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▄▀██▀ B O S S L I V E I S P R O U D T O P R E S E N T ▀▄█▀█▄
▄▀██░ ------------------------------------------------------------ ▐███▀
▀▄█▄ artist : Hybrid ██▌▄
░█▄▀▄ show : Live at Club Eleven50 ░██▀▄
▄▀██▀ club : Eleven50 ▄▀▄▀▀
▄▀██░ genre : Beat size : 82,5 MB ▀█▀▄
▀██ quality : 192/44.1khz/Full Stereo setdate : 08/28/2004 ██▀█
▀██ source : CD-R ripdate : 10/27/2004 ██▀█
█ █ ▄▀██▀
▄▀ ▄ █▀▀▀▀▀▀▀▀▀▀▀▀▀▀██▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█ ▄▀██
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█▀█▀▄▀ █ ▀▄ ▄ ▀▀▀ ▀▀ ▀▀▀ ▄ ▄ █▀ ▀▄▀█▄
████▄ ▀ ▀▀▀ ▀▀▀ ░████░
▐███▄▄ ░██▌▄▀
██▌▄▀█ Liquified are back at Eleven50 for another smashing ░██▌▄▀
██▌▄▀█ night of progressive breaks. Last time around Hybrid ░██▌▄▀
██▌▄▀█ tore the roof off Eleven50 with their rough and tough ░██▌▄▀
██▌▄▀█ breaks. Get ready once again as they rock the ATL ░██▌▄▀
██▌▄▀█ like never before...... ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Hybrid Bio: ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Mike Truman, Chris Healings and Lee Mullins are ░██▌▄▀
██▌▄▀█ Hybrid, a Swansea-based collective with designs on ░██▌▄▀
██▌▄▀█ the future of music. Their debut album, æWide AngleÆ, ░██▌▄▀
██▌▄▀█ will surprise anyone who thinks that dance music ░██▌▄▀
██▌▄▀█ can't be clever, challenging and musically astute. ░██▌▄▀
██▌▄▀█ Here's the shocking news: You might want to listen to ░██▌▄▀
██▌▄▀█ it for longer than a few weeks. You don't have to be ░██▌▄▀
██▌▄▀█ standing up to listen to it. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Truman, Healings and Mullins met while clubbing in ░██▌▄▀
██▌▄▀█ Swansea seven years ago. They bonded over Truman's ░██▌▄▀
██▌▄▀█ house remix of Pink Floyd's æAnother Brick in the ░██▌▄▀
██▌▄▀█ WallÆ, and they've been doing DJ sets and mixing ░██▌▄▀
██▌▄▀█ their own music ever since. They have become ░██▌▄▀
██▌▄▀█ sought-after remixers, putting their production ░██▌▄▀
██▌▄▀█ skills to use on tracks for artists as varied as ░██▌▄▀
██▌▄▀█ Jazzy Jeff, Carl Cox and Alanis Morissette. Now they ░██▌▄▀
██▌▄▀█ are ready to make their album debut. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Wide Angle - which has been over a year in the making ░██▌▄▀
██▌▄▀█ - was born of Hybrid's frustration with the narrow ░██▌▄▀
██▌▄▀█ horizons of British dance music; its structural ░██▌▄▀
██▌▄▀█ predicabitity; its slavish concentration upon beat to ░██▌▄▀
██▌▄▀█ the exclusion of everything else; its disinclination ░██▌▄▀
██▌▄▀█ to seek inspiration from the broader musical corpus. ░██▌▄▀
██▌▄▀█ They wanted to make the dance form more melodic, more ░██▌▄▀
██▌▄▀█ imaginative, bigger and deeper than it had ever been ░██▌▄▀
██▌▄▀█ before. So they went from Swansea to London, Moscow ░██▌▄▀
██▌▄▀█ and New York, gathering material for a set of ░██▌▄▀
██▌▄▀█ startlingly innovative tracks. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ "We want to make music that will last," says Mullins. ░██▌▄▀
██▌▄▀█ "Something that isn't disposable, something that ░██▌▄▀
██▌▄▀█ people will want to listen to over and over again." ░██▌▄▀
██▌▄▀█ Something, perhaps, that dance music's natural ░██▌▄▀
██▌▄▀█ constituency might get more out of than a rushing ░██▌▄▀
██▌▄▀█ sensation in the skull and a spontaneous nosebleed ░██▌▄▀
██▌▄▀█ and that those beyond that natural constituency might ░██▌▄▀
██▌▄▀█ also find inspirational. "We just push the music to ░██▌▄▀
██▌▄▀█ see how far it will go," says Healings. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Too much club music, Truman argues, is wholly ░██▌▄▀
██▌▄▀█ predicable: "You know where the samples have come ░██▌▄▀
██▌▄▀█ from, you know where the beats have come from, you've ░██▌▄▀
