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_/»» \_ // _ \___/ _/__\ _\_____ __/ \ _________:::::
_______________\__ /__\\ / \ / \ / \ / \ /_/ /:::::
TR.TechnoRulez / \ \ _____/_\___/ \___/ / \\____/_ / /::::::
»»»»»»»»»»»»»»»»//___/ \____\ _ /_____/ /____/_____/ /______/:::::::
/_______\ ____ _______ _____ \_ \:::::::
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./ \ \/ / / / / // | _/:::
| / / _ / \_______/_______// /| \::::
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l____\ :::::::::
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... because it's about music :::::::::
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: :::::::::
::::::::::::::........: RELEASE .NFO ::::...... :::::::::
: ____ ____:::: :::::::::
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__\ \/ /___\ \______ _\ _/ / /:: ,: :::::::::
\ \ \ / _\ \ /____\__ \______/::: .:. .::. :::::::::
/__/ /_____/ // / ___ / _\ :::..╖?' '╖ ╖' ╖ :::::::::
\___/ \________/____\ /\___\ ╖ : ╖ :::::::::
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artist...: Surgeon :::::::::
title....: Unreleased Tracks 1995-1996 :::::::::
label....: SRX :::::::::
cat.nr...: SRX006 :::::::::
style....: Techno :::::::::
quality...: 320kbps@44.kHz :::::::::
chan-mode.: Stereo :::::::::
rls.size.: 85.22 MB source....: WEB :::::::::
rls.date.: Jul-17-2015 encoder...: Lame :::::::::
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url/nfo..: http://is.gd/dZkHSL :::::::::
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____________ _______ /»»» »//_________ :::::::::
____/ / /____/ _ / \ \::::::\____/ /»»»»»/::
::::::::..: NOTES :../ / / / / /_ /__/___\ \::::::: ___/_____/:::
____________________/____\ /____ / /______/ \ \ :::::::::
\___\ / _/ / // \_ :::::::::
\____/ \__________/ :::::::::
:::::::::
This is the final release on the 6-volume Surgeon reissues :::::::::
label SRX, displaying the wide range of mood, pace and :::::::::
production style that Surgeon was experimenting with in :::::::::
1995-96. As always, the quality is high and the impact is :::::::::
deadly. A few words from Surgeon about the SRX series: :::::::::
While searching through old DAT tapes I was shocked to find :::::::::
how clear and dynamic many of my early tracks sounded, not :::::::::
the way I remembered them from the vinyl releases. Those :::::::::
early tracks, recorded 20 years ago, were mastered and cut :::::::::
by people who had no understanding of electronic music. I :::::::::
actually remember cutting a dubplate back then and being :::::::::
asked if my track was "supposed to sound like that?" The :::::::::
engineer was so disgusted at my music that once the cut :::::::::
started he left the room until it was finished. Although :::::::::
some of these releases have been repressed many times over :::::::::
the years, they have always been from the original plates :::::::::
from those early cuts; none have ever been re-mastered and :::::::::
recut in their original from. So I began carefully :::::::::
transferring everything from the original DAT tapes and :::::::::
working closely with Christoph Grote-Beverborg from :::::::::
Dubplates & Mastering in Berlin (who's been cutting my all :::::::::
my releases since 1996) to present this early material as :::::::::
it was originally intended. Along with the early Downwards :::::::::
releases, I found high-quality unreleased tracks from that :::::::::
time as well as releases that had only been issued in :::::::::
limited pressings; those too are included in this project. :::::::::
For the packaging I commissioned Ken Meier and Yoonjai Choi :::::::::
from the New York design firm Common Name to create some :::::::::
sumptuous sleeve art. :::::::::
:::___:::
:___ ____ _ ___::/ /_::_
_____ ___ ___ | | / _/// / //__//_///
_/ /__\ \______\ \_____ | |/ /_____\_ \::::::╖:
.....:: TRACKLIST :\ / \ \ _ / _/___| / /\ / / \\»»»:'
:╖╖╖╖╖╖╖╖╖╖╖╖╖/ _/ / /___ \ / \ \ \_____/ \\ \»»»╖
no : track title ____//___|\ \ \____\___/_____\__| ti:me\________/::::
╖╖╖╖╖╖:╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖\______\╖╖ ╖ ╖ ╖ ╖╖ ╖╖╖╖╖╖╖╖╖╖╖ ╖╖..╖╖:::::::
:::::::
01 : Spider 08:05 :::::::
02 : HARD 04:20 :::::::
03 : Lash Lite 06:34 :::::::
04 : Zilla 06:37 :::::::
05 : Lash 05:37 :::::::
06 : IT-2 05:57 :::::::
:::::::
total length: 37:10 :::::::
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. ____ _\ \ / /_\ \ _____ ________/ :::::::
:: __/ _/__ / \ \ / / / / /_\ \______ \ _/ / /:::::::
:::.\ \_ / / /________/ / / _/ \ /____\__ \______/ :::::::
::::/_____/ \__|\ \ \ \______/ \\_____// / / _\ :::::::
:::::::::/_____/╖╖\_______\....:::: \____\ /____\ /\___\ :::::::
:::: \_____\ ::::::
:::: GROUP NFO :::....................::::::.
