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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Zac Brown Band ▄▄▀█▓
▐▓▌▐█▌ Album : Jekyll + Hyde ▐█▌▓▌
▐▀▄██ Label : Repubic Records ██▄▀▌
▄███▌ Genre : Country ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2015-04-28 ██▀▄▌
▐▓▌▐█▌ Quality : 931 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.2.1 ▀▀▄█▓
▓███ Size : 460.39 MB ███▓
▀ ▀█▌ Time : 66:01 min ▐█▀ ▀
▓▄███ Url : ███▄▓
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▄██▀ ▀██▄
██▌ 1. Beautiful Drug 3:12 ▐██
██▌ 2. Loving You Easy 2:35 ▐██
██▌ 3. Remedy 3:52 ▐██
██▌ 4. Homegrown 3:25 ▐██
██▌ 5. Mango Tree (Feat. Sara Bareilles) 3:41 ▐██
██▌ 6. Heavy Is The Head (Feat. Chris Cornell) 4:00 ▐██
██▌ 7. Bittersweet 5:10 ▐██
██▌ 8. Castaway 3:08 ▐██
██▌ 9. Tomorrow Never Comes 3:58 ▐██
██▌ 10. One Day 3:50 ▐██
██▌ 11. Dress Blues 5:30 ▐██
██▌ 12. Young And Wild 3:15 ▐██
██▌ 13. Junkyard 7:14 ▐██
██▌ 14. I'll Be Your Man (Song For A Daughter) 5:49 ▐██
██▌ 15. Wildfire 2:46 ▐██
██▌ 16. Tomorrow Never Comes (Acoustic) 4:36 ▐██
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▄███▌ ▐███▄
████ Nearly three years after Uncaged, which won the Grammy for Best ████
████ Country Album, the Zac Brown Band unveiled the next chapter in ████
████ their crossover country revolution. Uncaged was distinguished at ████
████ least in part by the participation of a variety of guests ████
████ including Jimmy Buffett, Alan Jackson, Trombone Shorty, Jason ████
████ Mraz, and Amos Lee. Jekyll + Hyde doesn't forgo them altogether, ████
████ but it does have fewer of them. Instead, ZBB double down on their ████
████ commitment to deliver as many different kinds of songs as they ████
████ possibly can. Whereas the Jay Joyce-produced first single, ████
████ "Homegrown," is characteristic of the band's feel-good, ████
████ home-and-heart, back-country groove, it's not nearly ████
████ representative of everything that's here. Opener "Beautiful Drug" ████
████ may feature a meld of acoustic guitars, banjos, and snare drums, ████
████ but loops, synths, and a hook straight out of a Katy Perry single ████
████ govern its flow. "Mango Tree" features Sara Bareilles in a guest ████
████ performance as it attempts to re-create Nelson Riddle-esque ████
████ big-band pop swing. It's followed by the rocker "Heavy Is the ████
████ Head," with Soundgarden/Audioslave frontman Chris Cornell in duet ████
████ with Brown. The metallic guitar is appended by a distorted ████
████ bassline that comes right from the Geezer Butler playbook. The ████
████ guest tunes are solid additions, but they're not the best things ████
████ here. Those honors are reserved for the band's self-written ████
████ tunes: "Remedy" weds country-gospel to a Celtic reel with ████
████ multi-part vocal harmonies and finally to modern praise & ████
████ worship; it's a clear standout. The Caribbean-tinged tunes such ████
████ as "Loving You Easy," with its Buffett-esque groove wed to retro ████
████ pop/soul and "One Day," with its sweeping yet earthy fiddle, ████
████ horns, and stirring backing choruses, are both winners, too. ████
████ "Tomorrow Never Comes" is almost a big-beat dance number with its ████
████ ticking loops and electronic blips cutting through a bluegrass ████
████ stomp. It's bracing in its audacity. Jason Isbell's poignant ████
████ "Dress Blues" is more straightforward, wedding folk and ████
████ pop-country in a poignant lyric about a fallen marine; the ████
████ arrangement juxtaposes a gently whining pedal steel with an ████
████ elegiac, languid fiddle. "Junkyard," a song about child abuse, is ████
████ a slow, angry country-rocker with fat, muddy basses and guitars, ████
████ and a Celtic interlude with drum loops that adds drama and ████
████ tension before the tempo explodes. "I'll Be Your Man (Song for a ████
████ Daughter)" is heartfelt, island-tinged folk-country. Its closing ████
████ chorale is straight out of the Southern church. It should have ████
████ closed the album, because "Widlfire" feels like filler and an ████
████ acoustic version of "Tomorrow Never Comes" was unnecessary ████
████ because it adds to the set's already unwieldy, hour-plus length. ████
████ The only other nick is that the set's production is overly ████
████ bright. These are niggling complaints, however. The stylistic ████
████ range of Jekyll + Hyde proves that ZBB's reach is almost ████
████ limitless, and this set will more than likely delight the group's ████
████ legions of fans. ████
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