░ ░ ░
▄▄▄██ ░░ ░ ░░ ██▄▄▄ ░
▄▄▄▄███ ░ ▄███░░░█▄ ▒░░░▒▒ █▒▒░████ █▄▄ ░░
▄▄▄█████▓▒▒░▓██ ░ █░░░░░▒█ ▓▒░░▒▓ ██░░░░▓█ ▄███ ░░░ ▄▄
▄▄▄████▓▒▒░░░░░░░▒▒▓█ ░░ ▀█░░▒░░█ ▓▒░▓▓ █▓░░░▒██ ▒░█ ░░░ █████▄▄
▀██▓▒▒░░░░░░░░░░░▒░░▒▒██ ░░░░ █▒▒░▒▒██ ▓▓▒▓▀ █▒░▒░▓█ ▄░░█ ░░░░ █░░▒▓▓██▀
██▒▒░▒░░░░▒▒▓██████▀▀▀ ░░░░░░░ ▀█▓▒▒▒▓█▄ ▓██ ██▒▒▒░█▀ █░▒█ ░░▒ █░░░▒▓█▀
█▓░░░▒░███▀▀▀AyL.cRO ▄▄▄ ░░░░░ █░▄ ▀▒██ ▀▀▀ █▒▒░▒██ █▒░▒█ ░░▒ ██▒░░▒▓█
▀█▒▒░▒▒▒█ ░ ▄▄▄█████ ░░▒▒░ ▀ ███▄▄▄ ▀ ▀██▒▒▒██ ▄█░░██ ▒▒▓ █░░▒░▒█▀
█▓▒▒▒▒▒██ ▒ ▀██▓▒░▒▓█░ ▒░▒▒▒░░░ █░░░░████▄ ▒▒▓██ ▄█▒░▒█ ▄▓▓█ █▒░▒░▒█
██▒░▒░▒▓█ ▓█ ▀▀▀▀▀░▒█▒ ▒▒▒▒▒▒░░ █▒░░░░░█▀ ▄▒▓██ ▄█▒▒░░█▄▄ ▀▀ █░▒░▒▒█
█▒▒▒▒▒▓█ ▄▄▄███▄▐░█▓ ▒▒▓▓▓▒░░ █▒░▒░▒█▀ ▓▒▒█▀ █▓▒▓░▒▒▒██████▒▒▒░██
█▒▒▒▒▒▒████▓▒▒▒▓█▌▒██ ▓▓█▓▓▓ ▄█▒░░▒▒█ ▓▒▒▓█ █ █▒▓▓▒▒▒▒▒▒▓▓▒░░▒░▒█
█▓▒▒▓▒▓▓▓▓▓▒▓▒▓▓█▐░░██ ▓▀▀▀█▓ █▒░▒▒▒█ ▄▓▓▒▒█ ▀ █▒▓▒▓▓▓▒▒▒▒▒▒░▒▒▒▒█
██▒▓▒▒▒▓▒▓▓▓▓▓▒███▌░██ █ █▄ ▀ █▒▒▒▓██ █▒▒▒▒██ ██▒▒▓▒█████▓▒▒▒▓▒▒▓█
█▓▒▓▒▓▓████▀▀▀▀▀▐▄▒░█ ▀ ███▄ █▒▓▒▒█ █▓▓▒▒▓█ █▒▒▓▓▓█ ▄ ▀▀█▓▒▒▓▒██
█▓▒▒▓▓▓█ ▄▄▄ ▀█▒▒▓▒▒█ ██▓█▄ █▓▒▓▒█ ██▓▓▓▒█ ▀█▓▓▓▓█ ██▓ █▓▒▓▒▓█
█▓▒▓▓▒▓█ █▓▓ █▒▒▒▓▒██▄█▓▓██▄█▓▒▓██ ▄ █▓▒▓▓██ █▓▓▓██ ▓▓▓ █▓▓▓▓▓█
█▓▓▓▓▓▓██ ▓▒▒ ▀█▒▓▓▓▓█▓▓▓█▓▓█▓▓▓▓█ ▄█ █▓▓▓▓▓█▄ █▓▓█ ▒▓ █▓▓▓▓▓█▄
█▓▓▓▒▓▓▓█ ▒░░░ █▓▓▓▓▓▓▓▓███▓▓▓▓▒▓█ ▓▓ █▓▓▓▒▓▓█ ▀▓▓█ ▒░▓ ██▓▓▓▓▓▓█
█▓▓▓▓▓▓▓█ ░░░ ██▓▓▓▓▓▓█▀ ██▓▓▓▓██ ▒ █▓▓▓▓▓▓██▄ ▓█ ░░▒ █▓▓▓▓▓▓▓█
██▓▓▓▓▓▓▓██ ░░ █▓▓▓▓▓█▀ ▄ █▓▓▓▓█ ░ ██▓████▀▀ ▄▄██ ░▒ █▓▓▓▓▓▓▓█
█▓▓▓█████▀▀▀ ░░ ██▓▓▓█▀ ██ ▀█▓▓▓█ ░ ▄██▀▀ ▄▄▄█▄▄ ▀▀▀ ░░ ████▓▓▓▓█▄
██▀▀▀▀ ▄▄▄▄█▓▒ ░░ █▓▓██ ▓█▓▓ █▓▓██ ░ ▄ ▄▄█▀▀ ▀▀▀ ▀ ░░▄▄▄ ▀▀▀████
▄▄▄██████▓▒░░ ░░ ██▓█ ▓▓░▒ ▀███ ░▒▓█████▄▄▄▄▄
▀▀███████▓▒░ Ripped ░ ███ ▒▓░░░▒ ██ FUCK WHAT YOU HEARD! ░▒▓███████▀▀
░████▓▒░ by TEAM ░░ ██ ▒░░ ░░ ██ PRESENTS ░▒▓████░
▓███▒ FWYH ░░ █ ▒░ ░ ▀ ▒███▓
███▓ ▓███
▒███░ ARTiST....[ Graeme Revell ░███▒
███▒ TiTLE.....[ Musique Brute Collection ▒███
▓██▓ GENRE.....[ Electronic ▓██▓
███ LABEL.....[ The Fine Line Of Mute Records Limited ███
▓██░ KHZ.......[ 44,1 ░██▓
▒██▒ MODE......[ VBRkbps / Joint-Stereo ▒██▒
░██▒ ENCODER...[ Lame 3.90.3 ▒██░
▀▄ ▒██▓ REL.DATE..[ Nov-10-2004 ▓██▒ ▄▀
░ ▀██▄██▓ ▓██▄██▀ ░
░ ▀█▓▓█▄▄ ▄▄█▓▓█▀ ░
▒ ▀█▓▒░███▓▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▓███░▒▓█▀ ▒
▄███▀▀█▓▒▒██▀▀▀ [TRACKLiST]
▀▀▀██▒▒▓█▀▀███▄
▀█▓██ Nr. TRACK ∙∙∙∙∙∙∙∙∙ TiME:
██▓█▀
███ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ███
▓██ 01│ Graeme Revell - Nocturne (On An Oriental Theme) │ 04:08 ██▓
▓██ 02│ Graeme Revell - The Sleeping Sickness │ 04:32 ██▓
▓██ 03│ Graeme Revell - Melancholia │ 03:37 ██▓
▓██ 04│ Graeme Revell - La Danse Des TΘnΦbres │ 04:28 ██▓
