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_/»» \_ // _ \___/ _/__\ _\_____ __/ \ _________:::::
_______________\__ /__\\ / \ / \ / \ / \ /_/ /:::::
TR.TechnoRulez / \ \ _____/_\___/ \___/ / \\____/_ / /::::::
»»»»»»»»»»»»»»»»//___/ \____\ _ /_____/ /____/_____/ /______/:::::::
/_______\ ____ _______ _____ \_ \:::::::
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./ \ \/ / / / / // | _/:::
| / / _ / \_______/_______// /| \::::
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l____\ :::::::::
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... because it's about music :::::::::
:::::::::
. :::::::::
. :::::::::
: :::::::::
::::::::::::::........: RELEASE .NFO ::::...... :::::::::
: ____ ____:::: :::::::::
___ _____ / / ______/ /: . :::::::::
__\ \/ /___\ \______ _\ _/ / /:: ,: :::::::::
\ \ \ / _\ \ /____\__ \______/::: .:. .::. :::::::::
/__/ /_____/ // / ___ / _\ :::..╖?' '╖ ╖' ╖ :::::::::
\___/ \________/____\ /\___\ ╖ : ╖ :::::::::
/_____/ .: '╖ :::::::::
: ':::::::::
artist...: Pheek :::::::::
title....: Les Autres Promeneurs :::::::::
label....: Epsilonlab :::::::::
cat.nr...: EPSILONCD005 :::::::::
style....: Electronic :::::::::
quality...: VBRkbps@44,1Hz :::::::::
chan-mode.: Joint-Stereo :::::::::
rls.size.: 85,2 MB source....: CDDA :::::::::
rls.date.: May-29-2004 encoder...: Lame V3.90 :::::::::
:::::::::
url/nfo..: www.pheek.com :::::::::
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____________ _______ /»»» »//_________ :::::::::
____/ / /____/ _ / \ \::::::\____/ /»»»»»/::
::::::::..: NOTES :../ / / / / /_ /__/___\ \::::::: ___/_____/:::
____________________/____\ /____ / /______/ \ \ :::::::::
\___\ / _/ / // \_ :::::::::
\____/ \__________/ :::::::::
:::::::::
Born in 1972, Jean-Patrice Rimillard was immediately :::::::::
attracted to music. His parents recall the day when he :::::::::
discovered how to use a turntable and from there on out, :::::::::
he would listen to old rock records endlessly. Perhaps the :::::::::
most important discovery for JP was when his babysitter :::::::::
gave him a Bee-Gee's record for his birthday and he was :::::::::
introduced to dance music. :::::::::
:::::::::
JP became interested in acid house in the late '80s and :::::::::
raves in early 90s, inspiring him to DJ his own radio :::::::::
shows in Sherbrooke, Quebec. From his college years to :::::::::
university, he played techno, house and anything exciting :::::::::
to people whose ears weren't as close to the ground. :::::::::
:::::::::
Upon moving to Montreal in 1997 to study computer science, :::::::::
JP met Mateo Murphy and found they shared similar musical :::::::::
interests. After performing a show with Gez Varley, Mateo :::::::::
and JP decided to work on a live concept of their own, :::::::::
based on improvising beats on the fly and mixing in other :::::::::
synthesized sonic textures. It was at this point that JP :::::::::
adopted the name of Pheek after a Richie Hawtin/Plastikman :::::::::
performance at Medialounge, a show that would forever :::::::::
change his perspective on music. :::::::::
:::::::::
After further honing their live show together, Pheek and :::::::::
Mateo opened for Chain Reaction at the FCMM in 1999. They :::::::::
were spotted by Hautec and offered to release a 12' :::::::::
marking a turning point in their fledgling careers. The :::::::::
few years that followed saw proposed releases on Hybrid :::::::::
Structure and collaborations with Mitchell Akiyama on :::::::::
various projects - a creative period that proved a :::::::::
catalyst for JP's later success. The next pivotal point in :::::::::
Pheek's career was meeting Eloi Brunelle and subsequently :::::::::
being invited to join to the Epsilonlab media collective. :::::::::
JP played with them since the very first night of their :::::::::
existence and for almost every show to follow. His first :::::::::
release for Epsilonlab, 2002's Paysages Matriciels, was a :::::::::
critical success and was nominated for Quebec's :::::::::
prestigious ADISQ music awards. :::::::::
:::::::::
Later that year, Pheek and Eloi toured Europe together, :::::::::
