Electronic-Feel_Every_Beat-US-CDM-1991-AMOK

Section
MP3/FLAC
Group
AMOK
Size
50,55 MB
Files
7
Date
2004-11-20

NFO

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      /________     //__       \/       /    __     \\__       /_______
        \    \____      \     \        /   ___/        /    ___       /.. .  .
        _\      \________\___/ \/     /_______________/_____\     ___/2oo3
       /_______/  :         /_________\                   :pl\_______\
               ...:... . In Joint Forces With EWiG . .....:...
               :..:                                       :..:

-/\/----------------------------------------------------------------------\/\-
            Electronic - Feel Every Beat-US -CDM- (c) 1991 Warner
-/\/----------------------------------------------------------------------\/\-
    Supplier: 5-8-6              Encoder...: Fraunhofer 1.263
    Ripper..: 5-8-6              Quality...: 192 kbps / 44.1Hz / Full Stereo
    Source..: CDDA               Label.....: Warner
    Scans...: None               Catalogue#: 40159-2
    Tracks..: 07                 Type......: Maxi
    Rel.Date: Jul-22-2003        Genre.....: Electronic    
<- -- --- -------------------------------------------------------------------.
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                                          _\_     /__\   /__.______.\   _  / :
                                         /    \  / . /_   _/___. _/_ \_  \/  :
                                        /____\  /______\      /____/______\  :
.. ... ..... ...........................::::::\/::::::\______/::::::::::::::::
:
   Electronic, a collaborative effort between Bernard Sumner and Johnny
   Marr, began in the Hacienda, where they met. It was in that
   Manchester hot spot that Sumner, lead vocalist, guitarist and
   songwriter of New Order and Marr, guitarist and co-writer with The
   Smiths, resolved in 1988 to form a new group -- Electronic. Pooling
   their songwriting prowess, the core duo of Sumner and Marr would
   bring in outside collaborators whenever they so desired. Electronic
   would give the two creative freedom to work outside the confines of
   a rigid group format. In the late spring, Warner Bros. released
   Electronic, the document of this promising undertaking.

   From the start, Sumner and Marr, each responsible for some of
   contemporary music's most distinct and affecting songs, struck up an
   instant rapport as a songwriting team. Of course, throughout 1988,
   they had other commitments to fulfill, with Sumner polishing off New
   Order's Technique LP and subsequent U.S. tour and Marr teaming up
   with The The to record Mind Bomb. By Spring, 1989, Marr had also
   embarked on a world tour with the group.

   In September of 1989, the Pet Shop Boys caught wind of Electronic.
   Neil Tennant, another modern-day pop visionary, became the first
   outside artist to join the fold. The First incarnation of Electronic
   proved quite fruitful. Tennant and fellow Shop-er Chris Lowe
   commuted to Manchester for the recording sessions. Tennant wrote
   some of the lyrics and sang some back-up's on the bittersweet,
   lifting tune entitled "Getting Away With It" -- Electronic's
   debut single. In 1990, in America's decidedly album-oriented
   climate, "Getting Away With It" hit the Top 40, selling over 350,000
   copies. The single rose to #11 in England  and met with much
   critical kudos, including many a "Single Of The Year" mentions on
   both sides of the Atlantic.

   The four also wrote another song, "Patience Of A Saint," during the
   evening's sessions, which appears on Electronic's eponymous debut
   EP. With American anticipation for Electronic piqued by their debut
   single, Depeche Mode invited the group to play two Dodger Stadium
   dates, August 4th and 5th, on DM's 1990 megatour of the U.S. So,
   aided by percussionists Donald Johnson (from A Certain Ratio) and
   Kesta Martinez and keyboardist Andy Robinson, Electronic made their
   stage debut at a sold-out Dodger Stadium --capacity 60,000+. For
   both shows, the Pet Shop Boys, making their first-ever live
   performance in the U.S., joined Electronic to perform the two songs
   they had co-written.

   Since September, 1990, Sumner and Marr have been able to devote all
   their efforts to Electronic -- and the results are astonishing.
   Whether it's the hip-hop guitar scrawl of the lead-off track, "Idiot
   Country." the smoothing, near-perfect shuffle of "Feel Every Beat"
   or the synth jabs and layered acoustic guitars of "Tighten Up,"
   Electronic is an entirely singular creation. No belabored
   juxtaposition of "funky" guitars over tired break beats, the LP is a
   dance album informed by the tension and melodicism of cutting-edge
   pop, a perfect balance between "the synthetic and the sensual" (NME)

   As a group, Electronic remains independent in the truest sense: they
   have complete freedom and control, from co-producing and producing
   all the songs to commissioning the artwork and videos. The clip for
   Sumner's and Marr's intoxicating second single, "Get The Message,"
   is filmed atop a volcano in the Philippines. The single and video
   hit these shores mid-April. Appropriately enough, Electronic made
   their British debut with a surprise gig at Hacienda -- celebrating
   the renewal of the club's license - on Wednesday, January 9. Said
   Melody Maker: "For their first U.K. show, Electronic almost achieved
   the impossible  --  matching expectation with exhilaration." With
   Electronic, Sumner, Marr and their fellow travelers set new tandards
   for what is and is not possible in pop music.