▓██ │ (Dance Of Shadows) │ ██▓
▓██ 05│ Graeme Revell - Variation On The 'sakura' │ 05:32 ██▓
▓██ │ (Japanese Traditional) │ ██▓
▓██ 06│ Graeme Revell - Nature Morte (Still Life) │ 04:36 ██▓
▓██ 07│ Graeme Revell - Balinese Twilights │ 05:37 ██▓
▓██ 08│ Graeme Revell - Phobia (An Australian Theme) │ 03:05 ██▓
▓██ 09│ Graeme Revell - Invaders Of The Heart │ 04:19 ██▓
▓██ 10│ Graeme Revell - Et Spiritus Sanctus │ 03:54 ██▓
▓██ 11│ Adolf W÷lfli - Necropolis, Amphibians & Reptiles │ 04:13 ██▓
▓██ 12│ Adolf W÷lfli - Countess Saladine │ 02:31 ██▓
▓██ 13│ Adolf W÷lfli - Chimpnags-Apes Of The Union │ 04:38 ██▓
▓██ │ Canada: America │ ██▓
▓██ 14│ Adolf W÷lfli - Allgebrah │ 02:42 ██▓
▓██ 15│ Adolf W÷lfli - Ebony Tower In The Orient. Water │ 03:50 ██▓
▓██ │ Fanfaare No. 1 │ ██▓
▓██ 16│ Adolf W÷lfli - The BΣlli │ 02:19 ██▓
▒██ │ │ _____ ██▒
▄██ │ TOTAL:│ 64:01 min ██▄
█▓▓█▄▄
▄▄█▓▓█
▒ ▀█▓▒░███▓▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▓███░▒▓█▀
▒
▓ ██▓██▀▀ [RELEASENOTES] ▀▀██▓██ ▓
▄ █▓█ ∙∙∙∙∙∙∙∙∙∙∙∙ █▓█ ▄
▓ ███ GRAEME REVELL: born 1955 in New Zealand, now resident in the ███ ▓
▓ ███ U.S.A. ███ ▓
▓ ███ Received some classical training hut began his career in ███ ▓
▓ ███ music while training as a psychiatric nurse in Australia. ███ ▓
▓ ███ Formed the music/performance group "SPK" in 1978 and has ███ ▓
▓ ███ since worked predominantly in Europe. Studied philosophy in ███ ▓
▓ ███ France and now works as a film music composer. Established ███ ▓
▓ ███ MUSIQUE BRUT in 1985 of which he is a director. ███ ▓
▓ ███ "In order to do this project the justice it deserves, I have ███ ▓
▓ ███ tried to complete the picture of W÷lfli the composer by ███ ▓
▓ ███ reading his music in the classical sense (at least in 3 of ███ ▓
▓ ███ my pieces). Many of his annotations suggest that this is ███ ▓
▓ ███ what he had in mind at least some of the time e.g. this ███ ▓
▓ ███ directive he gives as to the reading of the mandala piece ███ ▓
▓ ███ COUNTESS SALADINE (1911) (Cf. P. 10): ███ ▓
▓ ███ 'The inner circle is the sol-clef, the outer circle is the ███ ▓
▓ ███ g-clef, beginning at the bottom.' ███ ▓
▓ ███ "Thus 1 gave to the COUNTESS SALADINE a straightforward ███ ▓
▓ ███ pianoforte representation using the system outlined en page ███ ▓
▓ ███ 5, and generating a consistent rhythm by treating W÷lfli's ███ ▓
▓ ███ own spatial arrangement of notes as its rhythm. lt is quite ███ ▓
▓ ███ remarkable how the resulting (a)tonality seems appropriate ███ ▓
