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p r e s e n t s
Brain Damage - Walk The Walk (FX129)
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█▓ ██▓ ▀▀ ▀ ▀ ▀▀ ██▓ █▓
█▓ ██▓ ...artist : Brain Damage ██▓ █▓
█▓ ██▓ ....title : Walk The Walk (FX129) ██▓ █▓
█▓ ██▓ ....label : Jarring Effects (FR) ██▓ █▓
█▓ ██▓ ..cat.num : FX129 ██▓ █▓
█▓ ██▓ ....genre : Electronic ██▓ █▓
█▓ ██▓ .....year : 2015 ██▓ █▓
█▓ ██▓ .playtime : 42:58 min ██▓ █▓
█▓ ██▓ ......url : http://www.jarringeffects.net/ ██▓ █▓
█▓ ██▓ ██▓ █▓
█▓ ██▓ .rls.date : 10.20.2015 ██▓ █▓
█▓ ██▓ ...source : WEB ██▓ █▓
█▓ ██▓ ..quality : 320kbps / Stereo ██▓ █▓
█▓ ██▓ ...tracks : 10 ██▓ █▓
█▓ ██▓ .....size : 98.51 Mb ██▓ █▓
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█▓ █ 01 Walk The Walk Feat Ras Michael 04:31 █ █▓
█▓ █ 02 Vamp Dem Feat Kiddus I 03:56 █ █▓
█▓ █ 03 Lion and Goat Feat Winston Mc Anuff 04:34 █ █▓
█▓ █ 04 Mama Words Feat Horace Andy 03:58 █ █▓
█▓ █ 05 Pray Fi Di Youts Feat Willi Williams 04:40 █ █▓
█▓ █ 06 Fyah Bun Feat Willi Williams 04:13 █ █▓
█▓ █ 07 Youts Of Today Harry J 2015 Feat 03:42 █ █▓
█▓ █ Horace Andy █ █▓
█▓ █ 08 Birthday Song Feat Winston Mc Anuff 04:03 █ █▓
█▓ █ 09 Grandma Puddin Feat Kiddus I 04:51 █ █▓
█▓ █ 10 Love Makes The World Go Round Feat Ras 04:30 █ █▓
█▓ █ Michael █ █▓
█▓ █ 42:58 mn █ █▓
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▐█▓▌ █▓ http://www.jarringeffects.net/en/discograph █▓ ▐█▓▌
▐█▓▌ █▓ y/fx129_walk-the-walk █▓ ▐█▓▌
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▐█▓▌ █▓ and █▓ ▐█▓▌
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▐█▓▌ █▓ http://cd1d.com/en/album/walk-the-walk █▓ ▐█▓▌
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▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ New LP from french dub band █▓ ▐█▓▌
▐█▓▌ █▓ Brain Damage on Jarring Effects Records █▓ ▐█▓▌
▐█▓▌ █▓ bringing old school reggae all stars █▓ ▐█▓▌
▐█▓▌ █▓ vocalists to their groovy electronic music █▓ ▐█▓▌
▐█▓▌ █▓ :) █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Enjoy motherfuckers! █▓ ▐█▓▌
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▐█▓▌ █▓ ------------------------------------------- █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ From cd1d website: █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ THE PROJECT █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ The initial idea of the project was to █▓ ▐█▓▌
▐█▓▌ █▓ involve certain actors of this famous █▓ ▐█▓▌
▐█▓▌ █▓ generation that contributed in the 1960s / █▓ ▐█▓▌
▐█▓▌ █▓ 70s to create what reggae is, and by █▓ ▐█▓▌
▐█▓▌ █▓ extension, the dub. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Five veterans of the genre line then up █▓ ▐█▓▌
▐█▓▌ █▓ behind the microphone, all contemporaries, █▓ ▐█▓▌
