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Brujeria-Raza_Odiada-ES-CD-FLAC-1995-CATARACT
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ARTIST : Brujeria STOREDATE : 00-00-1995
ALBUM : Raza Odiada RIPDATE : 06-23-2015
YEAR : 1995 RUNTIME : 40:12 min
GENRE : Death Metal LANGUAGE : Spanish
LABEL : Roadrunner Records GRABBER : EAC Secure
SOURCE : CDDA ENCODER : FLAC 1.2.1
QUALITY : 977 kbps Avg 44.1kHz 2 channels SIZE : 291.7MB
URL : http://tinyurl.com/pksexw7 TRACKS : 15 Files
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01 Raza Odiada (Pito Wilson) 3:30
02 Colas De Rata 1:32
03 Hechando Chingasos (Grenudos Locos II) 3:34
04 La Migra (Cruza La Frontera II) 1:42
05 Revolucion 3:18
06 Consejos Narcos 2:38
07 Almas De Venta 2:11
08 La Ley De Plomo 2:45
09 Los Tengo Colgando (Chingo De Mecos II) 1:48
10 Sesos Humanos (Sacrificio IV) 1:14
11 Primer Meco 1:15
12 El Patron 3:42
13 Hermanos Menendez 2:05
14 Padre Nuestro 2:07
15 Ritmos Satanicos 6:51
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40:12 min
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│ Brujeria's second album, a fine release and a small improvement over │
│ their first, especially as far as lyrics go. │
│ │
│ The production is cleaner, the drums sound tighter and the bass │
│ appears to be lower in the mix than in the previous Matando Gⁿeros, │
│ but it can still be heard easily. │
│ │
│ Overall, this album seems more playful and "experimental" than │
│ Matando Gⁿeros. Some of the lyrics could be perceived as │
│ tongue-in-cheek humor. An example could be the mariachi-style │
│ screams in "La Migra." │
│ │
│ Musically speaking, this album is slower than the one before it, and │
│ it's also catchier and features a stronger overall groove. The best │
│ example of this groove is probably found in "Revoluci≤n" and others │
│ would say "La Ley De Plomo" as well. │
│ │
│ Lyrically, while dealing with roughly the same themes as Matando │
│ Gⁿeros, it is far more diverse, and draws influence from other │
│ sources. │
│ To be specific, the drug smuggling part is now heavily influenced by │
│ the Colombian drug lord Pablo Escobar, whose extreme politcal power │
│ and influence in that country as well as his philantropic efforts │
│ are described in "El Patr≤n", and is again referenced in the │
│ fan-favorite "La Ley de Plomo", which was a famous concept by Pablo │
│ Escobar used when bribing foes (original phrase goes "plata o plomo" │
│ meaning "silver or lead", as in "accept a bribe or get killed"). │
│ Also, the lyrics now deal more with consuming drugs rather than just │
│ selling them. │
│ "Revoluci≤n" along with the album cover are both influenced by the │
│ rise of the notorious EZLN ("National Liberation Zapatisa Army" in │
│ English) which happened in the beginning of 1994, between Matando │
│ Gⁿeros and this album; "Revoluci≤n" attacks the Mexican politcal │
│ party PRI ("Institutional Revolutionary Party" in English) that │
│ ruled the country for over 70 years (until the year 2000, years │
│ after this album), too. │
│ The "Satanic" aspect of the lyrics is also more varied. "Almas de │
│ Venta" deals with selling one's soul, while "Ritmos Satßnicos" │
│ features a prayer/spell used by some latin occultists of different │
│ spiritual and esoteric backgrounds. │
│ Finally, the lyrics still feature heavy discrimination, targeting │
│ indigenous Mexicans, blacks, whites, right-wing politics, left-wing │
│ politics, drug addicts, prostitues, christians, rockers, jews, and │
│ more... │
│ │
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CATARACT: CLOUDING YOUR VISION