the stage in these shows. ████
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