▐█▓▌ █▓ but with totally diverse sensibilities and █▓ ▐█▓▌
▐█▓▌ █▓ backgrounds. Nowadays still superstar for █▓ ▐█▓▌
▐█▓▌ █▓ some of them like Horace Andy whose tone is █▓ ▐█▓▌
▐█▓▌ █▓ recognizable miles away, and who is used to █▓ ▐█▓▌
▐█▓▌ █▓ collaborate with Massive Attack, kind of █▓ ▐█▓▌
▐█▓▌ █▓ forgotten for some others like Kiddus I █▓ ▐█▓▌
▐█▓▌ █▓ that yet was, in 1978, the hero if a key █▓ ▐█▓▌
▐█▓▌ █▓ scene in the cult film ½ Rockers ╗, all of █▓ ▐█▓▌
▐█▓▌ █▓ them have kept their talents unimpaired. █▓ ▐█▓▌
▐█▓▌ █▓ This being the case of Willi Williams, █▓ ▐█▓▌
▐█▓▌ █▓ author of the timeless hit "Armagideon █▓ ▐█▓▌
▐█▓▌ █▓ Time", covered by The Clash as so many █▓ ▐█▓▌
▐█▓▌ █▓ others did, but also of Winston Mc Anuff █▓ ▐█▓▌
▐█▓▌ █▓ who never ceases to amaze us by █▓ ▐█▓▌
▐█▓▌ █▓ collaborating with French artists in a █▓ ▐█▓▌
▐█▓▌ █▓ marked contrast to reggae vibes (Camille █▓ ▐█▓▌
▐█▓▌ █▓ Bazbaz, Fixi, Java). █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Lastly, the dean Ras Michael, which was for █▓ ▐█▓▌
▐█▓▌ █▓ so many years one of the ambassadors of █▓ ▐█▓▌
▐█▓▌ █▓ Nyabinghi traditions on an international █▓ ▐█▓▌
▐█▓▌ █▓ scale, continues to blow us away by his █▓ ▐█▓▌
▐█▓▌ █▓ vocal interventions imbued with so much █▓ ▐█▓▌
▐█▓▌ █▓ spirituality, and by this unique style of █▓ ▐█▓▌
▐█▓▌ █▓ percussion-playing. For the span of one █▓ ▐█▓▌
▐█▓▌ █▓ studio session, all of them succeed in █▓ ▐█▓▌
▐█▓▌ █▓ blending into the musical universe █▓ ▐█▓▌
▐█▓▌ █▓ suggested by Brain Damage, and undertake █▓ ▐█▓▌
▐█▓▌ █▓ the stylistic exercise submitted by the █▓ ▐█▓▌
▐█▓▌ █▓ artist: writing most of their lyrics on the █▓ ▐█▓▌
▐█▓▌ █▓ theme of their childhood, the childhood, █▓ ▐█▓▌
▐█▓▌ █▓ youth and education. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ The outcome of these meetings is unique, a █▓ ▐█▓▌
▐█▓▌ █▓ singular combination of maturity and █▓ ▐█▓▌
▐█▓▌ █▓ genuineness, doubtless resulting from the █▓ ▐█▓▌
▐█▓▌ █▓ open-mindedness and talents of each █▓ ▐█▓▌
▐█▓▌ █▓ protagonist. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ BRAIN DAMAGE █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ With more than 11 albums behind him █▓ ▐█▓▌
▐█▓▌ █▓ already, Martin Nathan ventures since 15 █▓ ▐█▓▌
▐█▓▌ █▓ years into many artistic and stylistic █▓ ▐█▓▌
▐█▓▌ █▓ experiments, under the name of Brain █▓ ▐█▓▌
▐█▓▌ █▓ Damage. Alternately dark, atmospheric, █▓ ▐█▓▌
▐█▓▌ █▓ aggressive or poetic, his universe seems to █▓ ▐█▓▌
▐█▓▌ █▓ be constantly evolving, what may be the key █▓ ▐█▓▌
▐█▓▌ █▓ to his project longevity. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Acclaimed as one of the founders of the █▓ ▐█▓▌
▐█▓▌ █▓ French dub scene, he presents, early in █▓ ▐█▓▌
▐█▓▌ █▓ 1999, the first dub live-act of its kind in █▓ ▐█▓▌
