░
▒ ▄█
▀ ▀▀▀▀▀▀▀▀▀▀████ ▓ ▄ ▀▀▀ ▄▀ █▀▀▀▀▀▀▀▀▀█████▀ ▀
░ ░ ░░ █▓▓█ █ ▄ ▄▀ █ ░ ░ ░░ █▓▓█▌
▒ ▒ ░░ ████ █ ▄ ▀▄▀ ▄█ █ ▒ ▒ ░░ ████
▓ ▓ ░░ █ █▀▄ ▄▀ █ █ ▓ ▓ ▀
█░░█ ░░░░░░░ █░░█ ▀ █ █ █░░█ ▀▀▀▀▀▀▀▀█
░▒▓██████████▓▒░ █▒▒█ ░░ █▒▒█ ░░░░ █ █ █▒▒█ ░░ ░ ░ █ ░▒▓████████████▓▒░
▄▄▄▄ ▄ ▄ ▄▄▄ █▓▓█ ░░ ████ █▓▓█ ░░░░ ▓ █ █▓▓█ ░░ ▒ ▒ ▌
▓█ ▓█ ██ ▓█ ████ ░░ ███▀ ████ ░░░ ▒ █ ████ ░░ ▓░░▓ ▄█▀▀▓██▄ ▄█▄ ▓ █▐█▀▄
▒█ ▒█▀██ ▒█▀ ▀███▌ ░ ▀ ████ ░░ ░ █ ▀███▌ ░ █▒▒█ ▓█ ▄▒█▄▀ ▀ █▌▒ █▐▓▄▀
░▀ ░▀ █ ▀█▄█▄ ▀███▄ ▄▀▀▀▄ ▀██ ░ ▓ ▀███▄ █▓▓█ ▒█ █░█ ██ █▌░ █▌▒
░ ▀▀▀▀ █▄ █ ▒ ▀▀▀▀▀▀▀▀ ▀▀█ ▀ █ ▄▀▀ ▀▀ ░
▓█▀▀ ▄▀▄ ░ █▌█▄▐ ▄ ▄█▀ ▀ ▓▄ ░ ▄▀▄▀█ ░ █▌▄▀██ ▀ ▄ ▄
░▒▓████████▓▒░ ▒█ ▓█ █▌▒ █▌▓█▀▄█▐▓ ▄▓ ▒█ ▓█ ▀ █ ▒ █▌▀▄ ▓▐█ ░░ roy ░▒░
░█▌ ▀█ █ ▓ █▌▒█ █▐▒ █▒ ░█ ▒█ █ ▓ █▌ ▓█ ▒▐█ ▄ (sac)
▀▀ ▀ ▀▀ ░█ █ ▀▀▀ ░ ▀▀▀ ░▀ ▀ ▀▀ ▀▀▀ ░ ▀▀▀
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄
█░█
█▓█ General Info :
█▓█ Title .........: Symphonic Works (Conducted by Castagna; Wuerttembergische
█▓█ Philharmonie) - Tangazo; Tres Movimientos Tangusticos
█▓█ Portenos; Milonga del Angel; Sinfonietta
█▓█ Artist ........: Astor Piazzolla
█▓█ Music Style ...: Tango
█▓█ Type ..........: Album
█▓█ Release Date ..: Sep-18-2003
█▓█
█▓█ Used Tools :
█▓█ Grabber .......: Eac
█▓█ Encoder .......: Lame
█▓█
█▓█ Additional Info:
█▓█ Source ........: CDDA
█▓█ No. Of Songs ..: 08
█▓█ Size ..........: 78,6 MB
█▓█ Playtime ......: 57:10 min
█▓█ Label .........: Chandos (CODAEX)
█▓█ Quality .......: 192kbps / 44.1kHz / HQ / Full Stereo
█░█
▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀
█▄ ░ ▀▀▀▀█▄▀▀▀▀█▄▀▀▀▀██▀ █▄ ██ ▄█▀██▀ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░
▐ ██▄ ██▄█▀ ▄█ ██ ▄█ ▀ ██▄█▀ ▀█▄▄ ░▒▓████████████████████████████████▓▒░ ░
▐ ██ ▄█ ██ ██ ██▀██ ██ ▄ ██ ██ ▄ ██ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░
█ ▀█▄██ █▀ ▀█ █▀ ▀█ ▀█▄██▄ ██ ▀█ ██▄█▀ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄
█ ▄
█░█
█▒█
█▓█ 01 ::: Lento - Allegro - Lento - Allegro - Mas ::: 14:32
█▓█ 02 ::: Tango Nr.1 Allegretto - Meno Mosso E ::: 07:10
█▓█ 03 ::: Tango Nr.2 Moderato - Poco Piu Mosso ::: 08:33
█▓█ 04 ::: Tango Nr.3 Vivace (Fuga) ::: 04:28
█▓█ 05 ::: Milonga Del Angel ::: 06:44
█▓█ 06 ::: Dramatico Allegro Marcato, Un Poco ::: 05:41
█▓█ 07 ::: Sobrio Andatino - Poco Piu Mosso ::: 06:11
█▓█ 08 ::: Jubiloso Vivace ::: 03:51
█▒█
█░█
▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀
██▀█▄ ▄█▀█▄ █▄ ░ ▀▀▀▀█▀ ▄█▀██▀ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░
▐ ██ ██ ██ ██ ██▄ ▄█▄ ░ ▀█▄▄ ░▒▓██████████████████████████████████████▓▒░ ░
▐ ██ ██ ██ ██ ██ ▄█ ██ ▄ ▄ ██ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░
█ █▀ ▀█ ▀█▄█▀ ▀█▄██ ▀█▄██▄ ██▄█▀ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄
█ ▄
█░█
█▒█
█▓█ Since the death of Astor Piazzolla in 1992, the popularity of his music
█▓█ has increased exponentially, and his works continue to appear on disc in
█▓█ countless arrangements for all manner of instrumental forces.