:::::..
As release upon release emerges, we will continue to bring you only :::::.
the best in electronic music! We focus equally on both style and ::::::
quality, and if your reading our info, you already know that. We're ::::::
now in our fifteenth year, and we feel pretty confident about the ::::::
work we do. We have brought music to the masses, and in doing so ::::::
hopefully made their lives that much better. For us, that is what ::::::
its all about, and thats what keeps us going. ::::::
::::::
We purchase records and rip them so other people can hear the tracks ::::::
and decide if they want to buy! We have paid for our records and ::::::
think you should also, if you do not subscribe to this, you are part ::::::
of the problem. So if you like a release please buy it. Don't be a ::::::
skanky bitch about the price, just pay it! In doing so, you are ::::::
supporting what we all love so much. We sleep good at night cause we ::::::
support the artists that produces electronic music, without whom we ::::::
wouldn't have so much material to enjoy. We know some releases are ::::::
nearly impossible to find, so buy something else you like instead :D ::::::
::::::
The electronic music scene ain't like the pop and rock scene. Where ::::::
fans pays 100Euro for a ticket to a concert! It's smaller and ::::::
artists rely on units sold. Since you probably downloaded this ::::::
release and think you can have it for free -- you're wrong. That ::::::
mindset is killing the artists and the scene. Its simple, support ::::::
the people who support you, musically. ::::::
::::::
We at TechnoRulez are adamant about any of releases being posted in ::::::
public scene dupingchans and prechans! Please respect that, and ::::::
remove our releases from the db's. We insist that the scene must be ::::::
kept underground, and if the clueless lamers using such chans and ::::::
websites cant comply with the terms, you will see alot less of us. ::::::
That doesn't mean we will slow down, but we will take action to keep ::::::
our releases internal or a very limited spread. It is simply ::::::
unacceptable to post scene related info on *any* public source at ::::::
*any* time. Use your head. ::::::
::::::
In the words of a Luke Slater track, "Lets get together" and make ::::::
the scene a better place for all of us! keep the distance from ::::::
the n00bs, and unite more to keep the few bad apples from ruining ::::::
our business! ::::::
::::::
As always, cheers! ::::::
/TechnoRulez 2015 ::::::
::::::
::::::
p.s. We are currently looking for experienced Rippers! ::::::
You know where to find us! ::::::
::::::
.........................::::: GREETINGS :::::........................::::::.
:::::..
1REAL . AES . ALKi . AMOK . BEX . BOSS . CMC . CMG . dh . dL . DPS :::::.
DRUM . DW2K . EMP . FWYH . HuMi . gEm . iHF . iTALiVE . jAZzMan ::::..
KrbZ . kW . mbs . MGC . MiM . MOD . MS . MTC . MYCEL . NBD ::::.
NiNJAS . OMA PDJ . PsyCZ . SNOOK . SOULFUL . sour . radial ::::
SHELTER . SiBERiA . SQ . SSR . UBE . USR . YARD :::.
::.
& all underground electronic music lovers ;) ::.
::.
_____________________________________________________________________ __ _____
> TR.oldschool.nfo.Build.0.69 | Updated 2015/06/17 | ⌐ (t^) // /// /
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