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▄▓█████████▓▓█▀ ▀▀▀▓██▓▌
░ ▓█████████▓▓█▀ [ J U S T F U N . P R E S E N T S ] ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
░ ▓████▓▌ ░ Artist.......: Hermeto Pascoal ▐▓▀▀
▓ ▐█████▓█ Album........: Slaves Mass ▀ ░
▀█▄▓████▓▓▄█▀ Genre........: Jazz ░▓ ▌
▄▀██▓██▓▓▀ Language.....: English ░▓░▐▓
▓▓▄▀█▓▓▓▀ Label........: Rhino ░▓░ █▓▌
▐█▓▓ ▀▓ Catnr........: n/a ░▓▓▓ ▐█▓▓
▓█▓▌ URL..........: n/a ▓░ ███▓▓[z0o]░
▐██░ ░ ░ ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
▀▓█░▄ ▌ ░▓░ [ R E L E A S E . I N F O ] ▓░ ▓▀▓█████████████▓▓▓▀
░ ▀▀▓█▄▐▓ ░▓▓▓░ ░▓▓▓░ ░ ▀▓██████▓██▓▓▀ ░
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░▓▓░ ▐█▓▓ ░ ░▓▓░ source......: CDDA ░▓▓ ▐███████▓▓▌ ░
░░ ███▓▓ ▓▓░▓░ playtime....: 77:22 min ░▓▓░ ▓███▀ ▀▓█▓▓ ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄ rip.date....: nov.-04-2004 ▓ ▐█▓▀ ░ ░▀█▓▌
▀▓█████████████▓▓▓▀ str.date....: May-03-2004 ░▓░ █▀ ░░▓▓▓ ▀▓
░ ▀▓██████▓██▓▓▀ ▓░ ripper......: JusT TeaM ▓▓ ▀░ ░ ░ ░▓░ ░▀
▀▓█████▓▓▓ ░░▓ grabber.....: EAC v.0.95 prebeta 4 ░▓▓░▓▓▓▓ ▓▓▓░
░ ▐███████▓▓▌░▓▓▓░ encoder.....: LAME v.3.90.3 Modified ░▓▓▓▓▓ ▓░▓▓░░ ░
▓███▀ ▀▓█▓▓ ▓░░ size........: 118,6 MB ░▒░ ░▓░ ░
▐█▓▀ ░░ ▀█▓▌░ quality.....: VBR/44,1Hz/Joint-Stereo ░ ▒
█▀ ░▓▓▓▓░ ▀▓ ░ ░ ░
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░ ▄█▒████████▓▓▀ ▀▓██▓███▓▄
▄▓██░██████▓▓█▀ [ T R A C K . L I S T I N G ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
▓████▓▌ ░ track title time ▐▓▀▀
▓████▓▌ ▀ ░▌
▓████▓▌ 01. Mixing Pot 09:19 ▓▌
▓████▓▌ 02. Slaves Mass 04:19 ▓▌
▓████▓▌ 03. Little Cry for Him 02:11 ▓▌
▓████▓▌ 04. Cannon 05:20 ▓▌
▓████▓▌ 05. Just Listen 07:08 ▓▌
▓████▓▌ 06. That Waltz 02:47 ▓▌
▓████▓▌ 07. Cherry Jam 11:46 ▓▌
▓████▓▌ 08. Open Field 04:26 ▓▌
▓████▓▌ 09. Pica Pau (Take 1) 14:20 ▓▌
▓████▓▌ 10. Star Trap (Part 2) 15:46 ▓▌
▓████▓▌ ▓▌
▓████▓▌ [ A B O U T . T H i S . R E L E A S E ] ▓▌
▓████▓▌ ▓▌
▓████▓▌ A self-taught musician, Hermeto Pascoal ascended ▓▌
▓████▓▌ from his humble upcountry origins to an ▓▌
▓████▓▌ international acknowledgment still unfair to his ▓▌
▓████▓▌ musical stature. Developing his ears from an early ▓▌
▓████▓▌ age at his grandfather's blacksmith shop, Pascoal ▓▌
▓████▓▌ used to pick up pieces of iron and hit them, trying ▓▌
▓████▓▌ to create music (not to emulate the harmonics of ▓▌
▓████▓▌ his father's eight-bass button accordion, as has ▓▌
▓████▓▌ been spread). This led to an unusual approach to ▓▌
▓████▓▌ music, where the tones themselves give a stronger ▓▌
▓████▓▌ conducting motif than chord connection, scales, or ▓▌
▓████▓▌ modes. His understanding of music as a vital force, ▓▌