▐█▓▌ █▓ France. After producing the famous ½ Brain █▓ ▐█▓▌
▐█▓▌ █▓ Booster ╗ track, embryo of the French dub- █▓ ▐█▓▌
▐█▓▌ █▓ steppa, he forges connections with some █▓ ▐█▓▌
▐█▓▌ █▓ masters of the style in the UK (Zion Train, █▓ ▐█▓▌
▐█▓▌ █▓ Alpha & Omega, The Disciples). 2002, in █▓ ▐█▓▌
▐█▓▌ █▓ London, alongside the singer Tena Stelin, █▓ ▐█▓▌
▐█▓▌ █▓ he composes the standard ½ Genetic Weapon █▓ ▐█▓▌
▐█▓▌ █▓ ╗, ù still recently taken over by OBF Sound █▓ ▐█▓▌
▐█▓▌ █▓ System ù, and produces afterwards his two █▓ ▐█▓▌
▐█▓▌ █▓ first albums on the Parisian label █▓ ▐█▓▌
▐█▓▌ █▓ Hammerbass. 2006, always accompanied by the █▓ ▐█▓▌
▐█▓▌ █▓ bassist Raphaδl Talis, he joins the label █▓ ▐█▓▌
▐█▓▌ █▓ Jarring Effects. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ A trilogy of three experimental and █▓ ▐█▓▌
▐█▓▌ █▓ conceptual opuses follows, developed in █▓ ▐█▓▌
▐█▓▌ █▓ collaboration with a host of international █▓ ▐█▓▌
▐█▓▌ █▓ artists (Black Sifichi, Mark Stewart, Hakim █▓ ▐█▓▌
▐█▓▌ █▓ Bey), openly breaking the codes and blowing █▓ ▐█▓▌
▐█▓▌ █▓ up the very boundaries of the style, where █▓ ▐█▓▌
▐█▓▌ █▓ he was a bit hastily catalogued. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ After his sidekick left, 2011 marks the █▓ ▐█▓▌
▐█▓▌ █▓ beginning of a new chapter, prompting into █▓ ▐█▓▌
▐█▓▌ █▓ new directions the project that becomes █▓ ▐█▓▌
▐█▓▌ █▓ more polymorphous than ever. Martin Nathan █▓ ▐█▓▌
▐█▓▌ █▓ balances then collaborations (High Tone, █▓ ▐█▓▌
▐█▓▌ █▓ Vibronics, Sir Jean) and his solo works, █▓ ▐█▓▌
▐█▓▌ █▓ getting always closer to the roots of his █▓ ▐█▓▌
▐█▓▌ █▓ favorite style. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ 2015 the realization in Kingston, Jamaica, █▓ ▐█▓▌
▐█▓▌ █▓ of a part of his upcoming album seems to █▓ ▐█▓▌
▐█▓▌ █▓ confirm it. His friendship with Samuel █▓ ▐█▓▌
▐█▓▌ █▓ Clayton Jr, sound engineer and █▓ ▐█▓▌
▐█▓▌ █▓ internationally respected producer (Steel █▓ ▐█▓▌
▐█▓▌ █▓ Pulse / Toots & the Maytals) was decisive █▓ ▐█▓▌
▐█▓▌ █▓ in the choice of this destination. This █▓ ▐█▓▌
▐█▓▌ █▓ essential figure in Jamaica indeed opens █▓ ▐█▓▌
▐█▓▌ █▓ the doors of the mythical Harry J Studio █▓ ▐█▓▌
▐█▓▌ █▓ (Bob Marley / Burning Spear) to Brain █▓ ▐█▓▌
▐█▓▌ █▓ Damage, and enables improbable connections █▓ ▐█▓▌
▐█▓▌ █▓ with legendary artists for unforgettable █▓ ▐█▓▌
▐█▓▌ █▓ studio sessions. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Kiddus I █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Born in 1944, Kiddus I became a legend in █▓ ▐█▓▌
▐█▓▌ █▓ 1978 in the most famous cult movie of █▓ ▐█▓▌
▐█▓▌ █▓ reggae "Rockers", he played a key scene █▓ ▐█▓▌
▐█▓▌ █▓ when he voiced the title Graduation In Zion █▓ ▐█▓▌
▐█▓▌ █▓ at Harry J' recording studio. Kiddus I was █▓ ▐█▓▌
▐█▓▌ █▓ always surrounded with all the legends of █▓ ▐█▓▌
