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▄▀██▀ B O S S L I V E I S P R O U D T O P R E S E N T ▀▄█▀█▄
▄▀██░ ------------------------------------------------------------ ▐███▀
▀▄█▄ artist : Kraftwerk ██▌▄
░█▄▀▄ show : Live at Coachella 2004 (Remastered) ░██▀▄
▄▀██▀ event : Coachella 2004 ▄▀▄▀▀
▄▀██░ genre : Electronic size : 111,8 MB ▀█▀▄
▀██ quality : VBR/44.1khz/Joint-Stereo setdate : 05/01/2004 ██▀█
▀██ source : CDDA Bootleg ripdate : 11/27/2004 ██▀█
█ █ ▄▀██▀
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▀▄▀█░█ ░█ ▄▀ ▀▄█▀█ ▄▀ ▀ ▀▄██▄▀ ▀▄█ ▀▄▄▀ █▀█░ ▀▀▄▀░▄█▄▀█░
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████▄ ▀ ▀▀▀ ▀▀▀ ░████░
▐███▄▄ ░██▌▄▀
██▌▄▀█ During the mid-'70s, Germany's Kraftwerk established ░██▌▄▀
██▌▄▀█ the sonic blueprint followed by an extraordinary ░██▌▄▀
██▌▄▀█ number of artists in the decades to come. From the ░██▌▄▀
██▌▄▀█ British New Romantic movement to hip-hop to techno, ░██▌▄▀
██▌▄▀█ the group's self-described "robot pop" -- ░██▌▄▀
██▌▄▀█ hypnotically minimal, obliquely rhythmic music ░██▌▄▀
██▌▄▀█ performed solely via electronic means -- resonates in ░██▌▄▀
██▌▄▀█ virtually every new development to impact the ░██▌▄▀
██▌▄▀█ contemporary pop scene of the late 20th century, and ░██▌▄▀
██▌▄▀█ as pioneers of the electronic music form, their ░██▌▄▀
██▌▄▀█ enduring influence cannot be overstated. Kraftwerk ░██▌▄▀
██▌▄▀█ emerged from the same German experimental music ░██▌▄▀
██▌▄▀█ community of the late '60s which also spawned Can and ░██▌▄▀
██▌▄▀█ Tangerine Dream; primary members Florian Schneider ░██▌▄▀
██▌▄▀█ and Ralf Hⁿtter first met as classical music students ░██▌▄▀
██▌▄▀█ at the Dusseldorf Conservatory, originally teaming in ░██▌▄▀
██▌▄▀█ the group Organisation and issuing a 1970 album, Tone ░██▌▄▀
██▌▄▀█ Float. Schneider and Hⁿtter soon disbanded ░██▌▄▀
██▌▄▀█ Organisation, rechristening themselves Kraftwerk ░██▌▄▀
██▌▄▀█ (German for "power station"), beginning work on their ░██▌▄▀
██▌▄▀█ own studio (later dubbed Kling Klang), and immersing ░██▌▄▀
██▌▄▀█ their music in the fledgling world of minimalist ░██▌▄▀
██▌▄▀█ electronics; their 1971 debut, titled simply ░██▌▄▀
██▌▄▀█ Kraftwerk 1, offered a hint of their unique aesthetic ░██▌▄▀
██▌▄▀█ in its earliest form, already implementing ░██▌▄▀
██▌▄▀█ innovations including Schneider's attempts at ░██▌▄▀
██▌▄▀█ designing homemade rhythm machines. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ A series of lineup shifts followed, and at one point ░██▌▄▀
██▌▄▀█ Hⁿtter even left the group; however, by the release ░██▌▄▀
██▌▄▀█ of 1972's Kraftwerk 2, he and Schneider were again ░██▌▄▀
██▌▄▀█ working in tandem. Recorded without a live drummer, ░██▌▄▀
██▌▄▀█ the album's rhythms relied solely on a drum machine, ░██▌▄▀
██▌▄▀█ creating a distinctly robotic feel without precedent ░██▌▄▀
██▌▄▀█ -- the concept of purely technological music was, at ░██▌▄▀