██▌▄▀█ heard all these riffs over and over again. What's the ░██▌▄▀
██▌▄▀█ point in listening to it? You might as well turn it ░██▌▄▀
██▌▄▀█ off. We want to make music that will be surprising, ░██▌▄▀
██▌▄▀█ something that will spark the imagination and that is ░██▌▄▀
██▌▄▀█ enriching to listen to, rather than just supplying ░██▌▄▀
██▌▄▀█ the same old product." Dance music whose movements ░██▌▄▀
██▌▄▀█ are less predictable than the usual breakbeat ░██▌▄▀
██▌▄▀█ repertoire. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ To this end, they recruited singer-songwriter Julee ░██▌▄▀
██▌▄▀█ Cruise, best known for her work with cult film-maker ░██▌▄▀
██▌▄▀█ David Lynch. It was her fragile, Naiad voice that ░██▌▄▀
██▌▄▀█ gave Twin Peaks its otherworldly quality, and more ░██▌▄▀
██▌▄▀█ recently, she has been performing with the B52s, Moby ░██▌▄▀
██▌▄▀█ and on the soundtrack of Kevin Williamson's hit ░██▌▄▀
██▌▄▀█ horror movie, Scream. "Most techno and dance is so ░██▌▄▀
██▌▄▀█ cold and boring," asserts Cruise. "Try and hum it. ░██▌▄▀
██▌▄▀█ You can't. Hybrid have melody. They have intelligent, ░██▌▄▀
██▌▄▀█ ironic lyrics. They have a nice, neat, clean, ░██▌▄▀
██▌▄▀█ tasteful voice. It's a sophisticated sound." ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ They also recruited Sacha Puttnam, a composer and ░██▌▄▀
██▌▄▀█ musicologist who trained at the Moscow Conservatory - ░██▌▄▀
██▌▄▀█ where he rented a tiny flat from a fellow academic ░██▌▄▀
██▌▄▀█ that contained just a bed and a grand piano. Since ░██▌▄▀
██▌▄▀█ graduating, he's moved back to his native London and ░██▌▄▀
██▌▄▀█ into film and TV work. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ He scored The Confessional for Canadian theatrical ░██▌▄▀
██▌▄▀█ genius Robert LePage, and recently composed the music ░██▌▄▀
██▌▄▀█ for a BBC adaptation of Bleak house. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Puttnam brought a strong element of orchestral ░██▌▄▀
██▌▄▀█ discipline to Hybrid's electronic experimentalism. He ░██▌▄▀
██▌▄▀█ found the experience educative. "When I'm composing, ░██▌▄▀
██▌▄▀█ there's always this little academic on my shoulder, ░██▌▄▀
██▌▄▀█ telling me to keep things changing constantly, and to ░██▌▄▀
██▌▄▀█ keep within certain strictures. But Mike's taught me ░██▌▄▀
██▌▄▀█ to forget all that." Bringing slamming dance rhythms ░██▌▄▀
██▌▄▀█ into contact with classical orchestration forced ░██▌▄▀
██▌▄▀█ Puttnam to discard the rule book. But he also found ░██▌▄▀
██▌▄▀█ precedent for this kind of experimentation: "It's ░██▌▄▀
██▌▄▀█ exactly what Debussy did," he contends. "In his day ░██▌▄▀
██▌▄▀█ you weren't allowed parallel fifths. So he comes ░██▌▄▀
██▌▄▀█ along, starts using parallel fifths and suddenl ╘y ░██▌▄▀
██▌▄▀█ that's his own sound. So when Mike's not worrying ░██▌▄▀
██▌▄▀█ about academic restrictions, suddenly you get these ░██▌▄▀
██▌▄▀█ wonderful harmonies that you're not supposed to have. ░██▌▄▀
██▌▄▀█ And they work." Last August, they went to Moscow to ░██▌▄▀
██▌▄▀█ prove the point. In the bowels of Mosfilm, the old ░██▌▄▀
██▌▄▀█ Soviet film complex where Eisenstein and Tarkovsky ░██▌▄▀
██▌▄▀█ once clocked on for work, they recorded the tracks ░██▌▄▀
██▌▄▀█ for æWide AngleÆ with the 90-piece Russian Federal ░██▌▄▀
██▌▄▀█ Orchestra. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Working the DJ circuit has allowed the Hybrid boys to ░██▌▄▀
██▌▄▀█ immerse themselves in a broad range of musical ░██▌▄▀
██▌▄▀█ styles. "You draw all these influences in, and use ░██▌▄▀
██▌▄▀█ them to create new sounds," explains Truman. Wide ░██▌▄▀
██▌▄▀█ Angle betrays the influences of John Barry, Stevie ░██▌▄▀
██▌▄▀█ Wonder, Eartha Kitt, Berlin techno, Peter Gabriel and ░██▌▄▀
██▌▄▀█ Claude Debussy. "Everything that we've listened to ░██▌▄▀