▓████▓▌ emanating organically from everything in Earth, is ▓▌
▓████▓▌ reminiscent of Kepler's music of the spheres and ▓▌
▓████▓▌ conducted to eccentric performances and recordings ▓▌
▓████▓▌ with pigs, kettles, and anything at hand. He has ▓▌
▓████▓▌ also developed the Sound of the Aura concept, in ▓▌
▓████▓▌ which music is developed out of people's speech, ▓▌
▓████▓▌ traffic noise, and out of every possible source of ▓▌
▓████▓▌ sound. That didn't impede him from conquering the ▓▌
▓████▓▌ admiration of world-class musicians such as Miles ▓▌
▓████▓▌ Davis, for whom he recorded as instrumentalist and ▓▌
▓████▓▌ composer. John McLaughlin, Duke Pearson, Gil Evans, ▓▌
▓████▓▌ Berlin Symphony, Copenhagen Symphony, and many ▓▌
▓████▓▌ others played and recorded his compositions. He ▓▌
▓████▓▌ also recorded with Ron Carter, Alphonso Johnson, ▓▌
▓████▓▌ Tom Jobim, Cal Tjader, and several others. As a ▓▌
▓████▓▌ sideman, he recorded with Brazilians Aquilo del ▓▌
▓████▓▌ Nisso, Luiz Avellar, Maria BethΓnia, Fagner, Galo ▓▌
▓████▓▌ Preto, Eduardo Gudin, Joyce, Edu Lobo, Elis Regina ▓▌
▓████▓▌ (including a live concert recorded at the Montreux ▓▌
▓████▓▌ Jazz Fest), Walter Santos, Mauro Senise, Robertinho ▓▌
▓████▓▌ Silva, Sivuca, Marcio Montarroyos, Taiguara, ▓▌
▓████▓▌ Sebastiπo Tapaj≤s, and Geraldo VandrΘ, to name a ▓▌
▓████▓▌ few. Down Beat's Howard Mandel, wrote about him "as ▓▌
▓████▓▌ pan-global a leader as Sun Ra and as surefooted an ▓▌
▓████▓▌ individualist as Rahsaan Roland Kirk." ▓▌
▓████▓▌ ▓▌
▓████▓▌ His father used to animate parties with an ▓▌
▓████▓▌ eight-bass button accordion. Beginning to play at ▓▌
▓████▓▌ local parties at 11, in three months' time, Pascoal ▓▌
▓████▓▌ advanced so much that he took his father's place ▓▌
▓████▓▌ because he became ashamed to play together with ▓▌
▓████▓▌ him. In 1950, his family moved to the capital ▓▌
▓████▓▌ Recife PE, and he debuted at radio stations in that ▓▌
▓████▓▌ city and around. In 1958, he moved to Rio, working ▓▌
▓████▓▌ with the Regional de Pernambuco do Pandeiro, Fafß ▓▌
▓████▓▌ Lemos Group, and Orquestra do Copinha. In 1961, he ▓▌
▓████▓▌ moved to Sπo Paulo, playing in several nightclubs ▓▌
▓████▓▌ there. Already playing brass and wood instruments, ▓▌
▓████▓▌ he formed the group Som Quatro with Papudinho ▓▌
▓████▓▌ (trumpet), Dilsom (drums), and Azeitona ▓▌
▓████▓▌ (contrabaixo). With Sivuca, he had an accordion ▓▌
▓████▓▌ trio called O Mundo em Chamas. In 1964, he began a ▓▌
▓████▓▌ fertile association with Brazilian percussionist ▓▌
▓████▓▌ Airto Moreira, joining his Sambrasa Trio (which ▓▌
▓████▓▌ also had Humberto Clayber on the double bass). His ▓▌
