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EODM (Eagles of Death Metal)- Zipper Down
Artist : EODM (Eagles of Death Metal)
Album : Zipper Down
Label : T-BOY/UME
Year : 2015
Genre : Rock Source : CDDA
Encoder : FLAC 1.2.1 Bitrate : 949kbps
Playtime : 34:21 Size : 234.22 MB
┌────────┐
───┤ Tracks ├──────────────────────────────────────────────────────────────────
└────────┘
Tracks:
01 Complexity 02:47
02 Silverlake (K.S.O.F.M.) 03:36
03 Got a Woman 02:02
04 I Love You All The Time 03:10
05 Oh Girl 04:09
06 Got The Power 03:28
07 Skin Tight Boogie 03:12
08 Got a Woman (Slight Return) 00:42
09 The Deuce 03:06
10 Save a Prayer 04:40
11 The Reverend 03:29
┌────────┐
───┤ Notes ├──────────────────────────────────────────────────────────────────
└────────┘
When Eagles of Death Metal released their debut album
in 2004, the garage rockers werenÆt under any
obligation to have a total of four albums to their
(excellent) name a decade later. Frontman Jesse Hughes
and the considerably more famous Josh Homme were
longtime friends who wanted to make music together,
which they did without delusions of grandeur. Zipper
Down is the bandÆs first album in seven years, which is
strange considering their beginnings: That debut, Peace
Love Death Metal, was recorded in three days, and the
bandÆs second and third albums came in Æ06 and Æ08, by
which point they were a fixture in modern, back-to-
basics rock.
One thing about EODM: The old songs sound exactly as
good as they did when they first came out. ThatÆs
because the sounds they pull from havenÆt changed ù the
list starts with Chuck Berry and ElvisÆ rock and roll
foundation, onto The Rolling StonesÆ Beggars Banquetû
Exile on Main St. period, The RamonesÆ reliable
immediacy, and some This Is Spinal Tap satire thrown in
for good measure. But while there are a lot of
comparisons to be made, the new album doesnÆt so much
sound or carry itself like one particular thing as much
as it captures the sweaty, fast-living energy that
spiritually unites those musicians who preceded it.
Homme has released albums with both Them Crooked
Vultures and Queens of the Stone Age since Heart On, so
itÆs especially good to have the relatively less
prolific Hughes back. Boots Electric, The Devil,
Fabulous Weapon, whatever you want to call him ù heÆs
one of rockÆs undeniable personalities. This comes
through in both his live performances and his lyrics,
which are relaxed and playful, except when theyÆre
semi-serious and playful. Zipper DownÆs ôSilverlake
(K.S.O.F.M.)ö, for example, is a parable about L.A.
hipsters; the douchey subjectÆs sense of entitlement
(ôDonÆt you know who I am?ö) becomes an admission of
self-doubt (ôI donÆt know who I amö). Still, that
typical nonchalance is fine, even the point of this
band. ItÆs not like you need to write an 11-minute song
about a womanÆs facial features or whatever to be an
effective rock lyricist.
While Zipper Down stays true to EODMÆs expected sound,
itÆs still a step forward. The guitar tones churn with
more muscle than ever, and the drums smack harder. The
album opens with ôComplexityö, the same song that
kicked off HughesÆ 2011 solo outing as Boots Electric,
Honkey Kong. But this version is arranged in sludgier
rock form. After all, EODM are still working with a
modest vanful of instrumentation (plus backing vocals
from HughesÆ fiance, porn star Tuesday Cross). From
there, things are usually just as raucous, and out of
that cohesive identity emerge individual songs that do
what fewer and fewer new rock songs do.
Zipper Down is EODMÆs first album since moving to major
label Universal, but you wouldnÆt know it from any
grand flourishes in the music. Sure, it sounds bigger
than the bandÆs first three albums, but this is still
EODM weÆre talking about, and the standout songs
confirm that to be a positive. ôGot a Womanö is a
hand-clapping, ôooh oohö-ing slasher thatÆs deservedly
reprised later in the album with ôGot a Woman (Slight
Return)ö. ôI Love You All the Timeö sweetens the
festivities with some country twang, not to mention
some lines in that most romantic of languages, French.
Later, the cover of Duran DuranÆs ôSave a Prayerö is
compulsively hummable, and things get religious again
with the next song and album closer, one last highlight
called ôReverendö, which nods to HughesÆ devout
Christianity.
Will it take seven years for EODM to release another
album? Hughes would be 50 then, and while itÆs probable
heÆd still be singing about women half his age, Zipper
Down has songs that should increase demand and motivate
them to release at least one more album this decade.
EODM always seemed to ooze their rock and roll spirit
effortlessly. While Zipper Down comes with a major
labelÆs stamp, it never feels far from EODMÆs
cigarette-ashy, beer-splashed beginnings or, for that
matter, the era-transcending music that inspires them.
Like Hughes and his signature Æ70s-indebted mustache,
Zipper Down makes familiarity refreshing.
┌────────┐
───┤GrpNotes├──────────────────────────────────────────────────────────────────
└────────┘