UDEMY_HOW_I_BOOKED_8_ACTING_ROLES_ON_MAJOR_TV_SHOWS_IN_A_YEAR_TUTORIAL-COMPRISED
NFO
.------------------------== = =================== = ==------------------------. | | +------------------------>> > COMPRISED PRESENTS! < <<------------------------+ |%%%%%%%%%%%%%%%%%%%%%%%_______________________________%%%%%%%%%%%%%%%%%%%%%%%| |%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%| |%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%| |%%%%%%%%%%%%%%%%%%%%%%%%~~~~%%%%%%%%%%%%%%%%%%%%%%%%%%%~~_~%%%%%%%%%%%%%%%%%%| !__~%%%%%%%%%%%%%%~_~%%%% _\__________ ~%%%%%%%%%~_______/_ ~~~~_~%%%%%%%%%%%%| |\|_______~%~____ \_____ \_ __ _)___~%%%~__ | /_ _____\_ ~_____~~__~! |%\ | _( )_ \ | _/ ~/ / \~%_( _)| _ / | \| | \ \>>| |%:\ | | | |\ | __|_ ___/ ___ \~|_~~-. /__/_ | | | \ \>| |%./ /__|_| __ |/ \.| / | |~__\ ~~~__|_ | |_____ \| ___| | \_%| |%/ /_\ \ ~~ | \\//. | | \ ____ /|_ _---.~\ \ __\~~/ __ /%| !/ ~~~ \_ _| |\// \ |/ |~/ / _| / /___\ \ |___/__ ~~ /⌐z| /____________/---'_____' / \-'_____|/ / \___\ ~~~~~ | |\ | /_Nr| ~~~~~~~~~~~~~ ___ ~~~~~ /______\_~~~~~/ /_\ \/~~ | |_\ |______|dS! |%%%%%%%%%%%%%%%%%%%%%_ ~~~~~~~~\ /__________\-----------' |~~~~~~ %%| |%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%_____ ~~~~~~~~~~~~ ________ /________\ _____%%%| |%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%_~~~~~~~~~~ %%%%%%%%| !%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%~~~~~~~~~~~~~~~~~~~~~~~~~~~%%%%%%%%%%%%%%%%%%%%! |%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%_ EDUCATION / TUTORIALS _%%%%%%%%%%%%%%%%%%%%| |\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\________________________\\\\\\\\\\\\\\\\\\\\\| |\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\| |/////////////////////////////////////////////////////////////////////////////| |/////////////////////////////////////////////////////////////////////////////| |%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%| |%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%| |=============================================================================| |=============================================================================| |=============================================================================| | | | How I Booked 8 Acting Roles On Major TV Shows in a Year | | (c) Brennan Taylor | | | |=============================================================================| |=============================================================================| |=============================================================================| | | | Publisher ....: Udemy | | Level ........: all level | | Runtime ......: 2 hours | | Language .....: English | | Release Type .: Retail | | Release Format: ISO | | Store Date ...: 2015.06.02 | | Release Date .: 2015.06.09 | | ISO Size .....: 4,813,557,760 | | ISO Checksum .: F6028850 | | Disk Count ...: 97 * 50MB | | Disk Name ....: comprised_uib8armtvsy | | | | Link/URL .....: http://is.gd/c6eqAF | | | |=============================================================================| |===================>> D e s c r i p t i o n <<====================| |-------------------==========================================================| | | | Since early 2014, I've booked 8 speaking roles on major network and cable | | television shows, including Person of Interest, Law & Order: SVU, | | Mysteries of Laura, Royal Pains, and Blue Bloods. I shared a scene with | | Dane DeHaan in Marvel's The Amazing Spider-Man 2. On the commercial side ? | | during that same time period ? I booked national Welch's and Dr. Scholl's | | ads. | | | | Look me up on IMDb to see my success. | | | | Learn the principles I put into practice to go from sporadic auditions and | | rare bookings (1 co-star in 2013, zero in 2012) to booking with regularity | | and making fans of casting directors so they keep calling me in for | | auditions. | | | | Now casting directors will keep seeing me, again and again, until I get a | | role on the show they're casting! | | | | These tools and tricks work for any role in the on-camera world (TV, film, | | commercials, industrials, sketch, even print ads). Instill casting | | directors with confidence so they'll call you in for whatever they're | | casting. | | | | You can't learn this stuff in class. | | | | It's taken me 15 years to learn these techniques, one by one, each moving | | me one step closer to booking regular TV work. I've accumulated everything | | you need to know and it's all in this course. | | | | _________________ | | | | I'm proof that this course works. | | | | With this course, you will easily identify the areas of your acting career | | that are holding you back. Most actors neglect one or more of their