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▐▌ Anne Laplantine - Dicipline ▐▌
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▄██▀ ▀██▄
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▀▓█▄ ARTiST...: Anne Laplantine ▄▓█▀
▀█▄▄ ALBUM....: Dicipline ▄▄█▀
▄▀ ▄ LABEL....: emphase / hausmusik ▄ ▀▄
▀▓██▄ GENRE....: Electronic ▄▓██▀
▐███▌ MEDiA....: CDDA ▐███▌
▄▓███▀ RELEASED.: May-09-2004 ▀▓███▄
▄████▀ SiZE.....: 36,5 MB ▀████▄
▄▓██▓▀ LENGTH...: 27:10 min ▀████▄
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██▌ ▐██
██▌ Tracks: ▐██
██▌ ▐██
██▌ 01 Dicipline 1 03:04 ▐██
██▌ 02 Dicipline 2 03:25 ▐██
██▌ 03 Dicipline 3 01:57 ▐██
██▌ 04 Dicipline 4 02:46 ▐██
██▌ 05 Dicipline 5 01:48 ▐██
██▌ 06 Dicipline 6 03:29 ▐██
██▌ 07 Dicipline 7 02:17 ▐██
██▌ 08 Dicipline 8 04:03 ▐██
██▌ 09 Dicipline 9 01:44 ▐██
██▌ 10 Dicipline 10 02:37 ▐██
██▌ ▐██
██▌ --------- ▐██
██▌ 27:10 min ▐██
██▌ ▐██
██▌ Notes: ▐██
██▌ ▐██
██▌ ANNE LAPLANTINE, native Frenchwoman and citizen of Berlin by ▐██
██▌ choice, belongs to the rare species of musicians who speak a ▐██
██▌ unique musical language. We even venture to claim that it's a new ▐██
██▌ language in the field of electronic pop music. And pop music is ▐██
██▌ what we're hearing on dicipline - except that it's got nothing in ▐██
██▌ common with the usual track-format and typical electronica. ▐██
██▌ Concerning structure and composition, Anne Laplantine's music ▐██
██▌ owes more to the baroque fugue than to the track. In addition to ▐██
██▌ that, her sound is also very un-electronic, because Laplantine ▐██
██▌ uses all kinds of acoustic instruments as sources for her sounds: ▐██
██▌ flute, guitar, bass, glockenspiel and melodica to name but a few. ▐██
██▌ Despite all of its complexity and multi-dimensionality, dicipline ▐██
██▌ sounds light and dreamy, ephemeral yet inescapable and ▐██
██▌ compelling. Hearing this album is the aural equivalent of letting ▐██
██▌ run sand through your fingers. None of these beautiful moments ▐██
██▌ can be held onto, the music is always on the move. Laplantine ▐██
██▌ refrains from repetitions in the sense of ▐██
██▌ 'theme-variation-theme', but makes her music follow the dictate ▐██
██▌ of transitoriness. The artist gives the individual instruments ▐██
██▌ and their sounds much space and thus develops a dense and ▐██
██▌ colourful tapestry of melody and rhythm. By doing so, she in a ▐██
██▌ playful way refers to a series of 7" on emphase records, the ▐██
██▌ tracks on which have been played (or rather 'generated') on one ▐██
██▌ instrument solely (emphasolo). With limitation as the motor of ▐██
██▌ her music, Laplantine develops a music of incredible harmonic ▐██
██▌ density and with a totally individual sound-aesthetic. Despite ▐██
██▌ its being all but a 'fat' production, dicipline is an incredibly ▐██
██▌ powerful production û you simply can't not listen to it! ▐██
██▌ ▐██
██▌ Over the years, Anne Laplantine has deliberately confused her ▐██
██▌ audience by recording for different labels ▐██
██▌ under many different guises: As MICHIKO KUSAKI she had a release ▐██
██▌ on the Vienna-based "Angelika ▐██
██▌ K÷hlermann"-label, for "Tomlab" she recorded as ANGELIKA ▐██
██▌ K╓HLERMANN and ANNE HAMBURG. The list of releases and tracks she ▐██
██▌ put out under her given name is already awe-inspiring. ▐██
██▌ ▐██
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▀▄ ▀ Group News ▀ ▄▀
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O\\|__________________/ 05-11-2004 at 20:43:05
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