`/\/----------------------------------------------------------------------\/\.
  _____          _______       .____.                                        :
 _\   /__.___ ___\____  \______|   /_____._______                            :
/___   _/___ `  /   \_   \  __/_  |_    /_\  ____\                           :
   _\      /_|\/__.  /____\_____\ |  __/_______\                             :
.::\______/:::::::| /::::::::::::\|\____\:::::::::............... ..... ... .;
:                 |/
:
   01 feel every beat-single remix                                 03:58
   02 feel every beat-tactile mix                                  05:57
   03 feel every beat-downstairs mix                               06:10
   04 lean to the inside-instrumental                              04:07
   05 feel every beat-uk 12' remix                                 06:51
   06 feel every beat-dna remix                                    05:41
   07 second to none                                               04:01

                                                  Total:50,6 MBB / 36:45 min
:
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.. ... ..... ..............................::::::\/:::::::::::::::::::::::::::

    Today, the 22nd of July, AMOK celebrates its anniversary: 5 years ago 
    AMOK was founded! Only a few people know that AMOK originally started 
    as a 'sub-label' group of NBD in order to release music that did not 
    fit into their releases of the techno genre. When this MP3 group started
    in 1998 we only had three sites and today the number has considerably 
    grown - here is the original list of sites AMOK started out with 
    (this is a preview of our site list from July 1998);

    Sites:
    ~~~~~~
    SITE NAME           SPEED   STORAGE         STATUS          SITE-OP
    ~~~~~~~~~~          ~~~~~~  ~~~~~~~~        ~~~~~~~         ~~~~~~~~
    Dxxx Xxxxx xxxxxx   T-3     16GB             WHQ            Xxxxxx
    Mxxxxxxx            E-1      9GB              HQ            Xxxxxx
    Rxxxx xxxxxx Xxxxxx	E-1      9GB              HQ            Xxxxxx

   (Note: the third site is the original NBD WHQ. For those with added 
   curiousity, please let me draw your attention to the "site op" row.) 
   The first AMOK release, The soundtrack for "Need For Speed 3," ripped 
   straight from the PSX (this would be a nuke nowadays...), was set for 
   release on July 22, yet with a chaotic start in organizing the group the 
   date of this release had to be changed to July 24. Listed below is the 
   exact information on the infamous premiere release of AMOK:

   "As a sublabel of NBD the official leader was NBD leader. Back then
   this was Abomb-99 a true pioneer of the mp3 scene, and without him things 
   would for sure gone different for nowaday. Abomb-99 died in 1999 due 
   cancer, we won┤t forget him, even tho he wasn┤t our founder he was our 
   father. The following weeks we completely detached from NBD and got our 
   own image."

   Out of our ranks grow friends as well as competitors; we affiliated far 
   more than 100 sites in our perpetual existence and have over 6k releases, 
   we hereby salute all of our friends and competitors that play by the rules 
   and contribute to make the scene an enjoyable place.

   When you ask us nowadays, "What did you do for the scene?" we promoted our 
   definition of 'good music' and are among the 5 oldest of MP3 groups still 
   active, we asserted some of the basic rules for the first MP3 release 
   guidelines as well as promoting the usage of SFV for MP3's (thanks to a 
   good friend of ours who coded glftpd extensions back then, widely used)

   When we take stock of ourselves nowadays we are more highly organized and 
   exist secured somewhere in a private ircd laminate, but mostly we are proud 
   that we never lost our roots that made us do it for nothing other than 
   the music we like.

   MORAL DiSCLAiMER: We are very aware of the fact that our releases
     contribute to the growing sale losses of record companies.
     Unfortunately our style primarily targets small, independant labels
     that need sales to survive.

     For these reasons we ask you not to distribute this release on public
     sites or P2P tools; if more and more receive their music from the net,
     artists and labels will have to face even less sells than nowadays.
     Please do not consider this release as a substitute to the original, but
     only as a way to check out and learn about new music.
     We absolutely do not approve of DJs or other individuals that earn
     money from pirated music - Don't let them get their hands on it!

     By buying the albums you like you disperse the guilt we feel by
     releasing this music - Enjoy the music and be fair with the artists!
     YOUR support is required to keep them financially alive and producing!

                                   <Thinking AMOK - The Superior Lifestyle>
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`/\/----------------------------------------------------------------------\/\.
 __________      ________                _____                               :
 \_ ___   /_____.\   _  /______.____.____\   /__                             :
 _| \  __/__. _/_ \_  \/  _   / . _/_  __/_   _/___                          :
/____\     /____/______\   __/______/______\      /                          :
:::::/____/::::::::::/___ |:::::::::::::::\______/:.............. ..... ... .;
:  to our competitors    \|
:     and friends in:
:
          amrc apc blizzard cmg cnmc dps gem mgc ms nbd
          nuhs psi psycz radial rns snd star ube wax wlm
:
`------------------------< AMOK - Dancefloor Massacre >------------- --- -- ->
 ::::::::::::::::::::::::                              ::::::::::::: ::: :: :
 [nfo layout v2.3.2-release: Team AMOK]              [last updated: o3/o6/24]

 
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'=(0.0)='_ARRRG!!_File_Got_Mugged_By_PiRaTES_At_The_Treasure_Island_'=(0.0)='
.='|m|'=.                                                           .='|m|'=.

Files

PathSize
01-feel_every_beat-single_remix-amok.mp35,46 MB
02-feel_every_beat-tactile_mix-amok.mp38,18 MB
03-feel_every_beat-downstairs_mix-amok.mp38,48 MB
04-lean_to_the_inside-instrumental-amok.mp35,68 MB
05-feel_every_beat-uk_12_remix-amok.mp39,41 MB
06-feel_every_beat-dna_remix-amok.mp37,82 MB
07-second_to_none-amok.mp35,52 MB