█▓█ This recognition of the very special talent of one of the finest composers
█▓█ to have emerged from Latin America is well deserved - Piazzolla's melodic
█▓█ and harmonic gifts have an expressive potency all their own - but the way
█▓█ in which this burgeoning popularity has sometimes ridden rough-shod over
█▓█ the fine distinctions within his output is less welcome.
█▓█
█▓█ Piazzolla is credited with the reinvention of the tango, the century-old
█▓█ dance form endemic to Spanish-speaking America in general and to his
█▓█ native Argentina in particular, and, from the late-1950s onwards, for
█▓█ finding a new audience for that music.
█▓█
█▓█ But what is so fascinating about Piazzolla's development is the way that,
█▓█ from the start of his career, he straddled both art-music and dance
█▓█ cultures.
█▓█
█▓█ As a child he learnt to play the bandoneon, the special Latin form of the
█▓█ accordion, and from the age of 17 was a sought-after member of many of the
█▓█ leading tango bands in Buenos Aires.
█▓█
█▓█ His idol as a teenager was the great Argentinian songwriter Carlos Gardel,
█▓█ but he was fascinated by the the classical tradition too, and by Bach
█▓█ especially, and so took composition lessons with Alberto Ginastera, who
█▓█ introduced him to the music of Stravinsky and Bartok.
█▓█
█▓█ Piazzolla then won a scholarship to go to Paris to study with Nadia
█▓█ Boulanger, taking with him a whole portfolio of worthy orchestral pieces.
█▓█ It was Boulanger though who, belying her historical image as a hardline
█▓█ neoclassicist, recognised that Piazzolla's real gifts were very special
█▓█ and unclassifiable, and suggested that he return home to discover what the
█▓█ tango could offer.
█▓█
█▓█ The rest, as they say, is history: with his harmonic and rhythmic
█▓█ sophistication, Piazzolla revived a dance form that was dying on its feet,
█▓█ and with his own band, which went through numerous incarnations but always
█▓█ spotlighted its leader's acerbic bandoneon, he spread the gospel of tango
█▓█ nuevo around the world.
█▓█
█▓█ Yet he never quite cut his links with the concert hall; he continued to
█▓█ compose orchestral pieces and this very decently played collection is that
█▓█ rare thing nowadays, a Piazzolla disc in which everything is heard exactly
█▓█ as it was written, even if Milonga del Angel is the composer's own hazily
█▓█ sensuous orchestration of a piece that he first made famous with his
█▓█ sextet.
█▓█
█▓█ The roots of Piazzolla's "classical" style are clear in the Bartokian
█▓█ opening of the 1969 Tangazo, a set of variations in which he also finds
█▓█ ingenious orchestral equivalents for the spiky dissonances that
█▓█ characterised his own bandoneon playing.
█▓█
█▓█ In the set of three tangos he called Tres Movimientos Tanguisticos
█▓█ Portenos (1961), the treatment of the infinitely suggestive themes has a
█▓█ Stravinskian tang, while the Sinfonietta was one of the pieces Piazzolla
█▓█ took with him to Paris.
█▓█
█▓█ It's a bit too close to the music of his teacher Ginastera for my taste,
█▓█ but still fascinating as the starting point for a music that was to become
█▓█ so pungently personal.
█▓█
█▒█
█░█
▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀
.-. .-.
'=(0.0)='_ARRRG!!_File_Got_Mugged_By_PiRaTES_At_The_Treasure_Island_'=(0.0)='
.='|m|'=. .='|m|'=.