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█ - d e e p h o u s e -
29.01.2015
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artist : Pantha Du Prince
title . Black Noise
type : Album
year . 2010
genre : Electronic
subgenre . Tech House / Minimal
label : Rough Trade
cat . RTRADCD544
URL : http://www.panthaduprince.com
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grabber : EAC
encoder . FLAC 1.21a
quality : 786kbps / 44.1Khz / Stereo
source . CDDA
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01.Lay In A Shimmer 06:38
02.Abglanz 06:04
03.The Splendour 06:00
04.Stick To My Side 07:51
05.A Nomads Retreat 06:41
06.Satellite Snyper 05:29
07.Behind The Stars 06:51
08.Bohemian Forest 07:24
09.Welt Am Draht 07:11
10.Im Bann 03:26
11.Es Schneit 06:46
70:21 min 398.74 MB
·∙∙∙·[comments]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·∙·
In 2007, This Bliss, German producer Pantha du PrinceÆs exquisite
second album, stood out in what had become an increasingly sterile
minimal house scene. In the time itÆs taken follow-up Black Noise to
arrive, minimal has ceded its throne to deep house as the dominant
underground style, the record store racks groaning under the weight of
tunes smothered in congas, organs, and all too many spoken-word
reminders that what youÆre listening to, in case you werenÆt really
sure, is æhouse musicÆ.
None of which need bother Hendrik Weber, aka Pantha du Prince, who
might have ascended during the minimal era but was clearly never
attached to its coattails. His gift for generating heavily melodic
mazes of sound, which remains intact on Black Noise, makes that
certain. But the new album offers a different kind of experience to
its predecessor. Whereas This Bliss was an immersive experience, its
tracks almost operating as discrete movements in a totalised whole,
Black Noise explores its different moods and textures in a more
compartmentalised way.
The flickering glockenspiel tones and pattering beat of Lay in a
Shimmer, as well as the growling bass and descending marimba melody of
Abglanz, provide a bridge from This Bliss. Things take a significantly
different turn with Stick to My Side, however, as Animal CollectiveÆs
Noah Lennox, aka Panda Bear, delivers a plaintive vocal that works
itself into a joyous loop above bumping analogue bass pulses.
After this striking highlight Black Noise glides into a slight lull
that persists through the Underworld-like fidget of Satellite Snyper
and the disappointingly anonymous electro house of Behind the Stars,
which shows that when Weber promotes rhythm ahead of melody the effect
can be underwhelming.
ItÆs with the albumÆs final trio that things return to the high
standard of the first half. The vocal sighs, lush pads and subtle
guitar elements of Welt am Draht contrast beautifully with the trackÆs
spare, relentless rhythm, while the guitar sticks around for the brief
strummed enchantment of Im Bann. Closing with the dizzying
tintinnabulation of Es Schneit, a gentler cousin to SchillerÆs 1999
progressive house monster Ruhe, Black Noise ends, fittingly, in the
transporting, romantic mode it attains for an impressive proportion of
its length.
enjoy!
remember to support artists.
·∙∙∙·[respect]∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··
shoutouts to the groups that love the music they promote..
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If you're down with the deep house music, music with feeling..
music that makes you groove no matter where you are.. and you
think you can add to this feeling.. then drop us a line d_h@zmail.com
keep the feeling real. .∙· d e e p h o u s e 2 0 1 5 ·∙.
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