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p r o u d l y p r e s e n t s ..::
░ Artist | The Jesus And Mary Chain
Title | Honey's Dead
Genre | Indie
Source | DVD
Format | Album (Remastered and Expanded Edition)
Label | Edsel Records
Catalog | EDSG 8009
Released | 2011
Ripped | 2015
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Quality | 254 kbps avg at 48.0 kHz ▄▄███▀▀
Encoder | Lame 3.98.4 V0 ▄▄██▀▀ ░
Size | 90.64 MB ▄▄█████▀ ░░░
Playtime | 47min 50s ▄███▄▄▄▄▄ ▄█▀ ▓█▄ ░░
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░ R E L E A S E I N F O R M A T I O N
Like the Velvet Underground, their most obvious influence, the chart
success of the Jesus and Mary Chain was virtually nonexistent, but
their artistic impact was incalculable; quite simply, the Scottish
group made the world safe for white noise, orchestrating a sound
dense in squalling feedback which served as an inspiration to
everyone from My Bloody Valentine to Dinosaur Jr. Though the
supporting players drifted in and out of focus, the heart of the
Mary Chain remained vocalists and guitarists William and Jim Reid,
Scottish-born brothers heavily influenced not only by underground
legends like the Velvets and the Stooges but also by the sonic
grandeur and pop savvy of Phil Spector and Brian Wilson. In the
Jesus and Mary Chain, which the Reids formed outside of Glasgow in
1984 with bassist Douglas Hart and drummer Murray Dalglish (quickly
replaced by Bobby Gillespie), these two polarized aesthetics
converged; equal parts bubblegum and formless guitar distortion,
their sound both celebrated pop conventions and thoroughly subverted
them...
Again working with Alan Moulder but now also using a live drummer on
most tracks - namely Monti from Curve, one of the Mary Chain's many
descendants - the Reids came back strong with "Honey's Dead", on
balance a more consistent and satisfying record than Automatic.
There's a sense of greater creativity with the arrangements, while
the balance between blasting static rampage and precise, almost
clinical delivery is the finest yet, making the album as a whole the
best straight-through listen since Psychocandy. Monti's drumming
finally replaces Bobby Gillespie's properly; he's a much more
talented musician than the Primal Scream overlord, using the warped
funk hits familiar from Curve's work to the Mary Chain's advantage.
Even the drum machine-driven cuts work better than before,
especially the brilliant, coruscating opener, "Reverence".
Burning with some of the best nails-on-chalkboard feedback the band
had yet recorded, combined with a whipsmart sharp breakbeat, all it
took was the finishing touch of Jim Reid's sneering lines like 'I
wanna die like Jesus Christ' to make it another stone-cold classic
single from the band. Other winners include "Sugar Ray", with beats
and melody so immediate and addictive the track was actually used
for a beer commercial, of all things, and the steady slap and crunch
of "Good for My Soul". If there's a danger in "Honey's Dead", it's
that the near bottomless pit of reworked melodies and lyrics had
almost reached its end - even the final track, "Frequency", combines
both "Reverence" itself with the Modern Lovers' "Roadrunner" - which
made the stylistic shift on "Stoned & Dethroned" a logical
follow-up. William and Jim Reid split all the vocals almost evenly,
the former especially shining on the nearly gentle "Almost Gold",
the closest the record comes to a sweet ballad.
---
This deluxe expanded edition of "Honey's Dead" features all the
non-album b-sides, the pre "Honey's Dead" "Rollercoaster" EP, a
rarely heard alternate version of "Why'd You Want Me", a complete
live set recorded by the BBC for a date on the Rollercoaster package
tour the band organised and headlined in this period, remixes
including the first CD issue of the brilliant Arc Weld mix of "Far
Gone And Out", and radio interviews with Jim and William Reid,
including a chat with Tommy Vance about their ill-fated appearance
at the US Lollapalooza festival.
The 50-minute DVD features the promo videos for all the singles
including the first time on DVD for the video for "Rollercoaster"
and the previously unreleased and controversial video for "Teenage
Lust". There are also previously unreleased archival TV appearances,
including electrifying performances of "Reverence" on The Word,
"Far Gone And Out" on the Late Show, "Teenage Lust" on 120 minutes
and a 20-minute interview and video retrospective with Jim and
William Reid discussing their career to date, interspersed with
excerpts of all their videos from 1985 - 1992 and rare live footage
of the band performing at Brixton Academy.
CD1 - Honey's Dead (Tracks 1-12), Rollercoaster EP (Tracks 13-16),
Remixes (17-19)
CD2 - B-Sides (Tracks 1-7), Outtake (Track 8), Live at Sheffield
Arena û 28th March 1992 (Tracks 9-16), Interviews (Tracks 17-18)
DVD - Promo Videos (Tracks 1-5), TV Appearances (Tracks 6-9)
Stereo AC3, 48 kHz, 2 ch
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::: . ▀▀
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- Promo Videos
01. Rollercoaster (Promo Video) 3:52
02. Reverence (Promo Video) 3:39
03. Far Gone And Out (Promo Video) 2:51
04. Almost Gold (Promo Video) 3:19
05. Teenage Lust (Promo Video) 3:08
- TV Appearances
06. Reverence (TV Appearance at The Word) 3:47
07. Far Gone And Out (TV Appearance at The Late Show) 3:30
08. Teenage Lust (TV Appearance Live At MTV Studios) 2:50
09. MTV Interview And Video Retrospective 20:54
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47:50
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