██▌▄▀█ the time, utterly alien to most musicians, as well as ░██▌▄▀
██▌▄▀█ listeners. A series of well-received live ░██▌▄▀
██▌▄▀█ performances followed before Kraftwerk began work on ░██▌▄▀
██▌▄▀█ their breakthrough third LP, 1973's Ralf and Florian; ░██▌▄▀
██▌▄▀█ honing their many ambitions down to a few simple yet ░██▌▄▀
██▌▄▀█ extraordinarily innovative concepts, their music ░██▌▄▀
██▌▄▀█ began growing more and more revelatory -- even their ░██▌▄▀
██▌▄▀█ clean-cut, scientific image was in direct opposition ░██▌▄▀
██▌▄▀█ to the dominant pop fashions of the time. Kraftwerk's ░██▌▄▀
██▌▄▀█ first album to be issued in the U.S., 1974's Autobahn ░██▌▄▀
██▌▄▀█ was an international smash; an edited single version ░██▌▄▀
██▌▄▀█ of the epic title track was a major hit at home and ░██▌▄▀
██▌▄▀█ abroad, and in America the previously unknown group ░██▌▄▀
██▌▄▀█ reached the upper rungs of the pop albums chart. ░██▌▄▀
██▌▄▀█ Performed in large part on a Moog synthesizer, ░██▌▄▀
██▌▄▀█ Autobahn crystallized the distinctive Kraftwerk sound ░██▌▄▀
██▌▄▀█ while making the group's first clear overtures ░██▌▄▀
██▌▄▀█ towards conventional pop structure and melody, ░██▌▄▀
██▌▄▀█ establishing a permanent foothold for electronic ░██▌▄▀
██▌▄▀█ music within the mainstream. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Kraftwerk resurfaced in 1975 with Radio-Activity, a ░██▌▄▀
██▌▄▀█ concept album exploring the theme of radio ░██▌▄▀
██▌▄▀█ communication; indicative of the group's new global ░██▌▄▀
██▌▄▀█ popularity, it was released in both German and ░██▌▄▀
██▌▄▀█ English-language editions, the latter appearing early ░██▌▄▀
██▌▄▀█ the following year. Train travel emerged as the ░██▌▄▀
██▌▄▀█ subject of 1977's Trans-Europe Express, which marked ░██▌▄▀
██▌▄▀█ an increased movement towards seeming musical ░██▌▄▀
██▌▄▀█ mechanization; the line became even further blurred ░██▌▄▀
██▌▄▀█ with the follow-up, 1978's aptly titled The Man ░██▌▄▀
██▌▄▀█ Machine, a work almost completely bereft of human ░██▌▄▀
██▌▄▀█ touches. By this time, the members of Kraftwerk even ░██▌▄▀
██▌▄▀█ publicly portrayed themselves as automatons, an image ░██▌▄▀
██▌▄▀█ solidified by tracks like "We Are the Robots." Having ░██▌▄▀
██▌▄▀█ reached the peak of their influence, however, the ░██▌▄▀
██▌▄▀█ group disappeared from view, the first of many ░██▌▄▀
██▌▄▀█ extended absences to follow; they did not return to ░██▌▄▀
██▌▄▀█ action prior to 1981's Computer World, a meditation ░██▌▄▀
██▌▄▀█ on the new global dominance of technology -- a ░██▌▄▀
██▌▄▀█ society their music long ago predicted and predated. ░██▌▄▀
██▌▄▀█ After topping the British charts with the single ░██▌▄▀
██▌▄▀█ "Computer Love," Kraftwerk again vanished, enjoying a ░██▌▄▀
██▌▄▀█ five-year layoff culminating in the release of 1986's ░██▌▄▀
██▌▄▀█ Electric Cafe. By now, however, pop music was ░██▌▄▀
██▌▄▀█ dominated by synthesizers and drum machines, and the ░██▌▄▀
