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▐▌ The Modern Jazz Quartet - Django ▐▌
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▄██▀ ▀██▄
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▀▓█▄ ARTiST...: The Modern Jazz Quartet ▄▓█▀
▀█▄▄ ALBUM....: Django ▄▄█▀
▄▀ ▄ LABEL....: Prestige Records PRSA-7057-6 ▄ ▀▄
▀▓██▄ GENRE....: Jazz ▄▓██▀
▐███▌ MEDiA....: CDDA ▐███▌
▄▓███▀ RELEASED.: Oct-27-2004 ▀▓███▄
▄████▀ SiZE.....: 35,2 MB ▀████▄
▄▓██▓▀ LENGTH...: 38:51 min ▀████▄
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██▌ ▐██
██▌ Tracks: ▐██
██▌ ▐██
██▌ 01 Django 07:06 ▐██
██▌ 02 One Bass Hit 03:02 ▐██
██▌ 03 La Ronde Suite (Piano, Bass, Vibes, Drums) 09:34 ▐██
██▌ 04 The Queen's Fancy 03:16 ▐██
██▌ 05 Delaunay's Dilemma 04:01 ▐██
██▌ 06 Autumn In New York 03:43 ▐██
██▌ 07 But Not For Me 03:46 ▐██
██▌ 08 Milano 04:23 ▐██
██▌ ▐██
██▌ --------- ▐██
██▌ 38:51 min ▐██
██▌ ▐██
██▌ Notes: ▐██
██▌ ▐██
██▌ For the Nukers: ▐██
██▌ ▐██
██▌ this is an new 2004 remastered SACD: ▐██
██▌ ▐██
██▌ "On the SACD extremely quite passages retain ▐██
██▌ their clarity and realism whereas on the xrcd ▐██
██▌ they tend to recede unnaturally into the ▐██
██▌ background." ▐██
██▌ ▐██
██▌ This album, recorded in l953 thru 1955, was one of the ▐██
██▌ first for the long-running leaderless chamber jazz ▐██
██▌ quartet and has remained one of their most popular. ▐██
██▌ Rudy Van Gelder engineered and no one should ▐██
██▌ miss that it isnÆt in stereo. It introduced jazz fans ▐██
██▌ to one of pianist John LewisÆ finest compositions ▐██
██▌ - the title tune inspired by guitarist Django Reinhardt. ▐██
██▌ As with many of their pieces, it reflected LewisÆ interest ▐██
██▌ in Bach and music of the Italian Renaissance. Two ▐██
██▌ numbers of the eight here came from film scores which ▐██
██▌ Lewis wrote - both independently and with the MJQ. ▐██
██▌ ▐██
██▌ Six years ago JVC issued this jazz classic on xrcd, ▐██
██▌ so it was a natural to set up an A/B comparison. ▐██
██▌ The balance between the instruments was entirely ▐██
██▌ different on the two different formats - which was ▐██
██▌ something of a surprise. Percy HeathÆs acoustic ▐██
██▌ bass sounded gigantic on the xrcd, LewisÆ piano ▐██
██▌ sounded more in the background, and Milt JacksonÆs ▐██
██▌ vibes came across cleanly but with a bit of a ôthudö ▐██
██▌ timbre about them. The SACD has not quite as ▐██
██▌ emphatic a string bass sound, but the the instrument ▐██
██▌ is of a much more realistic and natural physical size ▐██
██▌ and it is better balanced with the other three instruments. ▐██
██▌ Decay and ambience of the piano sound is audible for ▐██
██▌ the first time and the piano is moved more to the ▐██
██▌ foreground with a cleaner sound to it. A more metallic ▐██
██▌ timbre is heard from the vibes, replacing the thuddy ▐██
██▌ sort of sound of the xrcd. On the SACD extremely ▐██
██▌ quite passages retain their clarity and realism whereas ▐██
██▌ on the xrcd they tend to recede unnaturally into the ▐██
██▌ background. Tracks: Django, One Bass Hit, La Ronde ▐██
██▌ Suite, The QueenÆs Fancy, DelaunayÆs Dilemma, ▐██
██▌ Autumn in New York, But Not for Me, Milano ▐██
██▌ ▐██
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O\\|__________________/ 10-28-2004 at 00:07:39
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