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████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
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█████▀ VA - Body Language 16 by Francesco Tristano ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ VA ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Body Language 16 by Francesco Tristano ▓▓▓▓█
████ GENRE...[ Techno CAT#....[ GPMCD108ZEB ████
████ LABEL...[ Get Physical Music ENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2015 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Full Stereo ████
████ PLAYTIME[ 189:29 min REL.DATE[ 05.16.2015 ████
████ TRACKS..[ 20 RiPPER..[ TEAM OMA ████
████ SiZE....[ 434,1 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Various - Body Language Vol 16 66:51 ████
████ (continuous mix by Francesco Tristano) ████
████ 02 Francesco Tristano - Ongaku 01:56 ████
████ 03 Luciano & Francesco Tristano - Amnesie 13:49 ████
████ 04 Julio Victoria - Impermanent 07:13 ████
████ 05 Danton Eeprom - Hungry For More 07:05 ████
████ 06 NYMA & Carreno Is LB - Lunar Fringe 05:45 ████
████ 07 Francesco Tristano - Gaza World Cup (feat P41) 07:21 ████
████ 08 Faktorm - Faith 07:24 ████
████ 09 MANDY - Obsessed 05:57 ████
████ 10 P41 - Lalguer 07:52 ████
████ 11 Francesco Tristano - Jinguru 01:50 ████
████ 12 Francesco Tristano & P41 - Chester Copperpot 06:15 ████
████ 13 Francesco Tristano - Sarasani (feat P41) 05:55 ████
████ 14 Francesco Tristano - Dminorloop 07:06 ████
████ 15 Savvas Ysatis - Fade To Black 07:11 ████
████ 16 Cardopusher - 1989 Warehouse 05:06 ████
████ 17 Francesco Tristano - Place On Lafayette 04:55 ████
████ 18 KhalifeSchumacherTristano - Afrodiziak 08:24 ████
████ (reboot remix) ████
████ 19 DJ Pierre - What Is House Muzik 06:25 ████
████ (Roland Leesker Love mix) ████
████ 20 P41 - My Difficult Child (Studiovacanze mix) 05:09 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL:189:29 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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████ www.7digital.de ████
████ ████
████ For a long time, Francesco Tristano has ████
████ behaved, musically, like a wild child making ████
████ fun of his parents supervision, and repeatedly ████
████ ran away from home to visit forbidden ████
████ locations. One only has to review last year┤s ████
████ agenda of concerts: in between solemn dates in ████
████ important venues all over the planet where he ████
████ interprets programs of baroque and ████
████ contemporary music, centring around composers ████
████ like Johann Sebastian Bach, Maurice Ravel, ████
████ George Gershwin or Dietrich Buxtehude on the ████
████ piano, are several commitments under the ████
████ epigraph `Francesco Tristano live┤. Those ████
████ escapes have little to do with classical ████
████ music; quite the opposite actually. They show ████
████ that Francesco┤s commitment to electronic ████
████ sounds remains as alive as when he started to ████
████ release his first ôdanceö records on InfinΘ, ████
████ even though over the last years he ████
████ consolidated his position as one of the most ████
████ requested pianists with one of the most ████
████ brilliant repertoires of his generation. ████
████ ████
████ When Francesco Tristano escapes to a club, the ████
████ spirit which possesses him is the one of ████
████ Techno, specifically the original Detroit ████
████ sound. There, in the heat of the cabin, he ████
████ switches from piano to synthesizer, from ████
████ pedals to software and what flows out of the ████
████ speakers is a kind of music, which can only ████
████ fit in this hedonistic context and the ████
████ celebration of the body: expansive, rhythmic, ████
████ emotional, sprinkled with piano stabs and ████
████ unstoppable grooves. The material he uses is ████
████ typically self-composed and unreleased, ████
████ secretly produced in seclusion, to nurture a ████
████ musical discourse, which only makes sense if ████
████ it┤s carried out like some kind of jam ████
████ session, with the continuity of a DJ set, ████
████ without exactly being a classic DJ set. There ████
████ are transitions, but there are no mixes; and ████
████ if there are tracks by other artists, they ████
████ appear as elements facilitating the creation ████
████ of a live remix. And from this accumulated ████
████ experience, the idea and the content of volume ████
████ 16 of the Body Language series was born. ████
████ ████
████ Part of the Techno material Francesco Tristano ████
████ was working on over the last few months has ████
████ already appeared last December on the ôPiano, ████
████ Hats & Stabsö E.P., his first record for Get ████
████ Physical. Some of those tracks are re- ████
████ appearing now on ôBody Languageö in the form ████
████ they were originally intended to be: as ████
████ pieces, designed to fit into a much more ████
████ ambitious and complex construction. With the ████
████ exception of ôThe Harvestö û a Jazz classic, ████
████ identifiable as Proto-Techno, that opened Joe ████
████ Zawinul┤s album Dialects (1986), which ████
████ importance could be compared to Herbie ████
████ Hancock┤s ôRockitö, Francesco Tristano┤s ████
████ entire journey expresses itself in form of ████
████ original productions (ôOngakuö, ôJinguruö), ████
████ written in collaboration with other musicians. ████
████ Here we are listening for the first time to ████
████ ôAmnesieö, half-half with Luciano, or the new ████
████ project KhalifeSchumacherTristano, which was ████
████ born from the ashes of ôAufgangö and remixed ████
████ by Reboot û or material that was given to him ████
████ by partners of the label, friends and other ████
████ artists from his surroundings, like P41, aka ████
████ the sound engineer Edoardo Pietrogrande; or ████
████ Danton Eeprom, ex-partner in the InfinΘ days; ████
████ Cardopusher, neighbour in Barcelona; and also ████
████ M.A.N.D.Y., representatives of his new home- ████
████ label, Get Physical. ████
████ ████
████ On a traditional DJ album, the added value ████
████ lies apart from the musical selection in the ████
████ bravery of the mix. In the case of Body ████
████ Language, the importance is not so much in the ████
████ beat-matching, but much rather in the key- ████
████ mixing. To round off the transitions of the ████
████ tracks, Francesco Tristano has deployed all ████
████ his musical wisdom, to add layers of ████
████ synthesizers and piano attacks all over the ████
████ place, to complete the rhythmic journey with a ████
████ dense harmonic richness. His own tracks are ████
████ born from piano grooves û you might even ████
████ notice some chords borrowed from the "Suite In ████
████ A Minor" by Jean-Philippe Rameau, one of the ████
████ most important composers of the French baroque ████
████ û and are always expanding in the depth of ████
████ outer space. The result may sound familiar on ████
████ first listening, but it becomes deeper when ████
████ paying attention to the details and chord ████
████ progressions. The architecture of the ████
████ composition is actually quite surprising: Deep ████
████ House and Detroit 2.0 with a sonic density, ████
████ which is unknown in contemporary club music. ████
████ The expression that best describes the musical ████
████ philosophy of Francesco Tristano might be ████
████ ôBach to the Futureö. On Body Language there ████
████ is no Bach, but the future is constructing ████
████ itself minute by minute. ████
████ ████
████ ████
████ URL: n/a ████
████ ████
████ ████
████ ████
████ ████
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████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
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█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
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████▀ The only thing that really matters is music!!! ▀████
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.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .