███████▀█████████████████████████████████████████████████████████████▀▓███████
████▓░ ░ ▀▓████████████████████████████████████████████████████████▓ ▌ ███████
█▓░▀ ▄▒░ ▀▀█▓▒▄▄ ░ ▀▀▀▀█▓▒▄▄ ░ bc<cia> ▓▄ ▀▀▓███
▄ ░▀████▓▓▒░ ░ ▀▀▀█▓▒▄ ▀▀▀█▓▒▄ ░ ░▒▓██▓▀▀ ▀▀█
██▓▄▄ ▀█▀ ▄ ▄ ▓ ░▀▀▀ ▄ ▓ ░▀▀▀█▄▄ ▄ ██▀ ▄▄████
▓ ░ ▄▄█▄██ ▐ █▄▄▄▄▄ ▒▀███████
▓ ▒ ▄███████ ░ █ ███████▄ ░ ▀████
██ ░ █████▌▓██▄▄ ▐████████ ▒▄█▓ █████████ ░ ▄▄▄ ▀██
███ ░ █████░ ██▓██▓░ █████████ ░ ▓██ █████████ ░ █▓████▄▄ ██
██▓ ░ ▐██████▒ █████████ ▒▄██▒ ▐ ███▐█████ ░ ▐████████▓ ▐█
██▓ ▐███████▐████████▓ ▓█▀ ░ █ ███▐█████ ▒ ▐█████████▌ ▓▐
██▒ ▄██▓▒ ██▒██████████████▓ █▀ ▐█ ███ ░████ ▓ ▒██████▀░ ▒▐
██▓ █████▌▐█████████████████▓ ▓ ▒██ ███ ░▒█▀ ▀▀▀▀ ░█
███ ▀▓███▓█████████████████▓▒ ▌ ▐███▌███▓▄ ▄██
▀ ▀▄██████████████████░ ▄████▒███████▄▄ ▒ ▄████
██▄▄▄ ▄▄▄▄▄██████████████████▀ ▄▓█████▓███████████████▄▄ ▄▄░██████
█████░███████████████████████▄▄▄▄░█████████████████████████████████████▒██████
█████▒██████▓████▓▓████▓█████████▒█████████████████████████████████████▓██████
██████▀▀▀ ▀▀▀▀███▓███████████████▀▀▀▀▀ ▀▀▀████▓█
▓█▀▀ ▓ ▀███████████▓▀ ▒ ▀▀▒█
▒ ░░▒░ ░ ░ ▓██████████▒ ░░ █
▌ ░ ▒██████████░ ▐
Proudly ░▓███▒ ███▓ Presents
▄███▓ ▒███▄
▄▄██▓▒░░ ░ ▄███▓▀▒ ▀████▄ ░ ░░▒▓██▄▄
▄███████████▓▄▄▄▄▄ ▄▄▄▓████▀▀ ░ ▀▀████▓▄▄▄ ▄▄▄▄▄▓███████████▄
██████████████████████████████▓███▓▄ ▄▓███▓█████████████████████████████
█████████████████████████████████████▀ ▀▀███████████████████████████████████
▀██████████████████▓▓▒▒░░ ░ ▀▀▀▓ ▓▀▀▀ ░ ░░▒▒▓▓█████████████████▀
▀████████████▀ ▒ ▀█▓██████████▀
▀██████▀▒ ░ ▀██████▀
████ ░ ████ ▓
██▓ ░ ░ ░▒▓▓██▌ ▒
██▒ ▀██
▄▓██░ ▓
██░ Karin Krog - Don't Just Sing: An Anthology 1963- ░
██ 1999
██
██ ▐
██▓ █
░ ░ ░▒▓█▓▓▄ ▄ █
░▒ ░ ▓▄▄███
░ ▀▀ ▀ ▀▓▀▀ ▀▀▀████████▓▀
░ ▒ ░▓█████
░ ▒███▀
Title [Don't Just Sing: An Anthology 1963-1999 ] ░██▓
Artist [Karin Krog ] ██▒
Label [Light In The Attic ] Genre [Jazz ] ██░
Quality/Size [44.1 @VBR 132,6 MB Ripped [06-29-2015 ] ▒██
Grabbed from [CDDA ] Enc [Lame 3.98 ] ▓██
Website [www.lightintheattic.net ] ▒██
░██
░██
Track Time Title ██
⌐--÷¬ ⌐-- ⌐-- -÷- -≥ ≤¬ - ¬ ██
██
01 00:55 As A Wife Has A Cow ██
02 04:37 Lazy Afternoon ██
03 06:03 We Could Be Flying Ft Steve Kuhn ██
04 03:45 Raindrops, Raindrops Ft Steve Kuhn ██
05 04:55 Blue Eyes Ft Dexter Gordon ██
06 08:20 Ode To Billy Joe Ft Dexter Gordon ██
07 05:20 Images In Glass Ft John Surman ██
08 04:17 Tystnaden ██
09 04:43 Maiden Voyage ██
10 03:33 Just Holding On Ft John Surman ██
11 07:00 Don't Just Sing Ft John Surman ██
12 04:24 Glissando ██
13 02:20 Break Of Day In Molde ██
14 03:29 All I Want Ft Steve Kuhn ██
15 08:57 Cloud Line Blue Ft John Surman ██
16 07:22 John Coltrane's '' A Love Supreme'' ██
Totals ██
16 80:00 min ██
██
██
· ▒ ██
▓ ██▓▄▄
░ ▄ ▄▄ ▄███▓▒░ ░ ░ ░ ░ ░▒▓█▓
▓ █▀ ░▒
█ ▒ ░
██▒ ░
▄ ▄██░ :
██░
██▓▒░ ·
▄███▓▒░░ ░
▄███████████▓▄▄▄▄▄
████████████████████
▀██████████████████▓▓▒▒░░ ░
▀██████▓█████▀
▀██████▀▒
████ ░ .▄
██▓ ▀ ▀██▄ ░ ░░▒▓██▐▄
██▒ ████▓▄▄▄ ▄▄▄▄▄▓███████████▄
░ ░ ░▒▓█▓▓▄ ▄ ▄▓███▓█████████████████████████████
░▒ ▀▀██████████████████░████████▓███████
░ ▓▀▀▀ ░ ░░▀▀▓▀█▀▓██████████████▓▀
░ ▒█▓█████░▓█████
░ ▀█████▒███▀
Release Notes: ░██▓
██▒
The work of Karin Krog may be unfamiliar to much of the ██░
world, but in her native Norway and Scandinavia at large, ██
she's practically a household name. This says much about the ██
local enthusiasm for post-bop jazz but also about the ██
tyranny of distribution: until 1994, Krog's albums weren't ██
available in the USA or UK, meaning three decades of ██
recordings were waiting to be discovered. In theory, until ██
now, she hasn't had any regularly distributed albums in the ██
US or the UK. This is certainly the first one even ██
marketed/promoted in here and in England. With this ██
anthology of her best recordings from 1963 to 1999 curated ██
with Krog's own input, we hope to set the record straight. ██
██
To listen to opening track "As A Wife Has A Cow" is to jump ██
into the deep end. It's 54 seconds of words, voice, and ██
technology, a looped, echoing reading of a Gertrude Stein ██
poem. The effect is disquieting and alien but deeply ██
rhythmic, too, and that's Krog's USP. Don't Just Sing takes ██
in these spoken experiments along with free jazz, ██
improvisation, standards, contemporary covers, and ██
electronic manipulation. It features some of the best ██
regarded jazz players in Europe, not least her partner, John ██
Surman, the English saxophonist/multi- instrumentalist and ██
composer. Like Annette Peacock, Krog experiments with solo ██
vocals run through electronics and performs with progressive ██
electric jazz combos and traditional acoustic groups as ██
well. ██
██
Krog began singing jazz in the 1950s and started her first ██
band in 1962. She not only had two tracks on the first ever ██
Norwegian jazz LP, Metropol Jazz, but also became the first ██
Norwegian jazz artist to record and release a full album ██
(1964's By Myself on the Philips label). Her sound developed ██
as technological advances made new recording techniques ██
possible, and she quickly embraced the album as the perfect ██
form to contain her sonic experiments. "There is such a ██
thing as too much manipulation," says Krog today. ██
██
Recorded with tenor saxophonist Jan Garbarek and bass player ██
Arild Andersen, 1968's Joy is regarded as her masterwork. ██
Tracks from it can be found on this compilation, as can a ██
couple of interesting covers: Joni Mitchell's "All I Want" ██
and Bobby Gentry's "Ode To Billy Joe," both of which show ██
how Krog brought jazz aesthetics to pop songs of the day. "I ██
remember that there was a lot of buzz around Blue, and Joni ██
Mitchell is, as everybody knows, a very talented singer and ██
songwriter," says Krog in the new liner notes. ██
██
"Glass" and "Tystnaden" are the two previously unreleased ██
finds from the archives, the former written for a British ██
documentary in 1997, the latter a soundscape improvisation ██
from a 1963 studio session with Lars Werner on piano, Kurt ██
Lindgren on bass, and Janne Carlsson on drums. The ██
compilation rounds off with the "Psalm" movement from John ██
Coltrane's monumental piece, A Love Supreme. Krog's version ██
came at suggestion of the man himself. "It was John who ██
pointed to the text on the inner sleeve of the Impulse! LP ██
and said, "Karin, look. Why don't you sing this?" she ██
remembers. ██
██
Krog remains fiercely productive, recording, performing, and ██
running Meantime records from her and John's villa near ██
Oslo. Now 77, she's showing no signs of slowing down. ██
"Everybody has to retire at some point, but I believe that ██
once a musician, you're always a musician," she says. "If I ██
can't stand up and sing on stage anymore, I can always do it ██
sitting down!" ██
██
Curated with Krog's own input, this anthology showcases her ██
best recordings from 1963 to 1999, including songs from ██
1968's groundbreaking Joy, her 1970 Dexter Gordon ██
collaboration Some Other Spring, her pop-jazz masterwork ██
1974's We Could Be Flying, tracks from the Japanese only ██
Different Days, Different Ways which focus on 1970-72 ██
experimental vocal works, and previously unreleased tracks. ██
██
Enjoy! ██
██
██
▓██
▓██
▒██
░██
░██
· ▒ ██
▓ ██▓▄▄
░ ▄ ▄▄ ▄███▓▒░ ░ ░ ░ ░ ░▒▓█▓
▓ █▀ ░▒
█ ▓ We Have NO Public IRC ░
█ ▒ channel and offer no ░
██▒ ░ files. If you like this
▄ ▄██░ : release, support the
██░ artist and buy it......
██ ·
██
██▓▄ ▄▄ FTD Group Info
▒▓█▓
░▒
░ Fuck the Dumb .. bringing you e-beefless hiphop since 2000.
░