▓████▓▌ first recording was accompanying singer Walter ▓▌
▓████▓▌ Santos' LP Caminho in 1965, soon following the ▓▌
▓████▓▌ historical album No Fino da Bossa, Vol. 3, on which ▓▌
▓████▓▌ he backed Elis Regina on one track. The album was ▓▌
▓████▓▌ recorded in 1966 but was issued in 1994. Moreira ▓▌
▓████▓▌ was then in a band called Trio Novo which had ▓▌
▓████▓▌ guitarist Heraldo do Monte and bassist Teo de ▓▌
▓████▓▌ Barros; Pascoal joined them the next year and the ▓▌
▓████▓▌ group changed its name to Quarteto Novo. The first ▓▌
▓████▓▌ proponents of a Northeastern sound based on baiπo ▓▌
▓████▓▌ mixed with jazz improvisations, the group would be ▓▌
▓████▓▌ highly influential despite having recorded just one ▓▌
▓████▓▌ album, Quarteto Novo (Odeon, 1967). The album had ▓▌
▓████▓▌ Pascoal's first recorded composition, "O Ovo." In ▓▌
▓████▓▌ October of that year, the group accompanied Edu ▓▌
▓████▓▌ Lobo on "Ponteio" (Lobo/Capinam), the winning ▓▌
▓████▓▌ composition at TV Record's III FMPB (III Brazilian ▓▌
▓████▓▌ Popular Music Festival). In 1968, Pascoal toured ▓▌
▓████▓▌ France. In 1970, he was invited by Miles Davis to ▓▌
▓████▓▌ record with him on the live album Live Evil. Davis ▓▌
▓████▓▌ also selected two of Pascoal's compositions for ▓▌
▓████▓▌ that album: "A Igrejinha" and "Nenhum Talvez." In ▓▌
▓████▓▌ fact, he selected 11 songs of Pascoal's material, ▓▌
▓████▓▌ but Pascoal wanted to release his solo album and ▓▌
▓████▓▌ let go only those two. As Miles had a habit of ▓▌
▓████▓▌ taking credit for tunes written by his groups' ▓▌
▓████▓▌ members, both were erroneously published under his ▓▌
▓████▓▌ name. Pascoal credits that to producer's tactics, ▓▌
▓████▓▌ not to Miles'. Pascoal's first solo LP, Hermeto ▓▌
▓████▓▌ (Cobblestone), was recorded in 1971 in New York and ▓▌
▓████▓▌ was produced by Ron Carter and Flora Purim. In that ▓▌
▓████▓▌ same year he, and Carter recorded another LP, with ▓▌
▓████▓▌ Pascoal's "O Gaio da Roseira," awarded as one of ▓▌
▓████▓▌ the best of the year by English critics. ▓▌
▓████▓▌ ▓▌
▓████▓▌ In 1973, he toured through the U.S. and Mexico, ▓▌
▓████▓▌ recording in Brazil A M·sica Livre de Hermeto. By ▓▌
▓████▓▌ the Association of Critics of Sπo Paulo (APCA), he ▓▌
▓████▓▌ was awarded as Best Soloist and, in the next year, ▓▌
▓████▓▌ Best Arranger. He toured the U.S. again in 1974 and ▓▌
▓████▓▌ had his song "Porco na Festa" awarded as Best ▓▌
▓████▓▌ Arrangement at the Globo Network's Festival ▓▌
▓████▓▌ Abertura. Recorded in 1976 with SΘrgio Mendes and ▓▌
▓████▓▌ Brazil '77, he recording two more albums for Mendes ▓▌
▓████▓▌ in that period. His LP, Slaves Mass, released in ▓▌