██▌▄▀█ group's stature flagged; but for a 1991 best-of ░██▌▄▀
██▌▄▀█ collection titled The Mix, they remained silent in ░██▌▄▀
██▌▄▀█ the years to follow, finally releasing a new single, ░██▌▄▀
██▌▄▀█ "Expo 2000," in late 1999. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ---Review-------------------------------------------- ░██▌▄▀
██▌▄▀█ Kraftwerk ░██▌▄▀
██▌▄▀█ In the huge plastic pavilion, the German icons of ░██▌▄▀
██▌▄▀█ modern rock were programming timeless electronica ░██▌▄▀
██▌▄▀█ into their keyboards. They were an odd sight: here ░██▌▄▀
██▌▄▀█ were four middle-aged men in sharp suits, each ░██▌▄▀
██▌▄▀█ standing in front of his laptop--and one of them ░██▌▄▀
██▌▄▀█ wasn't even tapping his toes. Behind them, an array ░██▌▄▀
██▌▄▀█ of black-and-white film and '80s-style computer ░██▌▄▀
██▌▄▀█ images, which evolved and then devolved to the music. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ "Computer World" was simple and simply marvelous, ░██▌▄▀
██▌▄▀█ while "Boing Boom Tschak" was like an episode of the ░██▌▄▀
██▌▄▀█ '60s "Batman" TV show come strangely to life. Zam! ░██▌▄▀
██▌▄▀█ ----------------------------------------------------- ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ The BOSS Audio Team ran this through some of there ░██▌▄▀
██▌▄▀█ favorite filters for remastering goodness. We know ░██▌▄▀
██▌▄▀█ there has been a rls of this already but here is ░██▌▄▀
██▌▄▀█ something a tad more inspecial if you are so ░██▌▄▀
██▌▄▀█ inclined. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Enjoy! ░██▌▄▀
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▄▀██▀ ......................... ▄▀██▀
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▀▄█▄ [Track Information] ▀▄█▄
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▄▀██▀ .01. Kraftwerk - Theme Music Vocoder Intro 04:43 ▄▀██▀
▄▀██▀ .02. Kraftwerk - The Man-Machine 08:04 ▄▀██▀
▄▀██▀ .03. Kraftwerk - Expo 2000 04:48 ▄▀██▀
▄▀██▀ .04. Kraftwerk - Tour De France 2003 04:49 ▄▀██▀
▄▀██▀ .05. Kraftwerk - Tour De France 05:31 ▄▀██▀
▄▀██▀ .06. Kraftwerk - Autobahn (Short) 05:47 ▄▀██▀
▄▀██▀ .07. Kraftwerk - Radioactivity 06:42 ▄▀██▀
▄▀██▀ .08. Kraftwerk - Trans Europe Express 09:45 ▄▀██▀
▄▀██▀ .09. Kraftwerk - Numbers...Computer World 07:27 ▄▀██▀
▄▀██▀ .10. Kraftwerk - The Robots 05:43 ▄▀██▀
▄▀██▀ .11. Kraftwerk - Aero Dynamik 06:37 ▄▀██▀
▄▀██▀ .12. Kraftwerk - Musique Non Stop 09:50 ▄▀██▀
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▄▀▄▀ (79:46 min) ▄▀▄▀
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▄▀██▀ MEMBERSHIP IS CLOSED DO NOT BOTHER US!!! ░██▄
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▀█▀ Just Say No To p2p!! ▄▀██░
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▀▐██▌ GREETZ THE BOSS CREW!!! ▄▀▄▄
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▄▀▄▄▀▄ Updated 10/08/2004 ▀█ █▄▄▀
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~BOSSLIVE20041007 ▀▀