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█╠█▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒█╣...OBSCENE PRESENTS...╠█▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒█╣█
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█╔═════╣ marshall watson -the time was later than he ╠═════╗█
█║░░░░█╩═══════════════════════════════════════════════╩█░░░░║█
█║░ ░║█
█║░ marshall watson ░║█
█║░ the time was later than he expected-(HPLL009) ░║█
█║░ Electronic ░║█
█║░ 09 ░║█
█║░ CDDA ░║█
█║░ 192kbps 44,1kHz / Full Stereo ░║█
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█╔═════════════════════╬▓▒╣TRACKLIST╠▒▓╬═════════════════════╗█
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█║ │ │ ║█
█║ Num│ TITLE │ TIME ║█
█╠════╬═════════─═══════════════════════════─═════════╬══════╣█
█║ 01 │ the dangerous empty │ 05:35║█
█║ 02 │ fifty in june │ 06:10║█
█║ 03 │ a boy in september │ 05:58║█
█║ 04 │ heart of mine beating │ 05:41║█
█║ 05 │ about the time i remembered │ 02:16║█
█║ 06 │ square wheels │ 06:08║█
█║ 07 │ lost at seven │ 05:50║█
█║ 08 │ early on later off │ 05:14║█
█║ 09 │ i could tell you everything │ 04:35║█
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█║ │ │ ║█
█║ │ ToTaL TiME : 47:27 min ║█
█║ │ SiZE : 65,3 MB ║█
█║ │ │ ║█
█╠╦═══╩────────────────────── ────────────────────╩═════╦╣█
█║█░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░█║█
█╚═════════════════════════╦█ █╦═════════════════════════╝█
███████████████████████████║║NOTES║║███████████████████████████
█╔═════════════════╝█ █╚═════════════════╗█
█║░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░║█
█║░ ░║█
█║░ Time is the main theme running ░║█
█║░ through Seattle-based Marshall ░║█
█║░ WatsonÆs first solo album. Entitled ░║█
█║░ The Time Was Later Than He Expected, ░║█
█║░ over half the track titles also refer ░║█
█║░ to moments in time (Fifty In June, A ░║█
█║░ Boy In September, About The Time I ░║█
█║░ Remembered, Heart Of Mine, Beating, ░║█
█║░ Lost At Seven, Early On Later Off). ░║█
█║░ It is however unclear whether these ░║█
█║░ are pure coincidences, an untold ░║█
█║░ obsession, or more prosaically a ░║█
█║░ concept. The latter sounds somewhat ░║█
█║░ unlikely considering the lack of ░║█
█║░ running theme through the music, and ░║█
█║░ the former lacks of romanticism. ░║█
█║░ Quoted in the press release ░║█
█║░ mentioning the impact of the weather ░║█
█║░ on his work, a further evidence, for ░║█
█║░ this reviewer, of the obsession ░║█
█║░ theory, Watson crafts a melancholic ░║█
█║░ piece of work where subtle sound ░║█
█║░ structures build up and alter the ░║█
█║░ atmospheric canvas of this record. ░║█
█║░ Watson has been involved with music ░║█
█║░ for a while now, originally through a ░║█
█║░ club night he ran in New Orleans with ░║█
█║░ Pete Lazonby, who has released ░║█
█║░ records for Pagoda Records and Hooj ░║█
█║░ Choons, before forming Polar ░║█
█║░ Frequencies, a techno dub project, ░║█
█║░ with Brian Geoghagan. After moving to ░║█
█║░ Seattle, Watson befriended local hip ░║█
█║░ -hop producer and Zero BPM Records ░║█
█║░ owner Jeremy Moss and had his first ░║█
█║░ track published on a compilation of ░║█
█║░ Seattle hip-hop and down tempo. ░║█
█║░ On Time Was Later Than He Expected, ░║█
█║░ Watson presents a varied collection ░║█
█║░ of gritty narrative electronica ░║█
█║░ moments, which act as sumptuous ░║█
█║░ backdrops for his atmospheric ░║█
█║░ ambiences. In just under fifty ░║█
█║░ minutes and nine tracks, Watson ░║█
█║░ creates short-to-medium-length ░║█
█║░ vignettes based around warm analogue ░║█
█║░ waves and hip-hop inspired beat ░║█
█║░ structures. As Watson collates ░║█
█║░ slightly introvert melodies and ░║█
█║░ applies gentle arrangements, with ░║█
█║░ discreet glitches occasionally ░║█
█║░ grazing the otherwise slick surfaces, ░║█
█║░ this album appears to gain confidence ░║█
█║░ as it progresses. If the opening ░║█
█║░ couple of tracks are interesting ░║█
█║░ enough pieces, the listener has to ░║█
█║░ look further down the album for the ░║█
█║░ stronger and more mature ░║█
█║░ compositions. Square Wheels or Lost ░║█
█║░ At Seven in particular demonstrate ░║█
█║░ WatsonÆs melodic aplomb and are ░║█
█║░ definitely very promising. When the ░║█
█║░ pace accelerates a tad and Watson ░║█
█║░ ventures out of his shell to explore ░║█
█║░ the world around him on Heart Of ░║█
█║░ Mine, Beating, the mood becomes ░║█
█║░ lighter and less controlled. Yet, the ░║█
█║░ man is obviously more at ease with ░║█
█║░ more restrained compositions. ░║█
█║░ The approximative production ░║█
█║░ sometimes lets this album down ░║█
█║░ slightly, yet it also gives it an ░║█
█║░ interesting unfinished feel and ░║█
█║░ fragility. The lack of sonic clarity ░║█
█║░ is balanced with warm clouds of ░║█
█║░ sound, making The Time Was Later Than ░║█
█║░ He Expected more than just an ░║█
█║░ interesting debut. ░║█
█║░ ░║█
█║░ http://www.themilkfactory.co.uk/revie ░║█
█║░ ws/mwatson_time.htm ░║█
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█║░ contact : obxcxxx@bk.ru ░║█
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