▐█▓▌ █▓ reggae as he was a visionary and many █▓ ▐█▓▌
▐█▓▌ █▓ greats including some that are no longer █▓ ▐█▓▌
▐█▓▌ █▓ with us like Bob Marley, Jacob Miller and █▓ ▐█▓▌
▐█▓▌ █▓ Peter Tosh . █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ While artists such as Burning Spear, Inner █▓ ▐█▓▌
▐█▓▌ █▓ Circle or Gregory Isaacs could use the film █▓ ▐█▓▌
▐█▓▌ █▓ as a springboard for an international █▓ ▐█▓▌
▐█▓▌ █▓ career, you should not hear any Kiddus I █▓ ▐█▓▌
▐█▓▌ █▓ long player for long time. The reasons are █▓ ▐█▓▌
▐█▓▌ █▓ tragic and funny at the same time: the █▓ ▐█▓▌
▐█▓▌ █▓ master tapes of his recordings from 1978 █▓ ▐█▓▌
▐█▓▌ █▓ got lost as he calls himself today with a █▓ ▐█▓▌
▐█▓▌ █▓ charming self-deprecation "The Most █▓ ▐█▓▌
▐█▓▌ █▓ Recorded But Never Released Artist". █▓ ▐█▓▌
▐█▓▌ █▓ In 2004, he finally released his first █▓ ▐█▓▌
▐█▓▌ █▓ album because of the label Makasound. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Winston MC Anuff █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Born in 1957 in a pastor family he begins █▓ ▐█▓▌
▐█▓▌ █▓ by singing Gospel. During the 70's, he █▓ ▐█▓▌
▐█▓▌ █▓ released 2 albums which haven't been hits, █▓ ▐█▓▌
▐█▓▌ █▓ even if some tracks are lately famous as █▓ ▐█▓▌
▐█▓▌ █▓ "What Man Saw". Because of the label █▓ ▐█▓▌
▐█▓▌ █▓ Makasound releasing his albums Winston Mc █▓ ▐█▓▌
▐█▓▌ █▓ Anuff is late well-known in France. The man █▓ ▐█▓▌
▐█▓▌ █▓ nicknamed Electric Dread begins an intense █▓ ▐█▓▌
▐█▓▌ █▓ artistic activity with the album █▓ ▐█▓▌
▐█▓▌ █▓ "Nostradamus" but also with a range of █▓ ▐█▓▌
▐█▓▌ █▓ projects far from reggae with French █▓ ▐█▓▌
▐█▓▌ █▓ artists as Camille Bazbaz, M, Java or Fixi █▓ ▐█▓▌
▐█▓▌ █▓ the accordionist █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Horace Andy █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Born in 1951 in Kingston, Horace Hinds █▓ ▐█▓▌
▐█▓▌ █▓ begins his singer career at the age of16. █▓ ▐█▓▌
▐█▓▌ █▓ He was renamed Horace Andy by Coxsone Dodd, █▓ ▐█▓▌
▐█▓▌ █▓ a tribute to the equally legendary former █▓ ▐█▓▌
▐█▓▌ █▓ Paragon-turned-solo star Bob Andy. Justin █▓ ▐█▓▌
▐█▓▌ █▓ Hinds is cousin is also famous at this █▓ ▐█▓▌
▐█▓▌ █▓ time. The next few years saw Andy regularly █▓ ▐█▓▌
▐█▓▌ █▓ in the reggae charts with further singles █▓ ▐█▓▌
▐█▓▌ █▓ for Dodd. He leaves Dodds and collaborated █▓ ▐█▓▌
▐█▓▌ █▓ with Phil Pratt, Derrick Harriot, Ernest, █▓ ▐█▓▌
▐█▓▌ █▓ Jo Jo Hoo Kim, Harry J, Niney and many █▓ ▐█▓▌
▐█▓▌ █▓ more. Andy's most successful association █▓ ▐█▓▌
▐█▓▌ █▓ with a producer, however, was with Bunny █▓ ▐█▓▌
▐█▓▌ █▓ Lee in the middle part of the 1970s. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ In 1977, Andy emigrated to Connecticut and █▓ ▐█▓▌
▐█▓▌ █▓ immediately linked up with Hungry Town █▓ ▐█▓▌