██▌▄▀█ over the years has been absorbed and used in some ░██▌▄▀
██▌▄▀█ way," he reflects. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ "A lot of people just concentrate on the engine of ░██▌▄▀
██▌▄▀█ the music, and forget about melody, and the other ░██▌▄▀
██▌▄▀█ bits that make it interesting," argues Mullins. Wide ░██▌▄▀
██▌▄▀█ Angle offers brassy, grandiose soundscapes which ░██▌▄▀
██▌▄▀█ summon up images of Sean Connery parachuting from an ░██▌▄▀
██▌▄▀█ exploding helicopter; dark, hypnotic swathes of ░██▌▄▀
██▌▄▀█ sci-fi noise; lush string arrangements supplied by 90 ░██▌▄▀
██▌▄▀█ classically-trained Russians; belting club beats ░██▌▄▀
██▌▄▀█ tempered with sly, sophisticated touches; sweet, ░██▌▄▀
██▌▄▀█ sassy crooning and Marilyn Monroe vibrato from Julee ░██▌▄▀
██▌▄▀█ Cruise; ball-breaking rap from SoonE MC. It's music ░██▌▄▀
██▌▄▀█ for grown-ups. But it doesn't, thankfully, have that ░██▌▄▀
██▌▄▀█ highfalutin pomposity that has felled past attempts ░██▌▄▀
██▌▄▀█ to expand pop's musical horizons. Jeff Wayne it ░██▌▄▀
██▌▄▀█ ain't. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ "I played it to my family in Iowa," says Cruise. "My ░██▌▄▀
██▌▄▀█ brother's into jazz, my mother's in a nursing home, ░██▌▄▀
██▌▄▀█ my sister's a regular housewife and my other brother ░██▌▄▀
██▌▄▀█ is a hippy from Berkeley. And they all sat there in ░██▌▄▀
██▌▄▀█ the living room and they really liked it. They all ░██▌▄▀
██▌▄▀█ got it, in their own way. This music doesn't exclude ░██▌▄▀
██▌▄▀█ anybody. It doesn't tell you that you don't belong. ░██▌▄▀
██▌▄▀█ You don't have to be as bland as Celine Dion to have ░██▌▄▀
██▌▄▀█ appeal as wide as that." Maybe she's getting a little ░██▌▄▀
██▌▄▀█ carried away here, but Julee sees Hybrid fitting ░██▌▄▀
██▌▄▀█ snugly into a tradition that includes Gershwin and ░██▌▄▀
██▌▄▀█ Copland. "It's proper music," she enthuses. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Hybrid's multi-album deal with Distinct'ive Records ░██▌▄▀
██▌▄▀█ has allowed them the security to formulate long-term ░██▌▄▀
██▌▄▀█ plans. They are developing their live act, and have ░██▌▄▀
██▌▄▀█ already gone down a storm in venues as far apart as ░██▌▄▀
██▌▄▀█ Miami and Liverpool. They've just be signed for a gig ░██▌▄▀
██▌▄▀█ on top of Mount Fuji. With Wide Angle laid down, the ░██▌▄▀
██▌▄▀█ band are now doing the groundwork for their next ░██▌▄▀
██▌▄▀█ album. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ And with tastes and skills as eclectic as Hybrid's, ░██▌▄▀
██▌▄▀█ there's plenty of scope for the wildest kind of ░██▌▄▀
██▌▄▀█ experimentation. They're making noises about an ░██▌▄▀
██▌▄▀█ unplugged breakbeat album, and suite of music in ░██▌▄▀
██▌▄▀█ which the melodic instruments play the beat, and the ░██▌▄▀
██▌▄▀█ percussion instruments play the melody. Whatever ░██▌▄▀
██▌▄▀█ their next move, expect to be surprised. ░██▌▄▀
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▄▀██▀ ......................... ▄▀██▀
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▀▄█▄ [Track Information] ▀▄█▄
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▄▀██▀ 01. Live at Club Eleven50 60:06 ▄▀██▀
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▄▀██▀ MEMBERSHIP IS CLOSED DO NOT BOTHER US!!! ░██▄
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▀█▀ Just Say No To p2p!! ▄▀██░
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▀▐██▌ GREETZ THE BOSS CREW!!! ▄▀▄▄
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▄▀▄▄▀▄ Updated 10/08/2004 ▀█ █▄▄▀
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~BOSSLIVE20041007 ▀▀
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O\\|__________________/ 10-27-2004 at 21:27:32
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