▓ ███ for its time (not dissimilar to Satie bul pre-12-tone ███ ▓
▓ ███ Schoenberg). ███ ▓
▓ ███ "For NECROPOLIS, AMPHIBIANS AND REPTILES (1911) 1 took the ███ ▓
▓ ███ fragmentary chord progression and expanded it using ███ ▓
▓ ███ classical inversions etc. I used violin as the solo ███ ▓
▓ ███ instrument because this is the instrument most often ███ ▓
▓ ███ visually represented in his paintings. The ether elements ███ ▓
▓ ███ of the piece: rooks/toads/bells are all ornamental features ███ ▓
▓ ███ of nearly all W÷lfli's works. The EBONY TOWER IN THE ███ ▓
▓ ███ ORIENT. WATER/FANFARE #1(1904) is a typical example of his ███ ▓
▓ ███ early pieces which are purely ornamental hut which he still ███ ▓
▓ ███ always called "musical compositions". He had yet to develop ███ ▓
▓ ███ the more standard notation-the 'music' being more a function ███ ▓
▓ ███ of spatial arrangement. Hence this piece draws en the forms ███ ▓
▓ ███ therein circles (loops), bell strings (church bells), and ███ ▓
▓ ███ of course the fanfare (french horns) and the oriental scale ███ ▓
▓ ███ which derives, like the tower, from the Near Orient (perhaps ███ ▓
▓ ███ Turkey, the Balkans ... ). 1 also deliberately affected a ███ ▓
▓ ███ religious overtone which is in keeping with W÷lfli's texts, ███ ▓
▓ ███ populated as they are by saints (St. Adolf 11) and ███ ▓
▓ ███ religious symbols. ███ ▓
▓ ███ "THE B─LLI (1908) is a slightly later piece, and ene of the ███ ▓
▓ ███ first in which W÷lfli employed his variant of standard ███ ▓
▓ ███ musical notation. 1 have interpreted this piece in the ███ ▓
▓ ███ spirit of his imaginary travels to far flung corners of the ███ ▓
▓ ███ world, repeating the fragmentary melody en the marimba. ███ ▓
▓ ███ For the last 3 years of his life (1928-30), W÷lfli worked ███ ▓
▓ ███ ceaselessly en his Funeral March, his most ambitious work ███ ▓
▓ ███ and one that was most important to him. Unfinished, but ███ ▓
▓ ███ numbering some 3080 pages, it consists of collages and text, ███ ▓
▓ ███ the latter comprising short rhymes in dialect followed by ███ ▓
▓ ███ word series or phonetic structures which are separated by ███ ▓
▓ ███ time indications. This song, for in fact W÷lfli envisaged ███ ▓
▓ ███ these syllabic inventions as rows of tones (speech and music ███ ▓
▓ ███ becoming one), may be interrupted by short prayers or bible ███ ▓
▓ ███ quotations. ███ ▓
▓ ███ "The underlying structure of the Funeral March is as ███ ▓
▓ ███ follows: W÷lfli picks out an object or a persen from the ███ ▓