▐█▓▌ █▓ labelhead Everton DaSilva. The end result █▓ ▐█▓▌
▐█▓▌ █▓ was the classic "In the Light" album and █▓ ▐█▓▌
▐█▓▌ █▓ its equally seminal dub companion remixed █▓ ▐█▓▌
▐█▓▌ █▓ by Prince Jammy. Andy next set up his own █▓ ▐█▓▌
▐█▓▌ █▓ label, Rhythm, and worked with Don Carlos, █▓ ▐█▓▌
▐█▓▌ █▓ Chaka Demus. █▓ ▐█▓▌
▐█▓▌ █▓ In 80's he moved to London where he met Jah █▓ ▐█▓▌
▐█▓▌ █▓ Shaka. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ The 1990 saw Andy's profile further raised █▓ ▐█▓▌
▐█▓▌ █▓ when he began collaborating with Bristol █▓ ▐█▓▌
▐█▓▌ █▓ trip hop pioneers Massive Attack, going on █▓ ▐█▓▌
▐█▓▌ █▓ to contribute to all five of their albums █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Willi Williams █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Born in 1953 he started to work with █▓ ▐█▓▌
▐█▓▌ █▓ Coxsone Doff in 1968 and had founded with █▓ ▐█▓▌
▐█▓▌ █▓ his 2 friends the famous sound system █▓ ▐█▓▌
▐█▓▌ █▓ "Tripletone". He produced artists including █▓ ▐█▓▌
▐█▓▌ █▓ Delroy Wilson, The Versatiles, Rhythm Force █▓ ▐█▓▌
▐█▓▌ █▓ (well known as Wailers). █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Through much of his career, Williams split █▓ ▐█▓▌
▐█▓▌ █▓ his time between Kingston, Jamaica and █▓ ▐█▓▌
▐█▓▌ █▓ Toronto, Canada, where he formed a close █▓ ▐█▓▌
▐█▓▌ █▓ association with Jamaican keyboard legend █▓ ▐█▓▌
▐█▓▌ █▓ Jackie Mittoo. He met up with Coxson Dodd █▓ ▐█▓▌
▐█▓▌ █▓ and Williams voiced the breakthrough track █▓ ▐█▓▌
▐█▓▌ █▓ "Armagideon Time" in 1979. Punk legends The █▓ ▐█▓▌
▐█▓▌ █▓ Clash helped internationalize "Armagideon █▓ ▐█▓▌
▐█▓▌ █▓ Time" in 1979 as a b-side to its "London █▓ ▐█▓▌
▐█▓▌ █▓ Calling" single and a standard part of its █▓ ▐█▓▌
▐█▓▌ █▓ live performances. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Then he recorded at Studio One many singles █▓ ▐█▓▌
▐█▓▌ █▓ and albums as " Armagideon Time " and █▓ ▐█▓▌
▐█▓▌ █▓ "Messenger Man". █▓ ▐█▓▌
▐█▓▌ █▓ t the beginning of the 90's he collaborated █▓ ▐█▓▌
▐█▓▌ █▓ with the English Jah Shaka for 2 albums and █▓ ▐█▓▌
▐█▓▌ █▓ produced the others on Drum Street Label. █▓ ▐█▓▌
▐█▓▌ █▓ Currently the compilation "From Studio One █▓ ▐█▓▌
▐█▓▌ █▓ to Drum Street " has known an international █▓ ▐█▓▌
▐█▓▌ █▓ success. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Ras Mikael █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Born in 1943 Michael George Henry grew up █▓ ▐█▓▌
▐█▓▌ █▓ in a Rasta community. In the 1960Æs Ras █▓ ▐█▓▌
▐█▓▌ █▓ Michael worked at Coxsone DoddÆs legendary █▓ ▐█▓▌
▐█▓▌ █▓ Studio One as a session musician and █▓ ▐█▓▌
▐█▓▌ █▓ created his own label Zion Disc. Ras █▓ ▐█▓▌
▐█▓▌ █▓ Michael is well known for being the first █▓ ▐█▓▌
▐█▓▌ █▓ member of the Rastafari movement to host a █▓ ▐█▓▌