playing shows in Paris, Lyon, Switzerland, Cologne and :::::::::
London. This trip opened up new possibilities for the duo :::::::::
and they completed a second European tour the following :::::::::
year. Recently, JP teamed up with Thinner, one of the more :::::::::
recognized MP3 labels (check www.thinnerism.com). As well :::::::::
as contributing tracks to Thinner's compilations and :::::::::
releasing Tabisuru Kokoro in late 2003, he has coordinated :::::::::
many of their live events, including a Thinner vs. :::::::::
Epsilonlab showcase. :::::::::
:::::::::
// clevermusic.net :::::::::
:::::::::
His tracks really define what we love about minimal stuff :::::::::
- sparse, well produced beats that pop and fizz in all the :::::::::
right places. Think Perlon and Telegraph esque minimal :::::::::
grooves made for the dancefloor. .... so, enough said. :::::::::
enjoy pheeks third album as we did :) :::::::::
:::___:::
:___ ____ _ ___::/ /_::_
_____ ___ ___ | | / _/// / //__//_///
_/ /__\ \______\ \_____ | |/ /_____\_ \::::::╖:
.....:: TRACKLIST :\ / \ \ _ / _/___| / /\ / / \\»»»:'
:╖╖╖╖╖╖╖╖╖╖╖╖╖/ _/ / /___ \ / \ \ \_____/ \\ \»»»╖
no : track title ____//___|\ \ \____\___/_____\__| ti:me\________/::::
╖╖╖╖╖╖:╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖\______\╖╖ ╖ ╖ ╖ ╖╖ ╖╖╖╖╖╖╖╖╖╖╖ ╖╖..╖╖:::::::
:::::::
01 : Pheek - Ouverture (Le Jeu Des Yeux) 05:23 :::::::
02 : Pheek - Silence (Remix) 06:09 :::::::
03 : Pheek - Imago 06:47 :::::::
04 : Pheek - 8 Hertz 06:39 :::::::
05 : Pheek - Lisbonne 04:54 :::::::
06 : Pheek - Arrδts Et Mouvements 06:21 :::::::
07 : Pheek - La Fuite 05:20 :::::::
08 : Pheek - On Vait Pourtant EssayΘ 05:05 :::::::
09 : Pheek - Parc De La Vilette 06:10 :::::::
10 : Pheek - Adieu 04:17 :::::::
:::::::
total length: 57:05 min :::::::
. ____ ________ ____ ______:::::::
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:: __/ _/__ / \ \ / / / / /_\ \______ \ _/ / /:::::::
:::.\ \_ / / /________/ / / _/ \ /____\__ \______/ :::::::
::::/_____/ \__|\ \ \ \______/ \\_____// / / _\ :::::::
:::::::::/_____/╖╖\_______\....:::: \____\ /____\ /\___\ :::::::
:::: \_____\ ::::::
:::: GROUP NFO :::....................::::::.
:::::..
Well this is our third year around, and as always we will keep on :::::.
releasing good techno/electronic music to the scene. A lot has ::::::
happened under the three years in TechnoRulez. Some members have ::::::
come and some have passed on, but the fact that we have quality in ::::::
the releases has remained. Will also remain the same in the future. ::::::
::::::
We in TechnoRulez are in it for the fun! And we buy our own records ::::::
with hard earned cash! The artists we deal with are not rock stars. ::::::
They don't pretend to be 'the man'. They're not part of the ::::::
establishment or the multi-million dollar music business. So the ::::::
only way our scene can stay alive is through its undying support for ::::::
the artists and labels. *THIS* is the sole reason we release music. ::::::
::::::
So for fuck's sake, if you like what your hear, go to your local ::::::
record shop and purchase a copy of your own. It's your duty! Only ::::::
through this process we can all continue to enjoy techno music to ::::::
the fullest. As far as our releases go, if you can get hold of them, ::::::
be happy and treasure them. Don't start posting to public domains ::::::
or sources!! This will eventually result in a more restricted ::::::
distribution of our releases, possibly even only internal... ::::::
The choice is yours... ::::::
::::::
/TechnoRulez Crew 2003 :::::..
:::::.
.........................::::: GREETINGS :::::........................::::::.
:::::..
1REAL . 313 . AMOK . BOSS . CHR . CMC . CMG . CQi . dh . DOC . DPS :::::.
DRUM . DW2K . EMP . FWYH . gEm . KrbZ . kW . mbs . MGC . MiM . MOD ::::..
MS . MTC . MYCEL . NBD . OMA . PDJ . PsyCZ . radial . RAMPLjUS ::::.
RNS . sb . smc . sour . SQ . tronik . UBE ::::
:::.
& all underground electronic music lovers ;) ::.
::.
::.
_____________________________________________________________________ __ _____
> TR.oldschool.nfo.Build.0.63 | Updated 2003/07/20 | ⌐ eskoner(t^) // /// /
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