▓ ███ collage picture and makes a rhyme including its name and the ███ ▓
▓ ███ phrase 'i d'r Wiiga witt". Thus a single symbol unites the ███ ▓
▓ ███ real world and W÷lfli's private world, connecting in effect, ███ ▓
▓ ███ each series with every ether. Imaginary words, creatures, ███ ▓
▓ ███ places, and people, amalgamated and exaggerated from his own ███ ▓
▓ ███ experience and from magazines, are oirmipresent to an almost ███ ▓
▓ ███ intolerable degree. ███ ▓
▓ ███ "Interpretation of these tone poems remains an enigma, not ███ ▓
▓ ███ least to myself. So I have combined an example with a ███ ▓
▓ ███ funeral march for W÷lfli, played in his favourite country ███ ▓
▓ ███ brass band style, and inspired by an earlier painting which ███ ▓
▓ ███ depicts well his fabulously overbrimming universe. ███ ▓
▓ ███ CHIMPNAGS-APES OF THE UlNION CANADA:AMERICA is a final ███ ▓
▓ ███ homage to the joy and intense emotional contradictions in ███ ▓
▓ ███ all of W÷lfli's creation". ███ ▓
▓ ███ ███ ▓
▓ ███ The CD from Graeme Revell is called The Musique Brut ███ ▓
▓ ███ Collection and containes "Necropolis, amphibians and ███ ▓
▓ ███ reptiles, the music from Adolf W÷lfli", Combined with "the ███ ▓
▓ ███ insect musicians", all made or based upon sounds only from ███ ▓
▓ ███ insects. Not only for documentary reasons this work is ███ ▓
▓ ███ unmissable not to have heard at least once. The insect music ███ ▓
▓ ███ is sometimes more melodic as always as effective as in some ███ ▓
▓ ███ tracks. But certain tracks certainly don't miss its ███ ▓
▓ ███ effectiveness. The notes about it are interesting to read as ███ ▓
▓ ███ well. What Graeme did with W÷lfli's work is impressive. ███ ▓
▓ ███ ███ ▓
▓ ███ Tracks 1-10 from 'The Insect Musicians' LP - Musique Brut ███ ▓
▓ ███ (BRU 001). ███ ▓
▓ ███ Tracks 11-16 from Ravell's contributions to the 'Necropolis, ███ ▓
▓ ███ Amphibians & Reptiles' compilation LP - Musique Brut (BRU ███ ▓
▓ ███ 002). ███ ▓
▒ █▓░ ░▓█ ▒
▒ █▓░ ░▓█ ▒
▄░▀ ███▄ ▄███
▀░▄
░▀ ▄▄███▒░███▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄███░▒███▄▄ ▀░
▓ ██▓██▀▀ [GROUPNOTES] ▀▀██▓██ ▓
▄ █▓█ ∙∙∙∙∙∙∙∙∙∙ █▓█ ▄
▓ █▓║ WELCOME TO THE WORLD OF FWYH! We are a small force ║▓█ ▓
▓ █▓║ of crazy Electro People proving that no matter how ║▓█ ▓
▓ █▓║ big or small a group is,friendship and dedication, ║▓█ ▓
▓ █▓║ got us this far. Now, as we approach our second ║▓█ ▓
▓ █▓║ anniversary, we still strive for the best, we are ║▓█ ▓
▓ █▓║ learning the hard way, how to stand in the scene, ║▓█ ▓
