The_Human_League-Tell_Me_When-US-CDM-1994-AMOK

Section
MP3/FLAC
Group
AMOK
Size
41,69 MB
Files
5
Date
2004-12-04

NFO

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        _\      \________\___/ \/     /_______________/_____\     ___/2oo3
       /_______/  :         /_________\                   :pl\_______\
               ...:... . In Joint Forces With EWiG . .....:...
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         The Human League - Tell Me When-US -CDM- (c) 1994 East West
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    Supplier: 5-8-6              Encoder...: Fraunhofer 1.263
    Ripper..: 5-8-6              Quality...: 192 kbps / 44.1Hz / Full Stereo
    Source..: CDDA               Label.....: East West
    Scans...: None               Catalogue#: 66147-2
    Tracks..: 05                 Type......: Maxi
    Rel.Date: Dec-14-2003          Genre.....: Synthpop
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   Human League began in the late 1970s as the brainchild of two
   computer operators, Ian Craig Marsh and Martyn Ware, from Sheffield,
   England. They tried a number of names including the Dead Daughters
   and the Future until settling upon the Human League after former
   hospital porter, Philip Oakey, joined the group. Adrian Wright
   joined shortly thereafter to prepare slide shows for projection
   during the group's live performances. The first single, Being
   Boiled, was released in 1978, but the group did not make the charts
   in the UK until the release of Holiday 80 in the spring of 1980. As
   a result the Human League's second album Travelogue made the UK Top
   20.

   By 1980 the Human League began to feel strain between the pop music
   favored by Philip Oakey and Adrian Wright and the more austere
   electronic sounds favored by Ian Craig Marsh and Martyn Ware. In
   October 1980 the group split in half. Ware and Marsh left to begin a
   project called the British Electric Foundation whose first spinoff
   was the group Heaven 17 and their hit (We Don't Need This) Fascist
   Groove Thang. Of the remaining Human League pair, only Philip Oakey
   was a performer. With determination to complete a European tour,
   Adrian Wright began learning to play synthesizer and two female
   singers, Susan Ann Sulley and Joanne Catherall, were recruited from
   among the dancers at Sheffield's Crazy Daisy disco. Bassist Ian
   Burden was also added as a temporary group member.

   Early in 1981 the new Human League hooked up with producer Martin
   Rushent in what would be a very fortuitous endeavor for each. By
   July the League had broken into the UK top 5 with the single Love
   Action (I Believe in Love). Ian Burden became a permanent member and
   synthesizer player Jo Callis was recruited from the group the
   Rezillos. This lineup completed the Human League's third album, its
   breakthrough and masterpiece Dare by the fall of 1981. The new
   single from the album was Don't You Want Me?. It quickly reached #1
   in the UK and became a pop and dance smash in the U.S. in early
   1982. The Human League's all-synthesizer sound revolutionized 1980s
   pop music.

   By the mid-1980's "synthpop" was difficult to avoid. Late in 1982
   the group and Martin Rushent released a primarily instrumental album
   containing remixes of many of the songs on Dare. Along with Soft
   Cell's Non Stop Ecstatic Dancing it was one of the first albums of
   material remixed specifically for dance clubs. The artist name used
   for the album, League Unlimited Orchestra, was a play on Barry
   White's Love Unlimited Orchestra, widely credited for recording the
   first disco songs.

   The Human League had a difficult time putting together an album to
   follow Dare. Their singles success continued with the catchy Mirror
   Man and (Keep Feeling) Fascination in 1983. Finally Hysteria
   appeared in May of 1984. The album was a success worldwide, but the
   League began to lose their following in the U.S. The Lebanon was the
   leadoff single.
   Crash Another long period with no new Human League material ensued
   in the mid-1980s. Philip Oakey worked with master producer Giorgio
   Moroder, singing on the soundtrack to the computer love story film
   Electric Dreams. As the Human League returned to the studio,
   recording became a long, drawn-out affair with multiple studios and
   multiple producers. The new album Crash was finally completed with
   R&B star producers Jimmy Jam and Terry Lewis. Released in the fall
   of 1986, Crash featured an elegant pop sound. The lead single Human
   was a massive worldwide success. It was their biggest hit since
   Don't You Want Me? and brought the Human League their second #1 hit
   in America.

   Unfortunately, the new success was short-lived. It took the Human
   League another four years to release their 6th full length album in
   13 years. Romantic?, released in 1990, sounded dated. The synthpop
   revolution had passed. The League began to fade into obscurity. In
   1995 another new album Octopus was released. The League's music
   showed some renewed energy but commercial success did not return.
   Amid rumours of new recordings, the Human League hit the road on
   tour with ABC and Culture Club in late 1998.


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:                 |/
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   01 Tell Me When (Utah Saints Mix 2)                             06:13
   02 Tell Me When (Red Jerry Mix)                                 07:37
   03 Tell Me When (Strickly Blind Dub)                            05:54
   04 Tell Me When (Edit Version Overworld Mix)                    05:27
   05 Tell Me When (Utah Saints Mix 1)                             05:09

                                                  Total:41,7 MBB / 30:20 min
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   MORAL DiSCLAiMER: We are very aware of the fact that our releases
     contribute to the growing sale losses of record companies.
     Unfortunately our style primarily targets small, independant labels
     that need sales to survive.

     For these reasons we ask you not to distribute this release on public
     sites or P2P tools; if more and more receive their music from the net,
     artists and labels will have to face even less sells than nowadays.
     Please do not consider this release as a substitute to the original, but
     only as a way to check out and learn about new music.
     We absolutely do not approve of DJs or other individuals that earn
     money from pirated music - Don't let them get their hands on it!

     By buying the albums you like you disperse the guilt we feel by
     releasing this music - Enjoy the music and be fair with the artists!
     YOUR support is required to keep them financially alive and producing!


                                   <Thinking AMOK - The Superior Lifestyle>
:
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 _| \  __/__. _/_ \_  \/  _   / . _/_  __/_   _/___                          :
/____\     /____/______\   __/______/______\      /                          :
:::::/____/::::::::::/___ |:::::::::::::::\______/:.............. ..... ... .;
:  to our competitors    \|
:     and friends in:
:
          amrc apc blizzard cmg cnmc dps gem mgc ms nbd
          nuhs psi psycz radial rns snd star ube wax wlm
:
`------------------------< AMOK - Dancefloor Massacre >------------- --- -- ->
 ::::::::::::::::::::::::                              ::::::::::::: ::: :: :
 [nfo layout v2.3.2-release: Team AMOK]              [last updated: o3/o6/24]



Files

PathSize
01-tell_me_when_(utah_saints_mix_2)-amok.mp38,56 MB
02-tell_me_when_(red_jerry_mix)-amok.mp310,47 MB
03-tell_me_when_(strickly_blind_dub)-amok.mp38,11 MB
04-tell_me_when_(edit_version_overworld_mix)-amok.mp37,48 MB
05-tell_me_when_(utah_saints_mix_1)-amok.mp37,08 MB