▐█▓▌ █▓ reggae radio program in Jamaica. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ He also performed with Bob Marley, Lee █▓ ▐█▓▌
▐█▓▌ █▓ Scratch Perry at the famous Black Art █▓ ▐█▓▌
▐█▓▌ █▓ Studio. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ With his band "The Son of Negus" he █▓ ▐█▓▌
▐█▓▌ █▓ released many albums and became well famous █▓ ▐█▓▌
▐█▓▌ █▓ because of the traditional drumming, █▓ ▐█▓▌
▐█▓▌ █▓ dancing and chanting of the Nyabinghi █▓ ▐█▓▌
▐█▓▌ █▓ Rastaman. Nowadays he lives in the █▓ ▐█▓▌
▐█▓▌ █▓ Rastafarian International Marcus Garvey █▓ ▐█▓▌
▐█▓▌ █▓ Cultural Center in Los Angeles. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
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▄▄ ██▓ ▀▀██▄▄▓▀ ▄ ▐ ▌ ▄ ▀▓▄▄██▀▀ ██▓ ▄▄
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▄ ▄▓▄▐█▓▌ ▐██▓▌ ▐▓▌ ▐▓▌ ▐██▓▌ ▐█▓▌▄▓▄ ▄
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▀▀▀ ▄▄██▀▀▄▄▄▀▀ ▓ ▓ ▀▀▄▄▄▀▀██▄▄ ▀▀▀
▄▓▀ ▄█▀█▄▄▀▀▀ ▐ ▒ g r o u p n o t e s ▒ ▌ ▀▀▀▄▄█▀█▄ ▀▓▄
▐▓▌ ▐█▓▓▀ ▄▓▓▄ ▐ ░ ░ ▌ ▄▓▓▄ ▀▓▓█▌ ▐▓▌
▀▓▄ ▀▓▓▌ ▀▓▓▀▄▐ ▌▄▀▓▓▀ ▐▓▓▀ ▄▓▀
▄▓▄ ▀▀▄▄▄▀▀▄▄ ▀▓▀ ▀▓▀ ▄▄▀▀▄▄▄▀▀ ▄▓▄
▀▄█▓▄ ▄ ▀▀▀▄█▀▄ ▄▀█▄▀▀▀ ▄ ▄▓█▄▀
▌▀▓▓▀▄▄ ▀▓▄ ▀▓▌ ▐▓▀ ▄▓▀ ▄▄▀▓▓▀▐
▄▀▓▓▀ ▐▓▌ ▄▀ ▀▄ ▐▓▌ ▀▓▓▀▄
▀ ▀▓▀ ▄█▀▄▄ ▄▄▀█▄ ▀▓▀ ▀
▄▄▀▀▄█▀ ▀▓▄▀▀▄▄
▄▓▀ ▐▓▌ ▐█▓ ▀▓▄
█▓ █▓ We are a small group of rather friendly █▓ █▓
█▓ █▓ people (with few exceptions!) who'd prefer █▓ █▓
█▓ █▓ wasting their time releasing scatporn █▓ █▓
█▓ █▓ instead of ripping those crappy (mostly) █▓ █▓
█▓ █▓ electronic releases nobody even cares about. █▓ █▓
█▓ █▓ █▓ █▓
█▓ █▓ Of course we release all what we hate █▓ █▓
█▓ █▓ because hate is a much stronger feeling than █▓ █▓
█▓ █▓ love and when you think about it, there is █▓ █▓
█▓ █▓ no point wasting money on loved ones. █▓ █▓
█▓ █▓ █▓ █▓
█▓ █▓ Finally if you ever like one of our releases █▓ █▓
█▓ █▓ (and not only ours...), go fuck a goat, sell █▓ █▓
█▓ █▓ the video and buy the damn vinyl/cd/dvd ... █▓ █▓
█▓ █▓ ... that's double pleasure ! █▓ █▓
█▓ █▓ █▓ █▓
█▓ █▓ █▓ █▓
█▓ █▓ We would like to share a goat with the █▓ █▓
█▓ █▓ followings for their work and/or friendship, █▓ █▓
█▓ █▓ of course in -almost- no particular order: █▓ █▓
█▓ █▓ █▓ █▓
█▓ █▓ TrT - DPS - MAEM - mbs - bASS - kiNky - soup █▓ █▓
█▓ █▓ sour - XTC - FWYH - D2H - BCC - BOSS - FMR █▓ █▓
█▓ █▓ ETHNiC - CT - i8 - 1way - hM - SQ - HQEM █▓ █▓
█▓ █▓ hUSHhUSH - SiCKO - AEROHOLICS - BERC █▓ █▓
█▓ █▓ FNT - dL - SexSh0p - JustDifferent █▓ █▓
█▓▄ ▐▓▌ ▐▓▌ ▄█▓
▀█▓▄▄▀▀▄ ▄▀▀▄▄█▓▀
▌▀▀█▓▄█▀▄▄ defacing music since ▄▄▀█▄█▓▀▀▐
▄ ▄▓▄ ▀▀█▓▄█▀▀▄▄▄ 2004 ▄▄▄▀▀█▄█▓▀▀ ▄▓▄ ▄
▀▄▓▓▄ ▌ ▀▀█▓▄▄▀▀█▓▄▄ ▄▄█▓▀▀▄▄█▓▀▀ ▐ ▄█▓▄▀
▌▀▓▓▀▄█▓▄ ▀██▓▄ ▀█▓▄ ▄█▓▀ ▄██▓▀ ▄█▓▄▀▓▓▀▐
▄▓▀ ▀▓▓▀ ▐▓██▌ ▐▓█▌ ▐█▓▌ ▐██▓▌ ▀▓▓▀ ▀▓▄
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▀▀ ▀▓█████▌ ▀█▓ fU^rPC ▓█▀ ▐█████▓▀ ▀▀
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