vital | | materials, either out of laziness or because they believe their talent | | alone will take them to the top. | | | | Stop concerning yourself with things that are outside your control as an | | actor ? whether you book the role, how much your agent submits you, | | whether your co-star role will turn into a recurring role, etc etc etc. | | | | Let me help you identify what's in your control, and help you eliminate red | | flags that keep casting directors from calling you in. | | | | _________________ | | | | Actors, if you ask just about anyone, are OVERPAID. | | | | Be thankful for that. | | | | The minimum salary for a series regular on a Screen Actors Guild television | | show is $5,000 per episode. You shoot 22 episodes. That's $110,000. | | Factoring in residuals, this amount could be DOUBLED, and you've still got | | 6 months out of the year to shoot a movie or a couple commercials or write | | that screenplay. And did I mention that's the minimum salary? It goes up | | from there! | | | | Commercial work pays notoriously high rates ? anywhere between $5,000 and | | $60,000 PER AD depending on the distribution (and that's usually for one | | day of work). | | | | With the staggering number of TV shows in production, there's never been a | | better time ? in HISTORY ? to be a working TV actor. | | | | Learn how to BOOK YOUR WAY UP THE LADDER, from co-stars (the smallest | | SAG-AFTRA speaking roles) on up. Get some co-stars, you'll start getting | | auditions for guest starts (multiple scenes and an emotional arc) and | | recurring roles. | | | | Then, and only then, will you be even considered for series regular work. | | | | Let me show you how to get on this path ? getting into casting offices, | | auditioning with confidence, and BOOKING ROLES. | | | | SEE HOW I'M GETTING... | | | | ...speaking roles on major shows and networks ? 8 since the beginning of | | 2014! | | | | ...regular auditions for recurring roles and series regulars. | | | | ...thousands of dollars per year in residuals from TV work. | | | | ...the chance to work with amazing directors who remember my work and think | | of me for future projects. | | | | ...the ability to live the dream as a working actor, making a living off my | | TV, commercial and film work. | | | | _________________ | | | | What this course is NOT: | | | | I can't teach you acting craft (not over the internet, anyway). If you're a | | serious actor, you should always be sharpening your skills and working on | | material and getting your mouth around some text. | | | | Get acting. That's all you. | | | | I'll show you how the easy things, squarely in your control ? headshots, | | resume, demo? your materials ? are what'll get you in the room. | | | | Then I'll show you how to make such an impression in the room that casting | | directors will keep calling you back, again and again, until you book. | | | | _________________ | | | | Whether you're new to acting, auditioning occasionally, or getting out but | | not booking regularly, these practical tools will ensure that you're | | covering all your bases and not standing in your own way (which an | | embarrassingly high number of actors are guilty of). | | | | Get out of your own way! I'll show you how. | | | | Remember, I've booked 8 SAG-AFTRA roles on network and cable TV IN THE LAST | | YEAR ALONE. I'm CURRENTLY a working actor. Take it from me ? I'm out there | | right now, auditioning, booking, and getting on TV. | | | | In addition to the Udemy 30-day guarantee, you have my personal promise | | that you will take away the skills to PUT YOURSELF ONE DAY CLOSER TO | | BOOKING TV WORK immediately. | | | | Every day you wait to TACKLE your acting career is a day you're missing out | | on an audition. Click now, buy this course, and start taking control of | | your acting career TODAY. Let me show you some things I've learned! | | | | Enroll now!! | | | | | |=============================================================================| |===================>> G r o u p N e w s <<====================| |-------------------==========================================================| | | | No news is good news! | | | |=============================================================================| |===================>> G r e e t i n g s <<====================| |-------------------==========================================================| | | | Some hardworking groups, and maybe you? | | | +-----------------------------------------------------------------------------+ | - --=- C O M P R I S E D -=-- - | | ⌐ 2 0 1 5 | `------------------------== = =================== = ==------------------------'
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