▓████▓▌ 1977, also had Carter. In 1978, he recorded ▓▌
▓████▓▌ ZabumbΩ-Bum-┴. Since then, he has recorded 12 solo ▓▌
▓████▓▌ albums. His live performance at the 1979 Montreux ▓▌
▓████▓▌ Jazz Festival was recorded on a double LP and ▓▌
▓████▓▌ released through Warner: Hermeto Pascoal ao Vivo. ▓▌
▓████▓▌ In 1996, he was awarded with the PrΩmio Sharp as ▓▌
▓████▓▌ Best Arranger for the Duo Fel CD Kids of Brazil. In ▓▌
▓████▓▌ the same year, he received the PrΩmio Ary Barroso. ▓▌
▓████▓▌ His recordings as a sideman add to over 79 albums. ▓▌
▓████▓▌ In April 2000, Pascoal toured again through the ▓▌
▓████▓▌ U.S. and the Boston Globe, in a recent review of ▓▌
▓████▓▌ one of his American performances, commented: "With ▓▌
▓████▓▌ equal parts virtuosity and eccentricity, Pascoal's ▓▌
▓████▓▌ sextet gave the rare example of a band that ▓▌
▓████▓▌ actually earned its standing ovation." ▓▌
▓████▓▌ ▓▌
░ ▓████▓▌ ▓▌
▓ ▐█████▓█ [ A B O U T . U S ] ▓▌
▀█▄▓████▓▓▄█▀ ▓▌
▀██▓██▓▓▀ Our group consists of many rippers who are music enthu- ▓▌
▀█▓▓▓▀ siasts. Justfun is releasing different kind of music like ▓▌
▀▓ indie rock, trip-hop, ethnic, jazz, french, brazilian ▓▌
░ electro and many more ... We will bring you the music ▓▌
░ we like and share it with the rest of the under- ▄ ▓▌
░ ground scene. If you have, like us, a passion for ▄▄█▌ ▓▌
░ music, don't hesitate to contact us ! ▄████▓▌ ▓▌
░ █████▀▀▀▀ ▓▌
░ GREETinGs : NuHS . Hit2000 . DGN . KSi . SEQ . CHR ░███ ▓▌
░ Om . rH . Fuffens . Remix . FMF . SB ██▌ ▓▌
Kw . LOGOS . iTs . i . ATM . aAF . ... ▓██ ▓▌
░ and all ppl who share music with us ! ▄▄▄██▌ ▓▌
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▄█▒████████▓▓▀ ▀▀▀▀▀ ▀▓██▓███▓▄
▄▓██▓██████▓▓█▀ [ C O N T A C T ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ We're currently looking for : ██▓▓█▀▀
▓████▓▌ ░ - music enthusiast ppl buying cds on a regular basis. ▐▓▀▀
▓████▓▌ - ppl who can get promos or advanced rls. ▀ ░▌
░ ▓████▓▌ - Siteop who can provide at least 10mbits and ▓▌
▓ ▐█████▓█ 50gb++ for our archive. ▄ ▓▌
▀█▄▓████▓▓▄█▀ - People with skill and experience ▄▄█▌ ▓▌
▀██▓██▓▓▀ ... and everyone who wants to help in a ▄████▓▌ ▓▌
▀█▓▓▓▀ pleasant atmosphere our Just family. █████▀▀▀▀ ▓▌
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░ Share your forces with us ! ██▌ ▓▌
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░ ▐▓ Email : jfun@hushmail.com ▄▄▄██▌ ▐▓ ▓▌
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▀▓█████▓▓▓ by z0oy0rk ▀▓█████▓▓▓
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▓███▀ ▀▓█▓▓ [ J U S T F U N born in Apr. 2 0 0 0 ] ▓███▀ ▀▓█▓▓
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