▓ █▓║ our ideals and pride,will never jeopardize the fun ║▓█ ▓
▓ █▓║ that stills stands in our team, we do this to give ║▓█ ▓
▓ █▓║ quality releases for our ever growing number of ║▓█ ▓
▓ █▓║ friends and supporters in other groups & crews!!!! ║▓█ ▓
▓ █▓║ ║▓█ ▓
▓ █▓║ Our Membership is currently closed, and probably ║▓█ ▓
▓ █▓║ will be. That means we have NO need for anymore ║▓█ ▓
▓ █▓║ Rippers, Suppliers, or Traders. So, dont ask! And ║▓█ ▓
▓ █▓║ also, we are not reachable in any way, that time ║▓█ ▓
▓ █▓║ has passed, nowdays, Security is our main concern! ║▓█ ▓
▓ █▓║ Don┤t come banging on our door...save your time!!! ║▓█ ▓
▓ █▓║ ║▓█ ▓
▓ █▓║ Times have changed, and our attitude today, comes ║▓█ ▓
▓ █▓║ from the experience,that the scene cant last if ║▓█ ▓
▓ █▓║ things stand the way they are at the moment,we say ║▓█ ▓
▓ █▓║ NO to all kinds of p2p, and to those lamers that ║▓█ ▓
▓ █▓║ share their stuff that the scene can offer to all ║▓█ ▓
▓ █▓║ the world...all i can say...is that someday...you ║▓█ ▓
▓ █▓║ will miss to have that cd, that release, that svcd ║▓█ ▓
▓ █▓║ that game,well just Burn in Hell with FWYH Greetz! ║▓█ ▓
▓ █▓║ ║▓█ ▓
▓ █▓║ Ok..props to our friends in AMOK, AMRC, BCC, CMG ║▓█ ▓
▓ █▓║ ESC, RADIAL, RNS, SNS, UBE and VIC.....may we all ║▓█ ▓
▓ █▓║ continue to elevate the standards of our releases! ║▓█ ▓
▓ █▓║ ║▓█ ▓
▓ █▓║ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ║▓█ ▓
▓ █▓║ ║║║║║║║║║║║║║║║║║║║ GROUP NEWS ║║║║║║║║║║║║║║║║║║║ ▓█ ▓
▓ █▓║ ║▓█ ▓
▓ █▓║ Well, seems that somebody does not know the word ║▓█ ▓
▓ █▓║ TEAM. Yes,we are a team.There are no egos in here ║▓█ ▓
▓ █▓║ so whenever you see a rels tagged FWYH - but with ║▓█ ▓
▓ █▓║ some jerks name on it - well it is FAKED! So just ║▓█ ▓
▓ █▓║ press those keys..DELETE+ENTER..and get it over!! ║▓█ ▓
▓ █▓║ ║▓█ ▓
▓ █▓║ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ║▓█ ▓
▓ █▓║ ║▓█ ▓
▓ █▓║ Thank You Everyone for your support and we will ║▓█ ▓
▓ █▓║ continue to give you the releases you desire with ║▓█ ▓
▓ █▓║ true quality of the best releases ever! ║▓█ ▓
▓ █▓║ ║▓█ ▓
▓ █▓║ No Brains left here, lots of creativity, though.. ║▓█ ▓
▓ █▓║ ║▓█ ▓
▄░▓ ███▄ ▄███ ▀░▄
░▀ ▄▄███▒░███▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄███░▒███▄▄ ▀░
▄███▀▀█▓▒▒██▀▀▀ ▀▀▀██▒▒▓█▀▀███▄
▀█▓██ ASCii By AyLieN OF CHEMICAL REACTiON 2oo2! ██▓█▀
████ Updated on 11-2003 ████
████ ████
███ FWYH : in Joint-Stereo forces ███
██▄ with Lame 3.90.3 ▄██
██ Alive since 2001 ██
█▄ ▄█