Djinxx-Magnetic_Grooves_(Proton_Radio)_Live_25-12-2004-1REAL

Section
MP3/FLAC
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1REAL
Size
81,01 MB
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1
Date
2004-12-25

NFO

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                            1REAL  ░▄▄▄▄ ▄   ▄ ▄▄█░  PRESENTS
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              Djinxx - Magnetic Grooves (Proton Radio) Live 25-12

           ENCODER..: LAME 3.92         GRABBER..: Wavelab 4.1
           SOURCE...: CDDA              QUALITY..: 192kbps/44.1kHz
           TRACKS...: 01                GENRE....: House
           RIPPER...: 1REAL TEAM        YEAR.....: 2004
           RIP DATE.: 25.12.2004        LABEL....: none
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         Djinxx, The Soul Monkey's bounces

         Djinxx made a name for himself in the early 90s as a DJ in
         electronic music field: a time when everything has to be
         created from beats to lifestyle to career prospects. Born
         under the combined signs of dance and music, the southerner
         is aware of this legacy and defends the values of a living
         and dancing music as a DJ as well as a producer. His path,
         from the frantic dance floors to records production on
         Mangusta or F-Com, progressively compels recognition on the
         electronic scene.

         Djinxx on the move

         One of his pseudonyms, The Soul Monkey, gives a glimpse of
         Djinxx's disposition. The animal knows how to land on its
         feet. The man knows he has to try his luck and seize any
         opportunity. His path renders perfectly this theory. At the
         age of three, his father brought him in club (He was a
         night-addict in the true sense of the word. He was the one
         who passed on this culture to me). Not at all surprising
         that we meet up with the young Karim, as early as the age of
         twelve, in Italian clubs (he stayed there for nine years)
         where he used to work as a dancer, and in the south of
         France where he hosted hip-hop street battles and dance
         workshops. Yet, at the age of seventeen, a DJ being late
         caused him his first emotion behind the decks, in front of
         two thousands people. It marked a turning point: for some
         times he is lent a mixing gear, he practices organizing
         parties during his military service to come just at the
         right time for the house and techno revival in 1995: "radios
         didn?t play house music, there were good records released,
         mainstream parties didn?t exist. We were fighting to impose
         our style !".

         House music as a target

         Even if electro-funk tones have help Karim to be disciplined
         to electronic textures, even if techno was Djinxx's
         favourite scene when he started out, house music turns out
         to be the best medium between the DJ and the audience.
         Encounters began to give rhythm to his career like a bass
         drum beat punctuates a good dancing track: "it increases
         your self-esteem working with people who have some
         experience and things to tell with their music. To be an
         artist it is to be an entrepreneur as well. These kind of
         contacts make a career move forward".

         In 1998, just to poach on other territory, Djinxx left to
         Amsterdam during ten months, then in 2000, he flew to Miami
         to live the American dream. Djinxx found support with Eric
         Omores the French guy head honcho of Nikki Beach and Bash
         and with Tony Guerra from New Jimmy's. During three intense
         months Djinxx feels at home: he struggles to survive, mixes
         every week-ends hanging with artists such as Junior Sanchez,
         Ron Trent, Roy Davis Jr, Stacey Pullen and Paul Johnson. He
         is invited by George Morel (Groove On prod./Strictly Rhythm)
         in his studio where he stayed for two days. He even managed
         to run off with a second best DJ prize at the Winter Music
         Conference.

         On the vinyl

         On the production side, after he ran away to Miami, Djinxx
         blew his last US dollars in the purchase of machines and
         settled near Aix, in the mining city of Gardanne, "a kind of
         small-size Detroit" he likes to say.. The connection, made
         in Miami with Deep Touch, leads to the release of three
         titles. Then, with So True Recordings, the label set up by
         Djinxx in association with Limited Editions, some other
         compositions lead to a series of five EPs named The
         Unexpected.

         Some remixes will follow for producers such as Ron Carroll
         (The Sermon on Riviera, High Again on Black Jack), Sebastien
         Leger (Victory EP along with Josh Wink on Black Jack and
         Defected), Carlos Fauvrelle (Talking on Serial), David
         Duriez. In April 2003, Serial released The Time Out Gallery
         noticed, among others, by DJ Mag (rated 5/5 in their
         columns) and was elected "record of the month" by Roger
         Sanchez. At the same time Djinxx expands remixes of
         deep-house artist, keyboard player and producer, Neo
         (Smoking Blues et A Night in Marseille on Black Jazz)
         followed by a real collaboration with the musician on the
         double EP (Let's Have a Party), crossover between funky jazz
         and house music. And above all, our man christened
         Mangusta?s debut releases, another label from Grosso Modo
         Production galaxy with some unrealised EPs (My Clouds, In
         Your Heart, Rain in Africa, The Music Takes Control)
         heralding the album Travel Notes. This house music LP, all
         composed arranged and produced by Djinxx, released in June
         2003 gets good feedbacks from David Duriez, Josh Wink or
         Laurent Garnier. His singles receive a remix treatment by
         Stacey Pullen on In Focus, John Tejada and Didier Sinclair
         on In Your Heart Again. As regards the Youngsters and Fafa
         Monteco, they deliver a version of the very deep Music in
         Jamaica. Quite a nice lot. 2003/2004 marks a real turning
         point. On one hand, Djinxx settles in Paris gaining a
         foothold in the capital's clubs, on the other hand he is
         booked all over the world.

         In the course of the year, the machines race out of control
         with appeal from New York label ܎DO (one EP to be released
         in summer 2004). And, above all, Laurent Garnier hadn?t kept
         an eye on Djinxx during months for nothing: the impeccable
         label F-Com releases three tracks for the summer 2004: "Blue
         Flag" has for the occasion, led Djinxx on techno territories
         he well knows. The odds are this new bounce will not be the
         last.

         Herve Lucien May 2004-Translated by Raphael Messand

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          01. djinxx - magnetic grooves                 :  58:59
                                                           -----
                                           TOTAL  TIME  :  58:59
                                           TOTAL  SIZE  :  81,0 M
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            1REAL /1-REE-ILL/ n. 1 a group dedicated to bringing you
            the best in electronic live performances. cd's. vinyls.

            It's been a long time since we've updated this part of
            the nfo, probably because we dont have much to say here.
            We still don't. We probably never will. Our goals are
            still there, as are we, and all of our members.
            Our standards haven't dropped, they're higher than ever.

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            1REAL might be looking for new members, you never know.


            If you feel you have something to contribute, and want to
            be part of an open-minded, electronic focused group with
            plenty tall blonde swedish girls, come and find us.

            - TEAM 1REAL

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01-djinxx-magnetic_grooves_(proton_radio)_live_25-12-2004-1real.mp381,01 MB